Crime Mystery Fiction

Ice: The fighting cage made me a monster, and that's what came out when they freed me. She thinks I saved her from monsters, but she just fell into the hands of an even bigger one. She also thinks we're falling in love. She's wrong. I forgot how to do that. Besides, love's not what I want from her. She should've run away from me when I told her to do it. Because now it's too late. Barbie: I'm not letting him toss me aside. I'm staying right where I am, in his arms, and in his bed, and on the back of his bike.

Cameron Winter is troubled in heart and mind. He's plagued by memories of his time as a government operative investigating a notorious Turkish sex trafficker. The fact that the mission was left unfinished still haunts him and threatens to tear him apart. In the midst of his painful soul-searching, Winter crosses paths with an ex-flame—his first love—and the chance encounter ignites a passion he thought was long lost. But just as soon as she wanders back into Winter's life, the woman vanishes, leaving Winter scrambling to track her down.

No outsiders are ever admitted to the monastery of Saint-Gilbert-Entre-les-Loups, hidden deep in the wilderness of Quebec, where two dozen cloistered monks live in peace and prayer. They grow vegetables, they tend chickens, they make chocolate. And they sing. Ironically, for a community that has taken a vow of silence, the monks have become world-famous for their glorious voices, raised in ancient chants whose effect on both singer and listener is so profound it is known as “the beautiful mystery.”

When Alex MacLure’s friend and colleague dies he is determined to carry on her research into ancient Egypt. He finds she has left him a coded message, and, as he tries to make sense of it all, he discovers she was murdered. And now the murderer needs to silence him. With only a few clues and a mysterious object, Alex follows a trail from London to Cairo. He must crack the code and expose a shocking and inconceivable truth before the secret is buried for ever.

Alex Mercer is no stranger to kidnappings. The emotional scars still run deep from his sister's disappearance years earlier. His daughter Ariana remains safe long after her adoption, and he cherishes the few times a year he gets to see her. The joy is palpable when he takes her on their first one-on-one outing. At least until he pauses to answer a text and Ariana disappears. Wracked with guilt and determined to find answers, Alex teams up with an unlikely ally at the police department.

Hi, I'm Keshav, and my life is screwed. I hate my job and my girlfriend left me. Ah, the beautiful Zara. Zara is from Kashmir. She is a Muslim. And did I tell you my family is a bit, well, traditional? Anyway, leave that. Zara and I broke up four years ago. She moved on. I didn't. I drank every night to forget her, I called, I messaged, and stalked her on social media. She just ignored me. However, that night, on the eve of her birthday, Zara messaged me. She called me over, like old times, to her hostel room 105.

Caroline Overington's stunning fiction debut is a multi-voiced novel centred around a child's death and its terrible repercussions. In 1982 Victorian police were called to a home on a housing estate an hour west of Melbourne. There, they found a five-year-old boy lying still and silent on the carpet. There were no obvious signs of trauma, but the child, Jacob, died the next day. The story made the headlines, and hundreds attended the funeral. Few people were surprised when the boy's mother and her boyfriend went to prison for the crime.

Kelp has a plan, and John Dortmunder knows that means trouble. His friend Kelp is a jinx, and his schemes, no matter how well intentioned, tend to spiral quickly out of control. But this one, Kelp swears, is airtight. He read it in a book.

In county lock-up for a traffic charge, Kelp came across a library of trashy novels by an author named Richard Stark. The hero is a thief named Parker whose plans, unlike Kelp and Dortmunder's, always work out. In one, Parker orchestrates a kidnapping so brilliant that, Kelp thinks, it would have to work in real life.

By all accounts, Carol and Roy Opgard are doing quite well for themselves. Or at least they are doing as well as can be expected in a small town like Os. Carl manages the area's swanky and successful spa, while Roy runs the local gas station and dreams of building it into an entire amusement park complete with a roller coaster. But then news breaks about a new highway that will bypass Os and leave the town cut off and isolated. Something has to be done about that, even if the methods need to be dirty. Fortunately, Roy and Carl have experience with dirty work.

Another day, another hijacked body. And just 13 hours to solve a murder…Detective Vincent Graves has made a habit of dying. Waking up in someone else’s body isn’t pleasant, especially when it's inside a coffin with tons of dirt pressing down on it. Once he’s out, he learns his soul has 13 hours to find the borrowed body’s killer. With the help of a brilliant FBI agent, Vincent’s quest for clues leads to a looming supernatural presence. And escaping the dark threat may be impossible with his ever-ticking clock… Can Vincent close the case in time?

'Sara! Remember! Victoria and Albert. All I can say. They're here. They're - ' These are the last words Sara Prior will ever hear from her husband. As DS Nathan Cody struggles to make sense of the enigmatic message and solve the brutal murder, it soon becomes clear that Sara is no ordinary bereaved wife. Taking the investigation into her own hands, Sara is drawn into a world of violence that will lead her in a direction she would never have suspected. For Cody, meanwhile, things are about to get personal in the darkest and most twisted ways imaginable.

In the U.N. building in New York City, a US Ambassador contracts an unknown virus after opening a threatening letter. In a slum near Paris, a rogue geneticist is found dead, tortured and defiled. His last message, a desperate plea for help, was sent to an old friend and fellow outcast, the ex-CIA agent and former mercenary named Hawker. Consumed by thoughts of revenge but fighting to see the truth, Hawker teams up with NRI operative Danielle Laidlaw on a quest to find the killers and track down the secrets his dead friend may have lost or sold.

Death is reporter Jack McEvoy's beat: his calling, his obsession. But this time, death brings McEvoy the story he never wanted to write - and the mystery he desperately needs to solve. A serial killer of unprecedented savagery and cunning is at large. His targets: homicide cops, each haunted by a murder case he couldn't crack. The killer's calling card: a quotation from the works of Edgar Allan Poe. His latest victim is McEvoy's own brother. And his last...may be McEvoy himself.

Ben Ripley may only be in middle school, but he's already pegged his dream job: CIA or bust. Unfortunately for him, his personality doesn't exactly scream "secret agent". In fact Ben is so awkward, he can barely get to school and back without a mishap. Because of his innate nerdiness, Ben is not surprised when he is recruited for a magnet school with a focus on science - but he's entirely shocked to discover that the school is actually a front for a junior CIA academy.

A master storyteller at his best - the O. Henry Prize winner Stephen King delivers a generous collection of stories, several of them brand-new, featuring revelatory autobiographical comments on when, why, and how he came to write (or rewrite) each story. Magnificent, eerie, utterly compelling, these stories comprise one of King's finest gifts to his constant fan. "I made them especially for you," says King. "Feel free to examine them, but please be careful. The best of them have teeth."

In the middle of the night, a controversial US senator is found murdered in bed in his Georgetown pied-à-terre. The police turn up only one clue: a mysterious rhyme signed "Jack and Jill" promising that this is just the beginning. Jack and Jill are out to get the rich and famous, and they will stop at nothing until their fiendish plan is carried out. No one in Washington is safe - not children, not politicians, not even the president of the United States. Only Alex Cross has the skills and the courage to crack the case.

A teenage girl is found murdered, encased in glass. Detective Dove Milson is called out to a chilling murder scene by the coast. The murder is a replica of the work of a serial killer known as the Glass Doll Murderer, who entombed his victims in glass to watch them die. He would've be the prime suspect, but he's already dead. The kicker? Dove's own niece was one of the Glass Doll's original victims.

As a member of a New York Mafia family, Levi Yoder's role is unique: He's a fixer, a solver of problems, a man whose code puts loyalty above all else, yet he's a man with a conscience. In the Inside Man, Levi's search for the kidnapped grandchild of a Japanese mob boss plunges him into a world filled with chaos. When he's falsely accused of a heinous series of crimes, the FBI makes Levi an offer he can't refuse: use his mob connections to help investigate the murders of several undercover agents or find himself in jail awaiting trial, without a way to clear his name.

Everyone is always telling Stone Barrington that he’s too smart to be a cop, but it’s pure luck that places him on the streets in the dead of night, just in time to witness the horrifying incident that turns his life inside out. Suddenly he is on the front page of every New York newspaper and his life is hopelessly entwined in the increasingly shocking life (and perhaps death) of Sasha Nijinsky, the country’s hottest and most beautiful television anchorwoman.

When Theodora Scott met Connor—wealthy, charming, and a member of the powerful Dalton family—she fell in love in an instant. Six months later, he’s brought her to Idlewood, his family’s isolated winter retreat, to win over his skeptical relatives. Stay away from Connor Dalton.Theo has tried to ignore the threatening messages on her phone, but she can’t ignore the footprints in the snow outside the cabin window or the strange sense of familiarity she has about this place. Then, in a disused cabin, Theo finds something impossible: a photo of herself as a child. A photo taken at Idlewood.