Crime Culture

Cinema emerged alongside the rules that ushered in boxing’s modern age and the “squared circle” proved the ideal stage for cinematic display. The public had its first taste of the new medium in 1894 through a heavyweight bout, recognized today as the world’s first feature film. Smash Hit: Race, Crime, and Culture in Boxing Films uses twenty films as the basis of a hard-nosed exploration as to how the genre held a bloody mirror to twentieth century America’s most prominent social anxieties, elucidating two conjoined mediums that serve as bellwether to an ever-shifting cultural zeitgeist.

On the morning of July 16, 1964, a white police officer in New York City shot and killed a black teenager, James Powell. Two nights later, a peaceful demonstration in Harlem degenerated into violent protests. During the next week, thousands of rioters looted stores from Brooklyn to Rochester and pelted police with bottles and rocks. Michael W. Flamm draws on personal interviews and delves into the archives to move briskly from the streets of New York, where black activists like Bayard Rustin tried in vain to restore peace, to the corridors of the White House.

Can new language reshape our understanding of the past and expand the possibilities of the future? The Crime Without a Name follows Pitner’s journey to identify and remedy the linguistic void in how we discuss race and culture in the United States. Ethnocide, first coined in 1944 by Jewish exile Raphael Lemkin (who also coined the term “genocide”), describes the systemic erasure of a people’s ancestral culture.