Crime Noir

Local weather reporter Suzanne Maretto craves nothing more than to transcend life at her suburban cable television news station and follow in the footsteps of her idol: Barbara Walters. When she concludes that her unglamorous husband is getting in the way of her dream of stardom, the solution seems obvious: Get rid of him. She seduces a 15-year-old admirer, Jimmy, and persuades him to do her dirty work. Mission accomplished, Suzanne takes to the airwaves in her new role as grieving widow, in search of a TV deal. If that means selling Jimmy down the river, she’s ready.

Desperate to complete the last chapter of his law thesis on workplace dynamics for women to secure his tenure, Professor Stanley Hopkins stumbles on an old close college friend, Donald Johansson, who has plenty of female employees. The problem is that Donald is a porn video king. Taking his wife to California’s seedy city of Burbank to help with taping interviews, Stanley realizes he is in way over his head the moment a leading porn star is brutally killed in Donald’s office during a party.

When old bones are discovered buried beside an A road, it becomes clear that Leon Martin—dubbed "The Ken Doll Killer" by the tabloid press—may not have taken his life 21 years ago. As Boyd investigates the old case file, it becomes clear that there may be new bodies buried at lay-bys around the country—more than that, something incredible was overlooked by the original investigating team.

A victim killed with a single, precise stab to the heart appears at first glance to be a robbery gone wrong. A caring, upstanding social worker lost to a senseless act of violence. But for Detective Kim Stone, something doesn't add up. When a local drug addict is found murdered with an identical wound, Kim knows instinctively that she is dealing with the same killer. But with nothing to link the two victims except the cold, calculated nature of their death, this could be her most difficult case yet.

Usé par des années de lutte stérile contre le crime, l'incorruptible commissaire Yeruldelgger a quitté la police d'Oulan-Bator. Plantant sa yourte dans les immensités du désert de Gobi, il a décidé de renouer avec les traditions de ses ancêtres. Mais sa retraite sera de courte durée. Deux étranges cavalières vont le plonger bien malgré lui dans une aventure sanglante qui les dépasse tous.

Most homicide detective teams run on trust, loyalty, and the shared desire to put killers behind bars. Frank Bennett's partner, Eden Archer, thrives on darkness and danger. She has a rare talent for catching killers - but her idea of justice has little to do with courtrooms. Now three girls are missing, and Eden is going undercover to a remote farm where the troubled hide and blood falls more often than rain. Frank’s job is to keep an eye on his partner while she's there - but is it for Eden's protection, or to protect others from her?

When Rudd, a troubled teenager, embarks on a school research project, he runs across the secret Mormon ritual of blood sacrifice and its role in a 1902 murder committed by the grandson of Brigham Young. Along with his newly discovered half brother, Rudd becomes swept up in the psychological and atavistic effects of this violent, antique ritual. As the past and the present become an increasingly tangled knot, Rudd is found—with minor injuries and few memories—at the scene of a multiple murder on a remote campsite.

When single-mother Devon Connor hires Elvis Cole, it’s because her troubled teenage son Tyson is flashing cash and she’s afraid he’s dealing drugs. But the truth is devastatingly different. With two others, he’s been responsible for a string of high-end burglaries, a crime spree that takes a deadly turn when one of them is murdered and Tyson and his girlfriend disappear. They stole the wrong thing from the wrong man, and, determined to get it back, he has hired two men who are smart and brutal and the best at what they do.

Un tueur à gage tombe amoureux de sa cible... Logen, ville de la déchéance humaine. Ville dans laquelle les sirènes de police ont remplacé les chants des oiseaux, où les gangs s'affrontent sans relâche au milieu d'une population pauvre et sans défense, ou presque. Soit t'y nais et tu te bats, soit t'y crèves. La drogue, les armes sont mon quotidien. Tout est une question de calculs, de fric, de choix. Un contrat signé : tuer l'autre pour de l'argent. Facile, tellement fait et refait que ça sera rapide. Mais cette fois-ci, la nana à liquider me plaît. Son nom ? Amyliana.

Albinus, a respectable, middle-aged man and aspiring filmmaker, abandons his wife for a lover half his age: Margot, who wants to become a movie star. When Albinus introduces her to Rex, an American movie producer, disaster ensues. What emerges is an elegantly sardonic and irresistibly ironic novel of desire, deceit, and deception, a curious romance set in the film world of Berlin in the 1930s.

A medio camino entre la novela negra y la crónica social de una América en crisis, Los hombres tienen miedo a la luz es sobre todo un poderoso retrato de un hombre y una mujer atrapados por la violencia y los extremismos de nuestro tiempo.

Detective Chief Inspector Roberta Steel got caught fitting up Jack Wallace - that's why they demoted her and quashed his sentence. Now he's back on the streets, and women are being attacked again. Wallace has to be responsible, but if Detective Sergeant Steel goes anywhere near him, his lawyers will get her thrown off the force for good. The Powers That Be won't listen to her, not after what happened last time. According to them, she's got more than enough ongoing cases to keep her busy.

On a snowy winter morning, an abandoned shipping container is discovered near Reykjavík. Inside are the bodies of five young women - one of them barely alive. As Icelandic Police detective Daníel struggles to investigate the most brutal crime of his career, Áróra looks into the background of a suspicious man, who turns out to be engaged to Daníel's former wife, and the connections don't stop there.

When Jordie Bennet and Shaw Kinnard lock eyes across a disreputable backwater bar, something definitely sparks. Shaw gives off a dangerous vibe that makes men wary and inspires women to sit up and take notice. None feel that undercurrent more strongly than savvy businesswoman Jordie, who doesn't belong in a seedy dive on the banks of a bayou. But here she is...and Shaw Kinnard is here to kill her.

When fifteen-year-old Oscar Dreyer-Hoff disappears in this “masterpiece” (Booklist, starred review), the police assume he’s simply a runaway—a typically overlooked middle child doing what teenagers do all around the world. But his frantic family is certain that something terrible has happened. After all, what runaway would leave behind a note that reads:

It’s been more than 20 years since Olof Hagström left home. Returning to his family’s house, he knows instantly that something is amiss. The front door key, hidden under a familiar stone, is still there. Inside, there’s a panicked dog, a terrible stench, water pooling on the floor: The father Olaf has not seen or spoken to in decades is dead in the bathroom shower.

Rouen, aprile 1983. Ophélie, sette anni, ha visto tutto o quasi. Ma il padre non è l’unico colpevole. Un altro uomo avrebbe potuto salvare la madre. Da allora Ophélie ha un solo obiettivo, ritrovare i testimoni, mettere insieme i pezzi del puzzle che le rivelerà la verità e, con pazienza, compiere la sua vendetta... Orfanella in un centro di accoglienza, alunna ribelle, poi universitaria che si muove con una falsa identità, ogni tappa della vita di Ophélie sarà segnata dalla sua ossessiva e sconvolgente ricerca.

Paul Madvig was a cheerfully corrupt ward-heeler who aspired to something better: the daughter of Senator Ralph Bancroft Henry, the heiress to a dynasty of political purebreds. Did he want her badly enough to commit murder? And if Madvig was innocent, which of his dozens of enemies was doing an awfully good job of framing him? Dashiell Hammett’s tour de force of detective fiction combines an airtight plot, authentically venal characters, and writing of telegraphic crispness. A one-time detective and a master of deft understatement, Hammett invented the noir crime novel.

Alto, corpulento, con barba y melena, sombrero de ala ancha y botas de vaquero, el texano Roy Cady lleva unos años ejerciendo de matón profesional en Nueva Orleans. Roy es un tipo tranquilo, comprensivo, capaz de ver el lado filosófico de las cosas, lo cual no le impide ser implacable cuando la ocasión lo requiere. Pero su vida da un giro radical el día que le diagnostican un cáncer avanzado. De pronto, sus puntos de referencia se trastocan, y el relieve de la realidad cobra una nueva dimensión.

His name is Dex. He's huge, terrifying, and has an edge to him that I shouldn't find intriguing, but I do. He's also the enforcer to a rival family, and my current prison guard. Dex wants me. I can see it in his eyes. Feel it in his innocent touch. He could break me with ease. But he hasn't. Instead, he's threatened to cut off any hand that dares to try. If I didn't know any better, I'd say he cares about me. But blood means everything in this world, and we're on opposite sides of a war. After all, I'm the Romano mafia princess. He's nothing but an Allegretti.