Crime Genre

Ten years ago, Theodora “Teddy” Angstrom’s older sister, Angie, went missing. Her case remains unsolved. Now Teddy’s father, Mark, has killed himself. Unbeknownst to Mark’s family, he had been active in a Reddit community fixated on Angie, and Teddy can’t help but fall down the same rabbit hole. Teddy’s investigation quickly gets her in hot water with her gun-nut boyfriend, her long-lost half brother, and her colleagues at the prestigious high school where she teaches English.

It's DS Logan McRae's first day back on the job after a year off on the sick, and it couldn't get much worse. Three-year-old David Reid's body is discovered in a ditch: strangled, mutilated and a long time dead. And he's only the first. There's a serial killer stalking the Granite City, and the local media are baying for blood. Soon the dead are piling up in the morgue almost as fast as the snow on the streets, and Logan knows time is running out. More children are going missing. More are going to die.

It is a society that is, officially, a paradise. Superior to the decadent West, Stalin's Soviet Union is a haven for its citizens, providing for all of their needs: education, health care, security. In exchange, all that is required is their hard work, and their loyalty and faith to the Soviet State. But now a murderer is on the loose.

Fuminori Nakamura's Akutagawa Prize-winner plunges us into the depths of a young man's winding, troubled psyche. An unnamed taxi driver in Tokyo has experienced a rupture in his everyday life. He cannot stop daydreaming of suicide, envisioning himself returning to the earth in what soon become terrifying blackout episodes. His live-in girlfriend, Sayuko, is in a similarly bad phase, surrendering to alcoholism to escape the memory of her miscarriage.

The third installment in Mario Puzo's epic chronicle of the Corleone crime family - one of the most enduring lineages in American literature and cinema - achieves a stunning crescendo with a story that imagines the role of the Mafia in the assassination of a young, charismatic president.

Kim Lord is an avant garde figure, feminist icon, and agent provocateur in the LA art scene. Her groundbreaking new exhibition, Still Lives, is comprised of self-portraits depicting herself as famous murdered women - the Black Dahlia, Chandra Levy, Nicole Brown Simpson, among many others - and the works are as compelling as they are disturbing, implicating a culture that is too accustomed to violence against women.

On its surface, life in Houston in the 1950s is as you'd expect: stoic fathers, restless teens, drive-in movies, and souped-up Cadillacs. But underneath lies a world shifting under high school junior Aaron Broussard's feet. There's a class war between the "haves" and the "have-nots" as well as a real war, Korea, happening on the other side of the world. It is against this backdrop that Aaron comes of age, trying to understand how first loves, friendship, violence, and power can alter what "traditional America" means for the people trying to find their way in a changing world.

Trois femmes vivaient dans un village. La première était méchante, la deuxième était menteuse, la troisième était égoïste. Elles possédaient pourtant un point commun, un secret en quelque sorte : toutes les trois rêvaient de fuir... Le jour paraît sur Giverny. Du haut de son moulin, une vieille dame veille, surveille. Le quotidien du village, les cars de touristes... Des silhouettes et des vies. Deux femmes, en particulier, se détachent : l'une, les yeux couleur nymphéa, rêve d'amour et d'évasion ; l'autre, onze ans, ne vit déjà que pour la peinture.

Dexter Morgan is not your average serial killer. He enjoys his day job as a blood spatter analyst for the Miami Police Department . . . but he lives for his nighttime hobby of hunting other killers. Dexter is therefore not pleased to discover that someone is shadowing him, observ­ing him, and copying his methods. Dexter is not one to tol­erate displeasure . . . in fact, he has a knack for extricating himself from trouble in his own pleasurable way.

Texas Ranger Rory Yates is not keen for hero status. But it's unavoidable once his girlfriend, country singer Willow Dawes, writes a song about his bravery. Rory escapes his newfound fame when he's sent to the remote West Texas town of Rio Lobo, a municipality with two stoplights. And now, according to the chief of police, it has one too many Texas Rangers. Rio Lobo Detective Ariana Delgado is the one who requested Rory and the only person who believes a local councilwoman's seemingly accidental death is a murder. Then, Rory begins to uncover a tangle of small-town secrets.

Los Angeles, 1958. Killings, beatings, bribes, shakedowns - it's standard procedure for Lieutenant Dave Klein, LAPD. He's a slumlord, a bagman, an enforcer, a power in his own small corner of hell. Then the Feds announce a full-out investigation into local police corruption, and everything goes haywire. Klein's been hung out as bait, "a bad cop to draw the heat", and the heat's coming from all sides.

Twenty-seven-year-old Kristi Bentz is lucky to be alive. Not many people her age have nearly died twice at the hands of a serial killer, and lived to tell about it. Her dad, New Orleans detective Rick Bentz, wants Kristi to stay in New Orleans and out of danger. But if anything, Kristi's experiences have made her even more fascinated by the mind of the serial killer.

Arcade and Daffodil are twins born one minute apart. With their fiery red hair and thirst for escape, they form an unbreakable bond nurtured by their grandmother’s stories. Together, they disappear into their imaginations and forge a world all their own.

Every summer for the past ten years, six awe-struck bakers have descended on the grounds of Grafton, the leafy and imposing Vermont estate that is not only the filming site for “Bake Week” but also the childhood home of the show’s famous host, celebrated baker Betsy Martin.

Part-time environmentalist and philanthropist Ben and his ex-mercenary buddy Chon run an independent Laguna Beach–based marijuana operation, reaping significant profits from an established clientele. But they may have come up against something that they can't handle---the Mexican Baja Cartel wants in, and saying no is unacceptable. When they refuse to back down, the cartel kidnaps Ophelia, the boys' playmate and confidante.

Twelve American tourists join an art expedition that begins in the Himalayan foothills of China - dubbed the true Shangri-La - and heads south into the jungles of Burma. But after the mysterious death of their tour leader, the carefully laid plans fall apart, and disharmony breaks out among the pleasure-seekers.

Four people in a car, hoping to make Chicago by morning. One man driving, eyes on the road. Another man next to him, telling stories that don’t add up. A woman in the back, silent and worried. And next to her, a huge man with a broken nose, hitching a ride east to Virginia.

Tom Ripley passes his leisured days at his French country estate tending the dahlias, practicing the harpsichord, and enjoying the company of his lovely wife, Heloise. Never mind the bloodstains on the basement floor.

The killer's methods are terrifying. He stalks the basements and underground passageways of New York City. He tattoos his victims' flesh with cryptic messages, using a tattoo gun loaded with poison, resulting in an agonizing, painful death. When a connection is made to the Bone Collector - the serial killer who terrorized New York more than a decade ago - Lincoln Rhyme and Amelia Sachs are immediately drawn into the case.

When called upon, she can talk the death out of the dying and save their lives—only once, never twice. But this truly unique gift comes at a price, rooting Weatherly to people who only want her around when they need her and resent her backwater ways when they don’t. Weatherly’s cousin Adaire also has a gift: she’s a Scryer and can see the future reflected back in dark surfaces. Right before she is killed in an accident, Adaire saw something unnerving, and that’s why Weatherly believes she was murdered—never thinking for a moment that it was an accident.