Cultural Memoir

Mark Mathabane was weaned on devastating poverty and schooled in the cruel streets of South Africa’s most desperate ghetto, where bloody gang wars and midnight police raids were his rites of passage. Like every other child born in the hopelessness of apartheid, he learned to measure his life in days, not years. Yet Mark Mathabane, armed only with the courage of his family and a hard-won education, raised himself up from the squalor and humiliation to win a scholarship to an American university.

Poet and essayist Cathy Park Hong fearlessly and provocatively blends memoir, cultural criticism, and history to expose fresh truths about racialized consciousness in America. Part memoir and part cultural criticism, this collection is vulnerable, humorous, and provocative—and its relentless and riveting pursuit of vital questions around family and friendship, art and politics, identity and individuality, will change the way you think about our world.

In this riveting memoir, Wade challenges Africans to redefine their narrative, casting aside imposed inferiority to reclaim their innate brilliance. This is not a recounting of poverty and politics. It's an indictment of a world that views Africa as nothing more than a colonial chessboard, with charity acting as the block that keeps Africans stuck. The surprising truth: Africa’s problems are not due to colonialism, corruption, bad leadership, poor skills, or a lack of education. It’s something much bigger, and yet it’s only been visible to entrepreneurs...until now.

Half-Korean, half-Japanese, Masaji Ishikawa has spent his whole life feeling like a man without a country. This feeling only deepened when his family moved from Japan to North Korea when Ishikawa was just thirteen years old, and unwittingly became members of the lowest social caste. His father, himself a Korean national, was lured to the new Communist country by promises of abundant work, education for his children, and a higher station in society. But the reality of their new life was far from utopian.

Kiese Laymon is a fearless writer. In his essays, personal stories combine with piercing intellect to reflect both on the state of American society and on his experiences with abuse, which conjure conflicted feelings of shame, joy, confusion, and humiliation. Laymon invites us to consider the consequences of growing up in a nation wholly obsessed with progress yet wholly disinterested in the messy work of reckoning with where we’ve been.

In 2002, Zara Chowdhary is sixteen years old and living with her family in Ahmedabad, one of India’s fastest-growing cities, when a gruesome train fire claims the lives of sixty Hindu right-wing volunteers and upends the life of five million Muslims. Instead of taking her school exams that week, Zara is put under a three-month siege, with her family and thousands of others fearing for their lives as Hindu neighbors, friends, and members of civil society transform overnight into bloodthirsty mobs, hunting and massacring their fellow citizens.

After losing her job due to the coronavirus pandemic, a vet tech decides to confront the roots of her childhood traumas by hiking the Appalachian Trail. Pack Light follows a woman's journey changing the narrative of hiking while Black—because the great outdoors belongs to everyone.

Approaching his 30th birthday, Sopan Deb had found comfort in his day job as a writer for the New York Times and a comedian. But his stage material highlighting his South Asian culture only masked the insecurities borne from his family history. Sure, Deb knew the facts: His parents, both Indian, separately immigrated to North America in the 1960s and 1970s. They were brought together in a volatile and ultimately doomed arranged marriage and raised a family in New Jersey before his father returned to India alone. But Deb had never learned who his parents were as individuals.

In this jaw-dropping, darkly comedic memoir, a young woman comes of age in a dysfunctional Asian family whose members blamed their woes on ghosts and demons when in fact they should have been on antipsychotic meds.

Born in an era of rising violence, Black Elk killed his first man at Little Big Horn, witnessed the death of his second cousin Crazy Horse, and traveled to Europe with Buffalo Bill's Wild West show. Upon his return, he was swept up in the traditionalist Ghost Dance movement and shaken by the massacre at Wounded Knee. But Black Elk was not a warrior, and instead chose the path of a healer and holy man, motivated by a powerful prophetic vision that haunted and inspired him.

Gordon Gill is a gentle, hard-working Métis man whose journey began on his Iroquois-Cree grandfather’s trapline and evolved into a successful business career. His story is one of change and the passing of not just one, but several eras in the development of Canada’s North and the evolution of the Indigenous struggle. A Métis Man's Dream: From Traplines to Tugboats in Canada's North details the history he met, and made, along the way.

Appel: A Canadian in the French Foreign Legion is the first-hand account of the author’s six years as a professional soldier during the 1990s, and his experience in the Legion's elite Groupe des Commandos Parachutistes (GCP). Joel Struthers recounts the dangers and demands of military life, from the rigours of recruitment and operational training in the rugged mountains of France, to face-to-face combat in the grasslands of some of Africa’s most troubled nations.

Born in West Africa in the early 1950s, Somé was kidnapped at age four by a French Jesuit missionary to be trained as a priest, for the next 15 years enduring the harsh regimen of a seminary where his native language and tribal traditions were systematically suppressed. At age 20 he escaped, but when he returned to his Dugara people in Upper Volta (now Burkina Faso) they rejected him as an outsider. To reconnect with his native culture, Somé underwent a month-long initiation into shamanism.

His second major venture into nonfiction (after Death in the Afternoon, 1932), Green Hills of Africa is Ernest Hemingway's lyrical journal of a month on safari in the great game country of East Africa, where he and his wife, Pauline, journeyed in December of 1933. Hemingway's well-known interest in - and fascination with - big-game hunting is magnificently captured in this evocative account of his trip.

Eunsun Kim was born in North Korea, one of the most secretive and oppressive countries in the modern world. As a child, Eunsun loved her country...despite her school field trips to public executions, daily self-criticism sessions, and the increasing gnaw of hunger as the countrywide famine escalated. By the time she was 11 years old, Eunsun's father and grandparents had died of starvation, and Eunsun too was in danger of starving. Finally her mother decided to escape North Korea with Eunsun and her sister.

One of the first personal narratives written by an ex-slave, this is also one of the few written by a woman. Harriet Jacobs (1813-97) was enslaved, along with her family, in North Carolina under a ruthless master who sexually harassed her. After several failed escape attempts, and several years of hiding, she finally made her way North to freedom, where she was eventually reunited with her children. The book was published in 1861.

There are shelves of memoirs about overcoming the death of a parent, childhood abuse, rape, drug addiction, miscarriage, alcoholism, hustling, gangbanging, near-death injuries, drug dealing, prostitution, or homelessness. Cupcake Brown survived all these things before she'd even turned 20.

La aventura de Javier es una travesía de tres mil millas desde su pequeño pueblo en El Salvador, a través de Guatemala y México, hacia la frontera de Estados Unidos. Dejará atrás a sus queridos abuelos y su tía para reunirse con una madre que se fue cuatro años atrás y con un padre al que prácticamente no recuerda. Al viajar solo, a excepción de un grupo de extraños y un coyote contratado para guiarlos a salvo, Javier debía tardar solo dos semanas en llegar.

Creep is “sharp, conversational cultural criticism” (Bustle), a blistering and slyly informal sociology of creeps (the individuals who deceive, exploit, and oppress) and creep culture (the systems, tacit rules, and institutions that feed them and allow them to grow and thrive). In eleven bold, electrifying pieces, Gurba mines her own life and the lives of others—some famous, some infamous, some you’ve never heard of but will likely never forget—to unearth the toxic traditions that have long plagued our culture and enabled the abusers who haunt our books, schools, and homes.

With unflinching honesty and moving prose, Janet Mock relays her experiences of growing up young, multiracial, poor, and trans in America, offering listeners accessible language while imparting vital insight about the unique challenges and vulnerabilities of a marginalized and misunderstood population.