Dance Art

Since Peter Senge published his groundbreaking book The Fifth Discipline, he and his associates have frequently been asked by the business community: "How do we go beyond the first steps of corporate change? How do we sustain momentum?" They know that companies and organizations cannot thrive today without learning to adapt their attitudes and practices.

When people ask me: “Why do you practice?” I tell them: “I practice for the opportunity to be more ME!” And this is why I wrote this guide: to help you form a constructive mentality around practice and change, help you fight mental icebergs that are keeping you back, help you set up your framework, your practice, your own Tango training, and your path to becoming more YOU every day!

Der Tango in den 2020er Jahren wird zur Obsession für Herbert, Monique, Julia, Danae und Marie. Dieser Tanz zieht seine Energie aus der Erde und wird ihr Leben neu ausrichten, ohne dass sie es ganz erfassen und merken. Sie erliegen seiner Verführungskraft und müssen daran reifen und scheitern, aufstehen und lieben. Sie sehen sich im hohen Alter an einem idealen, geradezu idealisierten Ort am Tangotisch in einem Seniorenschloss wieder. Ihre Geschichten kreisen um den Tango und um die Liebe.

Sound interesting? The author thinks so too! Listen to The Art of Stage Dancing and learn about a unique profession and its history.

From its modest beginnings in the 1960s in a Harlem church basement, to its meteoric rise to international fame, the Dance Theatre of Harlem ignited the world with one simple, still-revolutionary statement: All can do ballet. Into the 21st century, as the world, and the country, continue their historical struggles and triumphs, the story of this haven for dancers of all colors and backgrounds resonates more than ever. Here is the definitive portrait of the one-of-a-kind dance company that reflected—and shaped—our times, and whose enduring principle continues to inspire the future.

After graduating from an elite New York ballet school, 18-year-old Anna Forester moves across the country to begin her dance career in Los Angeles. Soon, she is drawn into the circle of her charismatic artistic director and the thrilling aura of company life.

Are you ready to be swept off your feet? Dive into the mesmerizing world of dance with "The Elegance of Motion: A Journey Through the World of Dance," the latest masterpiece by renowned author Susanne J. Katts. This captivating book is your passport to an extraordinary journey through the rich and diverse universe of dance.

Learn how to lead and follow every step following the three laws of balance, connection, and direction. This is the only unambiguous method of communicating in social dancing. This is the safest, easiest, and most natural way to dance with a partner. You learn to dance without the use of force. You improve your balance. You learn to dance as light as a feather.

The 1960s was a pivotal decade in dance, an era of intense experimentation and rich invention. In this impressive volume of essays an impressive range of dance critics and scholars examine the pioneering choreographers and companies of the era, such as Anna Halprin's West Coast experiments, the innovative Judson Dance Theater, avant-garde dance subcultures in New York, the work of Merideth Monk and Kenneth King, and parallel movements in Britain.

Let the Goddess Dance was titled "Drumming the Spirit to Life" when published by Llewellyn Worldwide in 2000. One of the first books about drumming in our modern culture as a meditation and sacred tool for healing and dance.

يحتوى الكتاب على عشرة فصول، ويتضمن قائمة بالمراجع الخاصة بعلم النفس، التاريخ، الكتب الخاصة بالرقص الشرقى، وكل هذا عن طريق اتخاذ منهج الحكى عن الفنانة من الزاوية الإنسانية والفنية.

Para algunas personas, el tango es simplemente una actividad social. No posee un significado más profundo, ni constituye un camino. Solo se trata de unos cuantos pasos, mezclados y reciclados. Este libro no es para aquellas personas.

When Henry Alford wrote about his experience with a Zumba class for The New York Times, little did he realize that it was the start of something much bigger. Dance would grow and take on many roles for Henry: exercise, confidence builder, an excuse to travel, a source of ongoing wonder and - when he dances with Alzheimer's patients - even a kind of community service.

The story begins in 1970. The day after Jimi Hendrix's death...dairy farmer Michael Eavis invites revellers to his field in Somerset to attend a 'Pop, Folk & Blues' festival. Tickets are £1 each, enticing more than a thousand customers with the promise of music, dance, poetry, theatre, lights and spontaneous entertainment - as well as free milk from his own Worthy Farm cows. Fast forward through five tumultuous decades, and the Eavises' vision now encompasses a gigantic 'city in the fields', with a total annual population nearing a quarter of a million.

A fascinating four-volume collection from the private journals of four distinguished historical figures, presented in a dramatised setting.

Can anyone be a street dancer? Yes! This inclusive first introduction to hip-hop and other street dances begins with a simple introduction and then takes listeners on a global exploration of different dances, from breaking to Kuthu to K-pop.

In a world where every day seems to be increasingly uncertain, finding balance, peace, clarity, and hope can feel like a challenge. Luckily, there is a solution for all of these things: And that solution is dance! In her new book Choreograph Your Life, author, esteemed choreographer, and world-class dancer Sonia Kyriacou reveals the transformative impact that dance has had on her life.

In 1930, dancer and choreographer Martha Graham proclaimed the arrival of "dance as an art of and from America". Dancers such as Doris Humphrey, Ted Shawn, Katherine Dunham, and Helen Tamiris joined Graham in creating a new form of dance, and, like other modernists, they experimented with and argued over their aesthetic innovations, to which they assigned great meaning.Their innovations, however, went beyond aesthetics.

Breadth of Bodies seeks to investigate and dismantle the language and stereotypes often used to describe professional dancers with disabilities. Spearheaded by dancer/writer Emmaly Wiederholt and dance educator Silva Laukkanen, the team collected interviews with 35 professional dance artists with disabilities from 15 countries, asking about training, access, and press, as well as looking at the state of the field.

Modern dance was a movement that began at the turn of the 20th century when American dancers Loie Fuller, Isadora Duncan, and Ruth St. Denis broke from formal dance traditions with their own personal vision of movement. Soon, their visions evolved through Martha Graham, Doris Humphrey, and Charles Weidman, who would all go on to teach their methods and present modern dance as a serious art form.