Crime Noir

A big-shouldered, big-trouble thriller set in mobbed-up 1920s Chicago - a city where some people knew too much and where everyone should have known better - by the Oscar-nominated screenwriter of The Untouchables and Pulitzer Prize-winning playwright of Glengarry Glen Ross. Mike Hodge - veteran of the Great War, big shot of the Chicago Tribune, medium fry - probably shouldn't have fallen in love with Annie Walsh. Then again, maybe the man who killed Annie Walsh should have known better than to trifle with Mike Hodge.

Nordland. A region in the Norwegian Arctic; a remote valley that stretches from the sea up to the mountains and the glacier of the Blue Man. It is May. In Nordland it's a time of spring and school-leavers' celebrations - until Daniel, a popular teenage boy, goes missing. Conflicting stories circulate among his friends, of parties and wild behaviour. As the search for Daniel widens, the police open a disused mine in the mountains. They find human remains, but this body has been there for decades, its identity a mystery.

When PI Dave Wakeland is hired by a terminally ill woman to discover the whereabouts of her adopted child, who disappeared as an adult more than a decade earlier, it seems like just another in a string of poor career decisions. Wakeland is a talented private investigator with next to zero business sense. And even though he finds himself with a fancy new office and a corporate-minded partner, he continues to be drawn to cases that are usually impossible to solve and frequently don’t pay. But it turns out this case is worse than usual, even by his standards.

When poor little New Hampshire rich girl Mindy Hollis gets lost in Los Angeles, her big sister hires private detective Ed Traynor to find her. Traynor and Hollis's security chief, Jack McMahon, take off for Tinseltown to track down the aspiring actress - but they discover the only part she ever got was the one that killed her. Their hunt for her killers takes them from the bowels of Mexico City to the glitz of Los Angeles, north to the set of The Black Orchid in Vancouver, and then back again to Hollywood, where the angels are dying.

Molly Chatwell has a beautiful house, a handsome husband, two children, and a job she likes. It all seems so perfect, but when her two children leave for university, she realizes her life has become dull and empty. When her husband refuses to go away on a trip with her, Molly decides to go alone. But what should have been a relaxing break turns into a nightmare. Back at home in London, Molly tries to put it all behind her, but when the police arrive at her door and tell her a body has been found with connections to her, she realizes her perfect life is under threat.

Los hermanos Carl y Roy Opgard han triunfado, por así decirlo, en la vida. O al menos lo han hecho partiendo de las ínfimas posibilidades que les brinda un pueblo pequeño como Os. Carl dirige el ostentoso balneario, mientras que Roy sigue a cargo de la gasolinera y sueña con un parque de atracciones a lo grande, con una gigantesca montaña rusa, la mayor del mundo construida en madera.

Karin and Kai are looking for a pleasant escape from their busy lives when they accept an offer to stay in a luxurious cabin in the Norwegian fjords. Instead of finding a relaxing retreat, their trip becomes a reminder of everything lacking in their own lives, and when they meet the couple from the neighbouring cabin, Karin tells a little white lie – a lie that grows ever bigger, entangling her and Kai in a nightmare series of deceits with absolutely no means of escape.

A suspicious death, a pregnant woman suddenly gone missing: Quirke's latest case leads him inexorably toward the dark machinations of an old foe. Perhaps Quirke has been down among the dead too long. Lately the Irish pathologist has suffered hallucinations and blackouts, and he fears the cause is a brain tumor. A specialist diagnoses an old head injury caused by a savage beating; all that's needed, the doctor declares, is an extended rest.

You should never fall in love with a flyer. You should only be in love with flight. That's the rule that Roxy Loewen - aviatrix and protege of the great Amelia Earhart -always lives by. Until she falls hard for fellow pilot Jocco Zomack, and he leads her into a whole heap of trouble. From African skies to a hot cellar in Madrid, from the Berlin Olympics to the last flight of the Hindenburg, from gunrunning to the heist of the century, Roxy is just one step ahead of the Nazis - and one loop-de-loop from disaster.

In recent decades, ostensibly to combat the rising tide of criminality in Mumbai’s underworld, the Indian Police Service has carried out many hundreds of extrajudicial assassinations of suspects. Karan, an expert sharpshooter in an elite branch dispensed with dishing out this vigilante justice, has a difficult choice: Should he continue to blindly follow orders from his superiors, regardless of their moral standing, or take matters into his own hands and do what he believes to be right?

Fred Underhill is a young cop on the rise in Los Angeles in the early 1950s - a town blinded to its own grime by Hollywood glitter; a society nourished by newspaper lies that wants its heroes all-American and squeaky clean. A chance to lead on a possible serial killing is all it takes to fuel Underhill's reckless ambition - and it propels him into a dangerous alliance with certain mad and unstable elements of the law enforcement hierarchy. When the case implodes with disastrous consequences, it is Fred Underhill who takes the fall. His life is in ruins, his promising future suddenly a dream of the past.

The mayor’s brother is missing. A transit cop lies beaten and blinded, her service weapon stolen. A new series of graffiti tags are appearing, linked to an underground group calling themselves The Death of Kings. Class warfare has broken out on the streets of Vancouver, and PI Dave Wakeland finds himself on the front lines―but unsure which side he’s on. Reeling from a bad breakup, and increasingly alienated from the city he calls home, Wakeland nevertheless agrees to look for the missing gun.

Is someone systematically killing the judges called to the British Columbian bar? At least one has been murdered and several have disappeared. Arthur Beauchamp returns from retirement once again to take on the case, this time defending his former nemesis, backwoods poet Cudworth Brown. He finds himself chasing all kinds of leads, including tracking down a mystery novel that Brown’s unreliable former lawyer has been writing, just as Beauchamp’s own wife, Margaret, has announced her candidacy for the Green Party.

After his son is convicted of capital murder, Vietnam War veteran Jeremiah Fitzjurls takes over the care of his granddaughter, Joanna, raising her with as much warmth as can be found in an Ozark junkyard outfitted to be an armory. He teaches her how to shoot and fight, but there is not enough training in the world to protect her when the dreaded Ledfords, notorious meth dealers and fanatical white supremacists, come to collect on Joanna as payment for a long-overdue blood debt.

Bergen Private Investigator Varg Veum is perplexed when two wildly different cases cross his desk at the same time. A lawyer, anxious to protect her privacy, asks Varg to find her sister, who has disappeared with her husband, seemingly without trace, while a ship carrying unknown cargo is heading towards the Norwegian coast, and the authorities need answers. Varg immerses himself in the investigations, and it becomes clear that the two cases are linked, and have unsettling - and increasingly uncanny - similarities to events that took place 36 years earlier.

They call it Company Town - a city-size oil rig off the coast of the Canadian Maritimes, now owned by one very wealthy, powerful, byzantine family: Lynch Ltd. Hwa is of the few people in her community (which constitutes the whole rig) to forgo bioengineered enhancements. As such, she's the last truly organic person left on the rig - making her doubly an outsider as well as a neglected daughter and bodyguard extraordinaire.

In an unnamed city slick with rain, Charles Unwin toils as a clerk at an imperious detective agency. His job: writing reports on cases solved by the palindromic Detective Travis Sivart. When Sivart goes missing and his supervisor is murdered, Unwin is promoted to detective, a rank for which he is woefully unprepared. His only guidance comes from his sleepy new assistant and the pithy yet profound Manual of Detection.

Sorenson, Wisconsin's deputy coroner, Mattie Winston, is back on the job...in a nursing home examining the body of Bernie Chase - the now former president of the Twilight Home's board of directors - who is covered in a powder used to turn liquids to solids. The home's residents are certain Bernie was offing the patients who cost him too much...and the patient who found him can't remember a thing.

Two 20-something New Yorkers. Seth is awkward and shy. Carter is the glamorous heir to one of America's great fortunes. They have one thing in common: an obsession with music. Seth is desperate to reach for the future. Carter is slipping back into the past. When Seth accidentally records an unknown singer in a park, Carter sends it out over the Internet, claiming it's a long lost 1920s blues recording by a musician called Charlie Shaw.

On the day Stockholm police officer Hanna Ahlander’s personal and professional lives crash, she takes refuge at her sister’s lodge in the Swedish ski resort paradise of Åre. But it’s a brief comfort. The entire village is shaken by the sudden vanishing of a local teenage girl. Hanna can’t help but investigate, and while searching for the missing person, she lands a job with the local police department. There she joins forces with Detective Inspector Daniel Lindskog, who has been tasked with finding the girl. Their only lead: a scarf in the snow.