Crime Horror Fiction

Against all odds, Constance has found a way back to the place of her origins, New York City in the late 1800s, and sets off on a quest to prevent the events that lead to the deaths of her sister and brother, and stop Manhattan’s most infamous serial killer, Dr. Enoch Leng of the seminal Pendergast novel The Cabinet of Curiosities, before his nefarious experiments come to fruition.

A young hospital security guard with a disturbingly unique taste in women. A maternity doctor with a horrifically unusual appetite. When the two of them meet, they embark on a journey of self-discovery while shattering societal norms and engaging in destructively aberrant behavior. As they unwittingly help each other understand a world in which neither seems to belong, they begin to realize what it truly means to be alive...and that it might not always a good thing.

The novel opens in the present. At its center: Toby O’Dare—a contract killer of underground fame on assignment to kill once again. A soulless soul, a dead man walking, he lives under a series of aliases—just now: Lucky the Fox—and takes his orders from “The Right Man.”

Lucas Tappan, a wealthy and eccentric billionaire and founder of Icarus Space Systems, approaches the Santa Fe Archaeological Institute with an outlandish proposal—to finance a careful, scientific excavation of the Roswell Incident site, where a UFO is alleged to have crashed in 1947. A skeptical Nora Kelly, to her great annoyance, is tasked with the job.

>"Lily?" My stomach dropped as a tall, dark-haired man stepped into view. Had he been hiding between the trees? "No. Sorry." Gulping, I took a step back. "I'm not Lily." He shook his head, a satisfied grin on his face. "No. You are Lily." "I'm Summer. You have the wrong person." For months, Summer is trapped in a cellar with the man who took her - and three other girls: Rose, Poppy, and Violet. His perfect, pure flowers. His family. But flowers can't survive long cut off from the sun, and time is running out....

AVERTISSEMENT : Âmes sensibles, passez votre chemin ! Vous allez plonger dans un abîme de noirceur et d'horreur, au plus profond de la perversité humaine. Ce livre audio est destiné à un public très averti et à des adultes consentants. Vous aurez été prévenus... Luigi Rémaux et Martial Zantiva sont deux jeunes hommes qui arrondissent leurs fins de mois en commettant des cambriolages dans leur région.

Suburbia. Shady, tree-lined streets; well-tended lawns; and cozy homes. A nice, quiet place to grow up. Unless you are teenage Meg or her crippled sister, Susan. On a dead-end street, in the dark, damp basement of the Chandler house, Meg and Susan are left captive to the savage whims and rages of a distant aunt who is rapidly descending into madness. It is a madness that infects all three of her sons and finally the entire neighborhood. Only one troubled boy stands hesitantly between Meg and Susan and their cruel, torturous deaths.

In the summer of 1988, the mutilated bodies of several missing girls begin to turn up in a small Maryland town. The grisly evidence leads police to the terrifying assumption that a serial killer is on the loose in the quiet suburb. But soon a rumor begins to spread that the evil stalking local teens is not entirely human. Law enforcement, as well as members of the FBI, are certain that the killer is a living, breathing madman - and he’s playing games with them.

Les clowns vous ont toujours fait peur ? L'atmosphère des fêtes foraines vous angoisse ? Alors, un petit conseil : ne vous aventurez pas sur une grande roue un soir d'orage.

The fourth book in this twisty, fast-paced mystery series, The Horror at Murden Cove locks you on a storm-battered island with a killer whose motive is so deranged, you'll have to listen to this audiobook twice to believe it.

Things are getting desperate for Maya and her friends. Hunted by the powerful St. Clouds and now a rival Cabal as well, they're quickly running out of places to hide. And with the whole world thinking they died in a helicopter crash, it's not like they can just go to the authorities for help. All they have is the name and number of someone who might be able to give them a few answers. Answers to why they're so valuable, and why their supernatural powers are getting more and more out of control.

Documentary filmmaker Alice Lindstedt has been obsessed with the vanishing residents of the old mining town, dubbed “The Lost Village”, since she was a little girl. In 1959, her grandmother’s entire family disappeared in this mysterious tragedy, and ever since, the unanswered questions surrounding the only two people who were left - a woman stoned to death in the town center and an abandoned newborn - have plagued her. She’s gathered a small crew of friends in the remote village to make a film about what really happened.

An introduction to a visiting anthropologist doing research for a book she is writing on cannibals soon reveals the sinister underbelly to what newlyweds Lyn and Philip had thought was an idyllic island lifestyle. The anthropologist soon exposes them to a flesh-eating culture they had assumed no longer existed, and they find themselves being dragged into a world of fear that no honeymoon should include. How they deal with the situation will become a test of their courage and their newly consecrated marriage.

Dexter Morgan is not your average serial killer. He enjoys his day job as a blood spatter analyst for the Miami Police Department . . . but he lives for his nighttime hobby of hunting other killers. Dexter is therefore not pleased to discover that someone is shadowing him, observ­ing him, and copying his methods. Dexter is not one to tol­erate displeasure . . . in fact, he has a knack for extricating himself from trouble in his own pleasurable way.

A seemingly straightforward private case turns out to be much more complicated - and sinister - than Special Agent A. X. L. Pendergast ever could have anticipated. Pendergast, together with his ward, Constance Greene, travels to the quaint seaside village of Exmouth, Massachusetts, to investigate the theft of a priceless wine collection. But inside the wine cellar, they find something considerably more disturbing: a bricked-up niche that once held a crumbling skeleton.

You knew a teenager like Charlie Crabtree. A dark imagination, a sinister smile - always on the outside of the group. Some part of you suspected he might be capable of doing something awful. Twenty-five years ago, Crabtree did just that, committing a murder so shocking that it's attracted that strange kind of infamy that only exists on the darkest corners of the internet - and inspired more than one copycat.

A psychopath is terrorizing Copenhagen. His calling card is a “chestnut man” - a handmade doll made of matchsticks and two chestnuts - which he leaves at each bloody crime scene. Examining the dolls, forensics makes a shocking discovery - a fingerprint belonging to a young girl, a government minister’s daughter who had been kidnapped and murdered a year ago. A tragic coincidence - or something more twisted? To save innocent lives, a pair of detectives must put aside their differences to piece together the Chestnut Man’s gruesome clues.

The Silence of the Lambs is an instant classic of chilling psychological suspense. From the tormenting words of homicidal maniac Hannibal Lecter and the flesh-rending depravity of an elusive killer to the sheer courage of a young FBI novice who risks her life to track him down and stop the bloodshed, this critically acclaimed audio production, narrated by Kathy Bates, has an unforgettable intensity.

When a routine autopsy on what looked like a straightforward hit-and-run leads the LA Chief Medical Examiner, Dr Carolyn Hove, to discover some puzzling inconsistencies, she calls in Detective Robert Hunter of the LAPD Ultra Violent Crimes Unit. Not only did Dr Hove discover that the death wasn’t caused by a hit-and-run, but she also found indications that the victim had been severely tortured prior to death.

John Wayne Cleaver is dangerous, and he knows it. He's obsessed with serial killers, but really doesn't want to become one. So for his own sake, and the safety of those around him, he lives by rigid rules he's written for himself, practicing normal life as if it were a private religion that could save him from damnation. Dead bodies are normal to John. They don't demand or expect the empathy he's unable to offer. Perhaps that's what gives him the objectivity to recognize that there's something different about the body the police have just found behind the Wash-n-Dry Laundromat - and to appreciate what that difference means.