Crime Noir

A disappearance. A missing brother. A lawyer asking questions. And a vast forest in the mountains—the western woods—where the trees huddle close together emanating a crushing darkness and a chill dampness fills the air. The ranger, In-su Park, who lives nearby with his family, is a recovering alcoholic. He claims no knowledge of the man who disappeared, even though the missing man had worked as the ranger just before him. In the little village down the mountain, the shopkeepers will do the same and deny they ever saw or knew the man.

Southend-on-Sea, Essex: Detective Sergeant Tomek Bowen — driven, dogged, and haunted by the death of his brother — is called to one of the most shocking crime scenes he has ever seen. A man has been ritualistically murdered and dumped in an allotment near the local airport. Early investigations indicate this was a man with a past. A past that earned him many enemies. But when another victim is found murdered under similar circumstances, it becomes clear that Bowen is on the trail of a serial offender.

When a prominent Manhattan lawyer is murdered, two estranged sisters - one the dead man’s widow, the other his ex - must set aside mistrust and old resentments...but can they escape their past?

None of us ever agreed on the exact beginning. Was it when we started drawing the chalk figures, or when they started to appear on their own? Was it the terrible accident? Or when they found the first body?

Gates Foster lost his daughter, Lucy, 17 years ago. He's never stopped searching. Suddenly, a shocking new development provides Foster with his first major lead in over a decade, and he may finally be on the verge of discovering the awful truth. Meanwhile, Mitzi Ives has carved out a space among the Foley artists creating the immersive sounds giving Hollywood films their authenticity. Using the same secret techniques as her father before her, she's become an industry-leading expert in the sound of violence and horror, creating screams so bone-chilling, they may as well be real.

Summer, 1968. Martin Luther King and Robert Kennedy are dead. The assassination conspiracies have begun to unravel. A dirty-tricks squad is getting ready to deploy at the Democratic Convention in Chicago. Black militants are warring in southside L.A. The Feds are concocting draconian countermeasures. And fate has placed three men at the vortex of History.

Icelandic sisters Áróra and Ísafold live in different countries and aren‘t on speaking terms, but when their mother loses contact with Ísafold, Áróra reluctantly returns to Iceland to find her sister. But she soon realises that her sister isn’t avoiding her...she has disappeared. As she confronts Ísafold’s abusive, drug-dealing boyfriend Björn, and begins to probe her sister’s reclusive neighbours, Áróra is led into an ever-darker web of intrigue and manipulation.

Addison McKellar isn’t clueless—she knows she and her husband Dean don’t have the perfect marriage—but she’s still shocked when he completely vanishes from her life. At first Addison is annoyed, but as days stretch into a week and she’s repeatedly stonewalled by Dean’s friends and associates, her frustration turns into genuine alarm. When even the police seem dismissive of her concerns, Addison turns to her father’s old friend, legendary Memphis PI Porter Hayes.

Dans un appartement, un jeune homme gît dans un bain de sang sans qu'il y ait le moindre signe d'effraction ou de lutte. Pas d'arme du crime, rien que cette entaille en travers de la gorge de la victime. Et dans sa poche, des cachets de Rohypnol, connu sous le nom de drogue du viol... Runolfur a-t-il violé une femme qui s'est ensuite vengée ? Un châle trouvé sous le lit va mettre Elinborg, l'inspectrice qui remplace Erlendur, sur la piste d'une jeune femme.

In the field of country noir—the dark side of rural and small-town America—Lansdale staked his claim to East Texas with The Nightrunners. A '66 Chevy bears down on the countryside, with a carful of vicious teenagers and evil of Biblical proportions, in this terrifying morality tale of sex and violence.

GBH, short for Grievous Bodily Harm, is an unnerving tale of paranoia and madness in the heart of the 1970s London criminal underworld. Two intertwining narratives - past and present - chronicle the man's tragic fall from power. In London, Fowler resides at the head of a lucrative criminal syndicate that specializes in the production and distribution of "blue films" - illegal pornography and some nasty stuff. Fowler is king, with a beautiful girl at his side and a swanky penthouse office....

"Tu vas promener Bello à cette heure ? demanda Monika, surprise. - Oui, juste une petite promenade. - Vas-y avec Janus. Je n'aime pas te savoir toute seule. Il se fait tard. - Non, je n'ai pas envie d'y aller avec Janus. Il est trop bête !"

Some cases never leave you. For John Rebus, 40 years may have passed, but the death of beautiful, promiscuous Maria Turquand still preys on his mind. She was murdered in her hotel room on the night a famous rock star and his entourage were staying there, and Maria's killer has never been found. Meanwhile, the dark heart of Edinburgh remains up for grabs.

Insomniaques, passez votre chemin. Dix ans que le privé Win Lockwood attend ce moment. Dix ans qu'il tente de retrouver la trace de deux enfants kidnappés. Et l'un d'eux est là, devant lui, dans cette ruelle malfamée de Londres. Win touche au but. Le happy end est proche. Mais le garçon lui échappe. Retour à la case départ. Le moment est venu pour Win d'appeler du renfort : son associé, son meilleur ami, le détective Myron Bolitar.

Iceland, 1956. Fourteen-year-old Lára decides to spend the summer working for a couple on the small island of Videy, just off the coast of Reykjavík. In early August, the girl disappears without a trace. Time passes, and the mystery becomes Iceland‘s most infamous unsolved case. What happened to the young girl? Is she still alive? Did she leave the island, or did something happen to her there? Thirty years later, as the city of Reykjavík celebrates its 200th anniversary, journalist Valur Robertsson begins his own investigation into Lára's case.

Although the Green Dolphin is a bar of ill repute, it is there that Tancred Palmieri, a thief with elegant and erudite tastes, meets Willow Azarian, an aging heroin addict. She reveals to Tancred that her very wealthy father has recently passed away, leaving each of his five children a mysterious object that provides one clue to the whereabouts of a large inheritance. Willow enlists Tancred to steal these objects from her siblings and solve the puzzle.

Everyone in the small town of Central City, Texas loves Lou Ford. A deputy sheriff, Lou's known to the small-time criminals, the real-estate entrepreneurs, and all of his coworkers - the low-lifes, the big-timers, and everyone in-between - as the nicest guy around. He may not be the brightest or the most interesting man in town, but nevertheless, he's the kind of officer you're happy to have keeping your streets safe. The sort of man you might even wish your daughter would end up with someday. But behind the platitudes and glad-handing lurks a monster the likes of which few have seen.

All that’s left of her is a depression in the dirt and a pool of blood. Robert Maxim is ruthless, powerful, and determined to find her. April Madden is a preacher’s wife, and Sydney’s mother. She’s willing to risk everything...her sobriety, her marriage, even her faith, to hunt for her daughter. But they can’t find Sydney Rye if she doesn’t want to be found. ISIS has a new enemy, a ghost haunting their territory, infecting their flock with radical ideals. They will do anything to capture her. Their reign depends on this new prophet’s destruction.

Bryson Wilde, investigator for hire, lives in an edgy world where the dames are dangerous, cigarettes dangle from ruby-red lips, and the nights are hotter than whiskey-soaked jazz. In R. J. Jagger’s riveting noir thriller, A Way with Murder, Wilde finds himself entangled in two deadly assignments, one for a young, raven-haired attorney on the run after visiting an archeological site in Mexico, and the other for a pretty, little doll-face, who is too mysterious to trust and too hypnotic to resist.

The Living. Erlendur works nights. He’s a young officer in Traffic, not yet a detective. And Reykjavik’s nights are full of car crashes, robberies, drinkers and fighters. Sometimes an unexplained death. The Lost. A homeless man Erlendur knows is found drowned. But few people care. Or when a young woman on her way home from a club vanishes. Both cases go cold. The Searcher. Two lost people from two different worlds. Erlendur is not an investigator, but his instincts tell him their fates are worth pursuing.