Cozy Historical Fiction

Selchester Castle in 1953 sits quiet and near-empty, its corridors echoing with glories of the past. Or so it seems to intelligence officer Hugo Hawksworth, wounded on a secret mission and now reluctantly assuming an altogether less perilous role at Selchester.

After crossing from England on the SS Celestiana, Lady Eleanor Swift sets up her home-away-from-home in a lavish apartment in New York City. She is soon the toast of the town, with no high-class soirée complete without her presence. Of course, she drags her butler Clifford and Gladstone the bulldog along to every party, too. But when she witnesses the charming doorman of her building, Marty, knocked down and killed in a hit-and-run, she finds fashionable society suddenly closes rank. The only local detective interested in helping her find the culprit is street-smart beat cop, Officer Balowski.

Beautiful and new in town, Ellen Langston-Jones doesn't have any enemies. So, when she's found dead in the communal gardens, Inspector Witherspoon quickly narrows the field of suspects down to one: Lucius Montague, who was seen threatening Mrs. Langston-Jones shortly before her death. The Inspector and all of London are positive that he's the killer, but Mrs. Jeffries has doubts.

It sounds idyllic: a leisurely drive through the sun-drenched landscape of Provence. But Charity's dream holiday turns into a nightmare when she becomes embroiled in a sinister plot to kidnap a young boy. She soon finds herself in a deadly pursuit and must uncover whom to trust...and whom to fall for.

The former Beatrice Hyde-Clare is having a little trouble adjusting to her new situation. Now installed as the duchess of Kesgrave in elegant splendor in Berkeley Square, she is confounded by the stately residence’s seemingly endless array of rooms. And every time one of the maids addresses her as "your grace", she flinches.

Like your mysteries cozy and set during the Golden Age of Crime? This is the first audiobook in the Posie Parker mysteries, although this novel can be enjoyed as a stand-alone story in its own right. Set in London in 1921, Murder Offstage is full of intrigue and red herrings. When Posie Parker’s childhood friend is robbed of a priceless jewel and becomes a suspect in a cold-blooded murder case, budding detective Posie vows she will clear his name.

Arriving in Cairo for another thrilling excavation season, Amelia is relaxing in a well-earned bubble bath in her elegant hotel suite in Cairo when a man with a knife protruding from his back staggers into the bath chamber and utters a single word - "murder" - before collapsing on the tiled floor, dead. Among the few possessions he carried was a sheet of paper with Amelia's name and room number.

Normally dead bodies in a graveyard are buried - but not this one. When a woman is found strangled in a North London cemetery with an old newspaper clipping clutched in her hand, Inspector Witherspoon is surprised to find that he and the victim have crossed paths before. Alice Robinson was a respectable widow who ran a quiet Islington lodging house. None of her lodgers have any apparent motive to murder their landlady.

Molly Murphy - now Molly Sullivan - is a year into her marriage, expecting her first child, and confined to the life of a housewife. She’s restless and irritable in the enforced idleness of pregnancy and the heat of a New York summer in 1905. So when a trip to the post office brings a letter addressed to her old detective agency asking her to locate a missing Irish serving maid, Molly figures it couldn’t hurt to at least ask around, despite her promise to Daniel to give up her old career as a detective. On the same day, Molly learns that five babies have been kidnapped in the past month.

Semi-retired private detective Molly Murphy Sullivan is suffering from depression after a miscarriage following her adventure in San Francisco during the earthquake of 1906. She and her husband, Daniel, are invited for Christmas at a mansion on the Hudson, and they gratefully accept, expecting a peaceful and relaxing holiday season. Not long after they arrive, however, they start to feel the tension in the house's atmosphere.

While Lady Violet Belmaine is busy sorting out the odd turns her life has recently taken, Hugh St. Sevier repairs to his Kent estate in hopes of embarking on the placid life of a rural physician. Alas, for St. Sevier, the village of St. Ivo has more secrets than it has pots of heartease, and the good doctor will once again find himself the target of rumors and threats. Somebody is rigging St. Ivo’s hound races, setting neighbor against neighbor, and turning what should be a friendly entertainment into an occasion for brawling.

"The horror on the train, great though it may turn out to be, will not compare with the horror that exists here, in this house." On Christmas Eve, heavy snowfall brings a train to a halt near the village of Hemmersby. Several passengers take shelter in a deserted country house, where the fire has been lit and the table laid for tea - but no one is at home. Trapped together for Christmas, the passengers are seeking to unravel the secrets of the empty house when a murderer strikes in their midst.

Venice, 1954. Rosy Gilchrist thinks luck may be on her side. Her boss at the British Museum has chosen her to travel to Venice to track down a rare edition of Horace's Odes for their collection. Things soon take a drastic downward spiral. A wealthy recluse offers a million-pound reward for anyone who can find the treasure. Soon Rosy finds herself in a race against time as her rivals will do anything for money. Even murder.

Under a bundle of mistletoe, art collector Daniel McCourt lies with his throat slit, a bloody sword next to his body. Inspector Witherspoon is determined to solve the case - preferably before the eggnog is ladled out on Christmas Eve - but of course he will require assistance from the always sharp-witted housekeeper, Mrs. Jeffries, who has a few of her own theories on why McCourt had to die by the sword.

While my beau, Darcy, is off on a mysterious mission, I am once again caught between my high birth and empty purse. I am therefore relieved to receive a new assignment from the queen - especially one that includes lodging. The king's youngest son, George, is to wed Princess Marina of Greece, and I shall be her companion at the supposedly haunted Kensington Palace. My duties are simple: help Marina acclimate to English life, show her the best of London, and, above all, dispel any rumors about George's libertine history.

When the body of a young woman is found near the ruins of a haunted abbey, everyone assumes she died of fright. A postmortem examination tells a different story. Not only was Elizabeth Barrett poisoned, but the lethal dose of cyanide must have been administered by someone close to her - someone she trusted, who may have known her secret. As Captain Redmond and Constable Haze delve into the victim's seemingly ordinary life, they learn she wasn't the proper, biddable wife everyone believed her to be.

Since the new Duchess of Kesgrave cannot be swayed from her unfortunate interest in dead bodies, Lady Abercrombie decides to confront the matter head-on by hosting a murder mystery dinner party. Gathering together several of society’s most influential members, she concocts an amusing puzzle-play, assigns roles, and stands back to allow Bea to impress them all with her ingenuity.

New York City, 1899. When it comes to show business, Gilded Age opera singer Ella Shane wears the pants. The unconventional diva breaks the mold by assuming "trouser roles"-male characters played by women - and captivating audiences far and wide with her travelling theater company. But Ella's flair for the dramatic takes a terrifying turn when an overacting Juliet to her Romeo drinks real poison during the final act of Bellini's I Capuleti e i Montecchi.

Evie, the countess of Woodridge, has come under fire from a newcomer to the small village of Halton, but she has no time to dwell on the woman's petty-minded criticisms. She is hosting three scriptwriters. Unfortunately, they are determined to set their murder mystery at Halton House. Evie's life is thrown into turmoil when reality begins to imitate fiction, and Henrietta, the dowager countess of Woodridge becomes the prime suspect in a villager's death.

When Inspector Witherspoon becomes the main suspect in a murder case, Scotland Yard refuses to let him investigate. But no one said anything about Mrs. Jeffries and her polished detection skills, proving that behind every great man there's a woman - and that a crime solver's work is never done.