Crime Horror Fiction

America’s most-read, most-watched, and most­ beloved serial killer - Dexter Morgan - is back. After selling more than one million copies and inspiring the wildly popular number one Showtime series and top-rated crime drama on pay-cable television, New York Times best-selling author Jeff Lindsay returns with his most hilarious, macabre, and purely entertaining novel yet. Dexter Morgan has always lived a happy homicidal life. He keeps his dark urges in check by adhering to one stead­fast rule...he only kills very bad people.

It is the autumn of 1910, and for 15 long years, Sherlock Holmes and Dr. John Watson have battled R’lluhloig, the Hidden Mind that was once Professor James Moriarty. Europe is creeping inexorably towards war, and a more cosmic conflict is nearing its zenith, as in a single night all the most eminent members of the Diogenes Club die horribly, seemingly by their own hands. Holmes suspects it is the handiwork of a German spy working for R’lluhloig, but his search for vengeance costs an old friend his life.

Having been abandoned on the steps of an orphanage as an infant, lovable car thief and Dublin charmer Mahony assumed all his life that his mother had simply given him up. But when he receives an anonymous note suggesting that foul play may have led to his mother's disappearance, he sees only one option: to return to the rural Irish village where he was born and find out what really happened 26 years ago.

The novel opens in the present. At its center: Toby O’Dare—a contract killer of underground fame on assignment to kill once again. A soulless soul, a dead man walking, he lives under a series of aliases—just now: Lucky the Fox—and takes his orders from “The Right Man.”

>"Lily?" My stomach dropped as a tall, dark-haired man stepped into view. Had he been hiding between the trees? "No. Sorry." Gulping, I took a step back. "I'm not Lily." He shook his head, a satisfied grin on his face. "No. You are Lily." "I'm Summer. You have the wrong person." For months, Summer is trapped in a cellar with the man who took her - and three other girls: Rose, Poppy, and Violet. His perfect, pure flowers. His family. But flowers can't survive long cut off from the sun, and time is running out....

Dexter Morgan is not your average serial killer. He enjoys his day job as a blood spatter analyst for the Miami Police Department . . . but he lives for his nighttime hobby of hunting other killers. Dexter is therefore not pleased to discover that someone is shadowing him, observ­ing him, and copying his methods. Dexter is not one to tol­erate displeasure . . . in fact, he has a knack for extricating himself from trouble in his own pleasurable way.

Equal parts Dexter and Fifty Shades, this is the eagerly awaited follow-up to the daring erotic thriller The Girl in 6E by A.R. Torre.

It was the summer of 1965. Ray, Tim, and Jennifer were just three teenage friends hanging out in the campgrounds, drinking a little. But Tim and Jennifer didn't know what their friend Ray had in mind. And if they'd known, they wouldn't have thought he was serious. Then they saw what he did to the two girls at the neighboring campsite - and knew he was dead serious...Ray figured he was in the clear. Tim and Jennifer thought the worst was behind them, that the horrors were all in the past. They were wrong. The worst was yet to come.

A seemingly straightforward private case turns out to be much more complicated - and sinister - than Special Agent A. X. L. Pendergast ever could have anticipated. Pendergast, together with his ward, Constance Greene, travels to the quaint seaside village of Exmouth, Massachusetts, to investigate the theft of a priceless wine collection. But inside the wine cellar, they find something considerably more disturbing: a bricked-up niche that once held a crumbling skeleton.

Suburbia. Shady, tree-lined streets; well-tended lawns; and cozy homes. A nice, quiet place to grow up. Unless you are teenage Meg or her crippled sister, Susan. On a dead-end street, in the dark, damp basement of the Chandler house, Meg and Susan are left captive to the savage whims and rages of a distant aunt who is rapidly descending into madness. It is a madness that infects all three of her sons and finally the entire neighborhood. Only one troubled boy stands hesitantly between Meg and Susan and their cruel, torturous deaths.

When social worker Jax receives nine missed calls from her older sister, Lexie, she assumes that it’s just another one of her sister’s episodes. Manic and increasingly out of touch with reality, Lexie’s mental state has pushed Jax away for over a year. But the next day, Lexie is dead: drowned in the pool at their grandmother’s estate. When Jax returns to the house, she learns that Lexie was researching their family’s and the house’s history. And as Jax dives deeper into that research, she discovers that the land holds a far darker history than she could have ever imagined.

Growing up in a beautiful house in the English countryside, Katie Shaw lived a charmed life. At the cusp of graduation, she had big dreams, a devoted boyfriend, and a little brother she protected fiercely. Until the day a violent stranger changed the fate of her family forever. Years later, still unable to live down the guilt surrounding what happened to her brother, Chris, and now with a child of her own to protect, Katie struggles to separate the real threats from the imagined. Then she gets the phone call: Chris has gone missing and needs his big sister once more.

Nic is so much more than The Devil. The night of the auction changes everything. I thought I knew who he was and what was going to happen next. I had no idea how wrong I was.

It began with the whispers. In the woods, in the park, and always at night. Then they came into town, down dark alleys, and in the shadows. Before long, the black-eyed children were moving closer, until finally there was a knock on the door. When the couple were found dead with their faces frozen in horror, the children were nowhere to be seen. Until it happened again. Join Detective Sarah Noble as she investigates another dark case in the town of Slayton.

When Aidan Lloyd's bleak funeral is followed by a nocturnal ritual in the fog, it becomes all too clear that Aidan, son of a wealthy farmer, will not be resting in peace. Aidan's hidden history has reignited an old feud, and a rural tradition begins to display its sinister side. It's already a fraught time for Merrily Watkins, her future threatened by a bishop committed to restricting her role as diocesan exorcist for Hereford.

Following in the footsteps of notorious serial murderer Jack the Ripper, a killer is stalking the streets of London. The self-dubbed Ripper King strikes at night, leaving a trail of eviscerated bodies in his wake. Fresh off a case with potential ties to the recent rash of killings, FBI agents Della Hamilton and Mason Carter are all too familiar with a slayer set to rule with a lethal fist. And they’ll stop at nothing to end his reign.

Gates Foster lost his daughter, Lucy, 17 years ago. He's never stopped searching. Suddenly, a shocking new development provides Foster with his first major lead in over a decade, and he may finally be on the verge of discovering the awful truth. Meanwhile, Mitzi Ives has carved out a space among the Foley artists creating the immersive sounds giving Hollywood films their authenticity. Using the same secret techniques as her father before her, she's become an industry-leading expert in the sound of violence and horror, creating screams so bone-chilling, they may as well be real.

They call me a monster. Murderous and hateful. Beautiful but broken. Nothing can calm the ever raging storm inside of me. As the ruthless leader of the Doubeck family, there is a certain standard of brutality, I have to uphold. Then I meet her. Beautiful, innocent, and so very afraid. Valentina is a rival family's daughter, and the little temptress has purposely tangled herself in my dark web. She seeks me out, needing my help, but the price for what she wants will be steep.

They call me a playboy. Society’s pretty pet. What they don’t know is I’m so much more. My only directive was to keep her hidden, and safe. After everything she’s been through I’m the last person to offer comfort and care. I have little experience with either. Both of us have been broken by our pasts. But mine is catching up to me, and I would deal with it as I usually do: with total decimation. But that puts her in the crosshairs, and that’s unacceptable.

None of us ever agreed on the exact beginning. Was it when we started drawing the chalk figures, or when they started to appear on their own? Was it the terrible accident? Or when they found the first body?