Cultural Sociology

New York Times best-selling investigative journalist Ron Suskind based this book on his Pulitzer Prize winning articles about Cedric Jennings, a Black youth struggling to survive one of D.C.'s toughest school districts. A moving portrait of inner city life, A Hope in the Unseen offers a view of life through the eyes of someone trying desperately to make his way up from the bottom.

Survival Math is both a personal reckoning and a vital addition to the national conversation about race. Mitchell explores the Portland of his childhood, tracing the ways in which his family managed their lives in and around drugs, prostitution, gangs, and imprisonment as members of a tiny black population in one of the country’s whitest cities. He discusses sex work and serial killers, gangs and guns, near-death experiences, composite fathers, the concept of “hustle,” and the destructive power of drugs and addiction on family.

Eating Right in America is a powerful critique of dietary reform in the United States from the late nineteenth-century emergence of nutritional science through the contemporary alternative food movement and campaign against obesity. Charlotte Biltekoff analyzes the discourses of dietary reform, including the writings of reformers, as well as the materials they created to bring their messages to the public.

Culture will keep you fit and healthy. Culture will bring communities together. Culture will improve your education. This is the message from governments and arts organisations across the country; however, this book explains why we need to be cautious about culture. Offering a powerful call to transform the cultural and creative industries, Culture Is Bad for You examines the intersections between race, class, and gender in the mechanisms of exclusion in cultural occupations.

In the months and weeks before the fateful November 22nd, 1963, Dallas was brewing with political passions, a city crammed with larger-than-life characters dead-set against the Kennedy presidency. These included rabid warriors like defrocked military general Edwin A. Walker; the world's richest oil baron, H. L. Hunt; the leader of the largest Baptist congregation in the world, W.A. Criswell; and the media mogul Ted Dealey, who raucously confronted JFK and whose family name adorns the plaza where the president was murdered.

Explora un mundo de curiosidades y despierta tu mente con cada página de este libro lleno de sorpresas y conocimientos. Cultura en pequeñas dosis!Alguna vez te has preguntado por qué los cruasanes tienen forma de media luna? O cómo surgieron los nombres de las notas musicales? Y qué tal si te digo que existe un miedo irracional a la felicidad llamado querofobia? Este libro te invita a embarcarte en un viaje a través de la cultura y el conocimiento, donde cada curiosidad está encadenada a la siguiente, revelando conexiones sorprendentes entre una amplia gama de temas.

City of Hope, City of Rage gives a fascinating account of three turbulent and transformative decades in the history of Miami. Marked by mass immigration, racially motivated uprisings, economic inequity, rising crime, and social change, Miami's history from 1968 to 1994 saw the city evolve rapidly from a predominantly white city and vacation spot into a global, Hispanic-majority metropolis with an international tourist base. And yet Miami remains highly segregated today.

Wandering the Wards provides a detailed and unflinching ethnographic examination of life within the contemporary hospital. It reveals the institutional and ward cultures that inform the organization and delivery of everyday care for one of the largest populations within them: people living with dementia who require urgent unscheduled hospital care. Drawing on five years of research embedded in acute wards in the UK, the authors follow people living with dementia through their admission, shadowing hospital staff as they interact with them during and across shifts.

Tiffany Jenkins’s groundbreaking book traces the emergence of private sanctuaries from authority and public opinion to show that private life is a very recent – and hard-won – achievement. Strangers and Intimates is animated by dramatic human confrontations: from the political struggles in the seventeenth century that led to Edmund Coke’s rallying cry that ‘an Englishman’s home is his castle’; to the first modern privacy panic in 1844, when the British government opened private letters sent to the exiled Italian republican Giuseppe Mazzini; and more.

من ينظر إلى واقع أمَّتنا المسلمة –الثقافي والفكري- يدرك ما آلَ إليه أمرنا من تبعيَّة ثقافية وفكرية، جعلتْ عقولنا تستنيم لكل ما يُلقى إليها، حتى صارت لدينا مسلَّماتٌ خادعة وبدهيات كاذبة، ترتاح إليها العقول وتؤمن بها! وكان من ثمرة هذه التبعية أن ثقافة عصرنا –في جُملتها- تدور على التهجُّم على تاريخنا السياسي والفكري، والسخرية منه، وازدراء علمائنا وأئمتنا، وفي المقابل الحديث عن أمجاد الغرب وتقدمه وعظمته!

When Nina Sharma meets Quincy while hitching a ride to a friend’s Fourth of July barbecue, she spots a favorite book, Maxine Hong Kingston’s The Woman Warrior, in the back seat of his cramped car, and senses a sadness from him that’s all too familiar to her. She is immediately intrigued—who is this man? In The Way You Make Me Feel, Sharma chronicles her and Quincy’s love story, and in doing so, examines how their Black and Asian relationship becomes the lens through which she moves through and understands the world.

In an increasingly secular, fragmented, and distracted culture, nothing brings Americans together quite like sports. On Sundays in September, more families worship at the altar of the NFL than at any church. This appeal, which cuts across all demographic and ideological lines, makes sports perhaps the last unifying mass ritual of our era, with huge numbers of people all focused on the same thing at the same moment. That timeless, live quality makes sports very powerful, and very lucrative. And the media spectacle around them is only getting bigger, brighter, and noisier.

Dr Jalees Ansari, a doctor from Malegaon involved in 80 blasts, including some on railway tracks, was supposed to be a quiet, peace-loving medical professional. Fahmida Ansari, a housewife and mother of two from the Jogeshwari slums of Northwest Mumbai, physically planted the bombs herself in a bus and taxis and returned home as if nothing had happened. What drove them to such violent designs? What were their compulsions?

On June 17, 2015, at 9:05 p.m., a young man with a handgun opened fire on a prayer meeting at the Mother Emanuel African Methodist Episcopal (AME) Church in Charleston, South Carolina, killing nine members of the congregation. The captured shooter, 21-year-old Dylan Roof, a white supremacist, was charged with their murders. Two days after the shooting, while Roof's court hearing was held on videoconference, the families of his nine victims, one by one, appeared on the screen - forgiving the killer.

Like Dave Eggers’ Zeitoun and Alexander Masters’ Stuart, this is a tour de force of narrative reportage - an intimate portrait of an invisible man. Mohammed Ashraf studied biology in college, and after college he learned how to repair television sets, cut suit lengths, and slice chicken. He has lived in Mumbai, Calcutta, Hyderabad, Surat, and Patna, but this evening he is stoned on a street in Sadar Bazaar, in North Delhi. The morning shall bring hangovers, whiskey breakfasts, and possibly answers to the lingering questions that haunt Ashraf.

In 1654, 23 Jewish families arrived in New Amsterdam (now New York) aboard a French privateer. They were the Sephardim, members of a proud orthodox sect that had served as royal advisors and honored professionals under Moorish rule in Spain and Portugal but were then exiled by intolerant monarchs. A small, closed, and intensely private community, the Sephardim soon established themselves as businessmen and financiers. They became powerful forces in society, with some, like banker Haym Salomon, even providing financial support to George Washington's army during the American Revolution.

A young African American millennial filmmaker's funny, sometimes painful, true-life coming-of-age story of trying to make it in New York City - a chronicle of poverty and wealth, creativity and commerce, struggle and insecurity, and the economic and cultural forces intertwined with "the serious, life-threatening process" of gentrification.

¿Ser mujer y no depilarte la barba? Qué ganas de complicarte la vida. ¿Salir del armario a los 40 años? Qué ganas de complicarte la vida. ¿Poner tu vida en riesgo por defender los derechos de otras personas? Qué ganas de complicarte la vida.

Why is the athlete so important to us? Few public figures can dominate the public imagination with such power and authority. Drawing from art, literature, politics, and history, Something like the Gods explores the powerful grip the athlete has always held on the Western imagination. Amidon examines the archetype of the competitor as it evolved from antiquity to the present day, from athlete-warriors such as Achilles and Ulysses to global media icons like Ali, Jordan, and Tiger Woods.

The architects of America's cultural revolution of the 1960s were Beat authors like Allen Ginsberg and Jack Kerouac, and celebrated figures like Norman Mailer, Timothy Leary, Eldridge Cleaver, and Susan Sontag. In examining the lives and works of those who spoke for the 1960s, Roger Kimball conceives a series of cautionary tales, an annotated guidebook of wrong turns, dead-ends, and blind alleys.