Crime Detective Serial Killer

Daisy-Mae is now sure she’s awake. It’s not the cutting breeze or the musty smell that has her convinced, it’s the pain. You can’t dream pain. She is being held down, something tight over her arms, her chest too. She turns her head for a different view: a whitewashed wall, faded by time, scuffed to add to the impression of a building deserted in a hurry. But there is something in the room that looks fresh: graffiti. The letters spell out three words that are enough to have her retching again: DON’T WAKE UP. The next day Daisy-Mae’s friend also disappears.

A taunting letter, claiming violence and death to the vile people of Washburn County, puts Sergeant Jade Monroe and her staff of detectives on high-alert. The letter states they will see the author's work soon, but, without forensic evidence, Jade has no way of knowing who wrote the letter or its validity. When the first victim is discovered, the carnage promised in the letter is realized, and as the body count escalates, so does the depravity of the murders.

When Detective Natalie Ward is called to the home of 14-year-old Roxy Curtis she can’t help but empathise with Roxy’s distraught mother Cathy. Roxy hasn’t come home, last seen heading next door for a sleepover with her best friend Ellie. As the mother of two teenagers herself, Natalie knows that this is every parent’s worst nightmare. But when Roxy’s body is found in the basement of a beautiful Victorian mansion on the other side of town, Natalie’s darkest fears are confirmed. What was Roxy doing there? Cathy seems evasive, and Ellie refuses to talk.

Firefighters race to put out a blaze at a remote farmhouse. They discover two young girls alone in the house. Their mother is gone, and in her place is the dead body of a man, frozen naked in the fetal position. Two chess pieces made of ice have been left on the doorstep. Then it happens again. A missing woman. A frozen body. Chess pieces made of ice. Detective Dove Milson and her team are on the case, but time is running out to stop a serial killer.

When Detective Karen Hart hears a scream echoing out of beautiful Lincoln Cathedral one snowy evening, she is the first officer on the scene. In the chapel a man lies murdered, a bloody cross carved into his forehead. A note to the police from the murderer, signed by "The Cleanser", confirms their worst fears: this sadistic slaying is the first of many. When early leads become dead ends, Karen starts to wonder if there’s a link to a rumoured conspiracy within police ranks - particularly when an abrasive new officer is assigned to the case.

When a local school is the target of a bomb threat, DI Louise Blackwell finds herself embroiled in her most personal case to date. Not only is her niece among the terrified pupils—there’s also a chilling note hidden under the device: Next time you won’t be so lucky, DI Blackwell… The explosion of a nearby caravan offers a connection…and a suspect. But when he hangs himself after interrogation, leaving another note promising more carnage, Blackwell fears there’s an accomplice.

When a teenage girl flings herself off a cliff in pursuit of a gruesome death, DI Kelly Porter is left asking why. Ruled a suicide, there’s no official reason for Kelly to chase answers, but as several of her team’s cases converge on the girl’s school, a new, darker story emerges. One which will bring Kelly face-to-face with an old foe determined to take back what is rightfully his - no matter the cost.

Winner of the British Book Awards, Crime Thriller of the Year, 2007.
It's now a crucial time for Rebus. His superiors are getting increasingly impatient with his erratic behaviour, and his relationship with Siobhan becomes ever more complicated. And, most worryingly of all, as Rebus grows older, he is starting to feel closer to the criminals he fights than the force he works for.

When the fingers of dead women start showing up in the Supreme Court’s mail, ex-FBI Agent Jeremy Winter is brought back to the Bureau to aid in the investigation. Agent Maggie Keeley, his girlfriend and now boss, leads the search for the serial killer. Together, Jeremy and Maggie learn the five remaining cities on the murderer’s list, but they have no idea when the killer will strike or whom he will target. When they stumble upon a clue at the scene of a young woman’s death, the case focuses on an abandoned ramshackle home in sparsely populated west Texas.

When a girl's body is found at a Midlands storage unit, it is too decomposed for Detective Robyn Carter to read the signs left by the killer. No one knows the woman in blue who rented the unit; her hired van can't be traced. But as the leads run dry, another body is uncovered. This time the killer's distinctive mark is plain to see, and matching scratches on the first victim's skeleton make Robyn suspect she's searching for a serial killer.

For three years, Detective Jude Fontaine was kept from the outside world. Held in an underground cell, her only contact was with her sadistic captor, and reading his face was her entire existence. Learning his every line, every movement, and every flicker of thought is what kept her alive. After her experience with isolation and torture, she is left with a fierce desire for justice - and a heightened ability to interpret the body language of both the living and the dead.

When a cold, naked body is discovered by a couple on a jog through the lush woodlands of Pine Valley, California, new recruit Detective Katie Scott is stunned to discover the victim is Amanda Payton - a much-loved local nurse and the woman at the heart of an unsolved case she’s been investigating whilst getting a grip on her crippling PTSD. Weeks earlier, Amanda had run, battered and bruised, out into the headlights of a passing patrol car. She claimed to have just escaped a kidnapping, but with no strong evidence, the case went cold. The Pine Valley police made a fatal mistake....

Months after discovering the mastermind behind her own kidnapping, Detective Jude Fontaine is dealing with the past the only way she knows how: by returning to every dark corner of it. But it’s a new, escalating series of mass slayings that has become her latest obsession at Homicide. At first, Jude and her partner, Detective Uriah Ashby, can see no pattern to the seemingly random methods, the crime scenes, or the victims - until they’re approached by a brilliantly compulsive math professor.

When the body of single mother Melissa Rollins is found, trapped inside a bedroom closet in her immaculate suburban home, Detective Jo Fournier races to the scene. The small town of Greenfern is sweltering in a heat wave, and Jo is horrified to find that Melissa’s heating was turned up to the max while she died of thirst. Who would kill a devoted mother in such a cruel way? Searching the house for clues, Jo’s team discovers that the front door was locked from the inside. And with no sign of a break-in, they realize the killer must have been someone Melissa knew.

It's only 10 days since Douglas Remfry's release from prison, having served seven years for rape, and now he's dead: naked on a bare mattress in a grubby north London hotel room, his head hooded and his hands tied with a brown leather belt. Someone knew he was coming out. Someone wanted to mete out some punishment of his own. And when a second sex offender is found dead, DI Tom Thorne knows he has a vicious, calculating vigilante on his hands.

Ellery Hathaway knows a thing or two about serial killers, but not through her police training. She's an officer in sleepy Woodbury, Massachusetts, where a bicycle theft still makes the newspapers. No one there knows she was once victim number 17 in the grisly story of serial killer Francis Michael Coben. The only victim who lived. When three people disappear from her town in three years, all around her birthday - the day she was kidnapped so long ago - Ellery fears someone knows her secret. Someone very dangerous.

She’d been running for so long, it felt like her legs were on fire. Her heart was pounding so hard, she was sure it would give out. Around her, the snow was falling, casting an eerie silence over the town. A crack behind her, a foot snapping a branch, it warned her that he was still coming. She whipped around and saw the knife gleaming in his hand....

When Detective Morgan Brookes is called to Lake Thirlmere one frosty night, she’s devastated to find the body of a young woman positioned in front of the glistening reservoir. She has ligature marks on her limbs, glue residue on her eyes, and her beautiful face is as cold as ice. Knowing only a dangerous serial killer would arrange a scene so carefully, Morgan is in a race against time to stop them before more innocent lives are lost.

When the remains of a young woman are discovered on the edge of picturesque Saranac Lake, Detective Harlow Durant races to the scene. The victim is identified as 26-year-old Ellie Gordon - a seemingly normal girl, with no known enemies. Then, another body is discovered. The only connection, a man they used to date. With a small community reeling in shock, Harlow knows time is running out to piece together the only lead she has, before another woman loses her life. But soon, she is confronted by a woman who brings her face-to-face with the secret she's spent her life running from.

When the broken body of a seventy-one-year-old woman is found beneath the Humber Bridge, a sign around her neck with the words ‘Pure Evil’ spray-painted in red, Detective Hollie Turner can’t help but wonder–who would want this frail elderly woman dead? As she starts to delve into the victim’s personal life, Hollie discovers that the woman, Sister Brennan, ran a local mother and baby home at the Church of St Mary and the Angels. The unit may have shut down years ago, but the pain and anguish of those who were forced to give up their babies remains.