Dancers Memoir

Dancing in Blackness is a professional dancer's personal journey over four decades, across three continents and 23 countries, and through defining moments in the story of black dance in America. In this memoir, Halifu Osumare reflects on what blackness and dance have meant to her life and international career.

Confessions of a Video Vixen is the widely anticipated memoir of Karrine Steffans, the once-sought-after sexy siren who appeared in the music videos of multiplatinum hip hop artists such as Jay-Z, R. Kelly, and LL Cool J. A top-paid video dancer, Karrine transitioned to film when acclaimed director F. Gary Gray picked her to costar in his film A Man Apart, starring Vin Diesel.

At the height of the Civil Rights movement, Lydia Abarca was a Black prima ballerina with a major international dance company—the Dance Theatre of Harlem, a troupe of women and men who became each other’s chosen family. She performed in some of ballet’s most iconic works with other trailblazing ballerinas, including the young women who became her closest friends—founding Dance Theatre of Harlem members Gayle McKinney-Griffith and Sheila Rohan, as well as first-generation dancers Karlya Shelton and Marcia Sells. The Swans of Harlem is a riveting account of these five accomplished women.

Some women capture our attention like no others. Faith Bacon and Sally Rand were beautiful blondes from humble backgrounds who shot to fame behind a pair of oversize ostrich fans, but with very different outcomes. It was the golden age of American entertainment, and Bacon and Rand fought their way through the competitive showgirl scene of New York with grit and perseverance. They played peek-a-boo with their lives, allowing their audiences to see only slivers of themselves. Little is known about who they really were, until now.

In 2019, Humans of New York featured a photo of a woman in an outrageous fur coat and hat she made herself. She instantly captured the attention of millions. Her name is Stephanie Johnson, but she’s better known to HONY followers as “Tanqueray,” a born performer who was once one of the best-known burlesque dancers in New York City. Reeling from a brutal childhood, immersed in a world of go-go dancers and hustlers, dirty cops and gangsters, Stephanie was determined to become the fiercest thing the city had ever seen. And she succeeded.

Arguably the greatest choreographer who ever lived, George Balanchine was one of the cultural titans of the twentieth century—the New York Times called him "the Shakespeare of dancing." His radical approach to choreography—and life—reinvented the art of ballet and made him a legend. Written with enormous style and artistry, and based on more than one hundred interviews and research in archives across Russia, Europe, and the Americas, Mr. B carries us through Balanchine's tumultuous and high-pitched life story and into the making of his extraordinary dances.

When Fancy Feast was in her high school production of "Cabaret," she convinced the director to cast her as a sexy Kit Kat Club Girl, not the old landlady part that always, always goes to the fat girl. In a black slip and fingerless gloves, Fancy made her debut appearance in a fluorescent-lit high school auditorium—and has never looked back. In Naked, Fancy draws back the curtain to reveal a world that most denizens of the daytime never see.

This is Holland's Got Talent juror Dan Karaty's devastating, moving, and painfully honest account of his life before, during, and after rehab. Choreographer Dan Karaty is living the life: he is traveling around the world partying, garnering attention, and making money. When he joins the jury of So You Think You Can Dance and Holland's Got Talent the Dutch audience falls for the charms of this smiling American. But behind his smile, Dan is hiding a big secret. He's an alcoholic. The more successful Dan becomes, the more he drinks.

Eileen Kramer has lived the most extraordinary life. Born just after Australia entered World War I, she embraced creativity and adventure from an early age. She danced and painted murals in Karachi; worked as an artist's model in Paris and London; met Ella Fitzgerald and Groucho Marx; and learned the twist from Louis Armstrong. In September 2013, aged ninety-nine, Eileen returned to Australia. Now, at 108, she is still dancing.

This book is about the personal odyssey of becoming a dancer, teacher, and educator. With a few biographical elements, it represents a lifelong reflection of transformations from the innate gift to the fulfillment as an artist with the focus on self-education. As an artist, I take on a cosmopolitan approach to art by dissolving stigmas, national identities, borders, and walls from my experiences of the Soviet Union in the Cold War Era, through Canadian immigration, Danish society, and finally the American emergence, all through the eyes of a ballet teacher and artist.

Published in the US for the first time, Fearless and Free is the memoir of the fabulous, rule-breaking, one-of-a-kind Josephine Baker, the iconic dancer, singer, spy, and Civil Rights activist. After stealing the spotlight as a teenaged Broadway performer during the height of the Harlem Renaissance, Josephine then took Paris by storm, dazzling audiences across the Roaring Twenties. In her famous banana skirt, she enraptured royalty and countless fans—Ernest Hemingway and Pablo Picasso among them.

This is the true story of how one moment in time, by the thinnest thread of a chance, changed the course of a small boy's life in ways that are beyond description. One day he would dance with some of the greatest ballet companies of the world. One day he would be a friend to a president and first lady, movie stars, and the most influential people in America. One day he would become a star: Mao's last dancer, and the darling of the West.

The Radio City Rockettes are as American as baseball, hot dogs, and the Fourth of July. Their legendary synchronized leg kicks, precise lines, and megawatt smiles have charmed audiences for a century. But there is a hidden side to this illustrious national institution. Like Gelsey Kirkland’s iconic Dancing on My Grave, Becoming Spectacular allows us to walk in Jones’ tap shoes—beautiful and glittering, yet painful and binding. Bringing into focus the wounded life of a trailblazer, this searing memoir is also a triumphant celebration of a spirit who refused to be counted out.

Through her experiences in the Merce Cunningham Dance Company, Marianne Preger-Simon offers a rare account of exactly how Cunningham taught and interacted with his students. She describes the puzzled reactions of audiences to the novel non-narrative choreography of the company’s debut performances. She touches on Cunningham’s quicksilver temperament, lamenting his early frustrations with obscurity and the discomfort she suspects he endured in concealing his homosexuality and partnership with composer John Cageyet she celebrates above all his dependable charm, kindness, and engagement.

Noemí Ravelo, bailarina profesional y erotómana declarada, quiso publicar un libro y terminó casada con su editor. De sus talleres, su librería y sus actividades para la promoción de la lectura platica aquí con Mónica Braun, directora de Nieve de Chamoy.

Norman Mathews was born in the wrong town, the wrong era, and with the wrong name. What’s a boy to do? He conjured up a more enticing, imaginary world to better navigate the perils of childhood. Dreams of a life in the theater and of passionate romance were stymied by lack of self-assurance.

In the pantheon of American modernists, few figures loom larger than Martha Graham. One of the greatest choreographers ever to live, Graham pioneered a revolutionary dance technique—primal, dynamic, and rooted in the emotional life of the body—that upended traditional vocabulary and shaped generations of dancers and choreographers across the globe. Over her sweeping career, she founded what is now the oldest dance company in the country and produced nearly two hundred ballets, many of them masterpieces.

Joseph Stalin, chief murderer and dictator of the USSR, devised the most devastating system of poison labs and bioweapons the world had yet seen. In The Dancer and the Devil, John O’Neill teams up with Sarah Wynne to expose the toxic reign of terror continuing today. As engaging as a novel and packed with historical research, this book reveals how the spirit of Stalin lives on in the hideous human experiments being conducted in the concentration camps of North Korea, in Putin’s blatant assassination plots, and in the bioweapon plans of the People’s Republic of China.

When the Nicholas Brothers danced, uptown at the Cotton Club, downtown at the Roxy, in segregated movie theatres in the South, and dance halls across the country, audiences cheered, clapped, stomped their feet, and shouted out uncontrollably. In Brotherhood in Rhythm, Constance Valis Hill interweaves an intimate portrait of these great performers with a rich, detailed history of jazz music and dance, both bringing their act to life and explaining their significance through a colorful analysis of their eloquent footwork, their full-bodied expressiveness, and their changing style.

Balletdanser, skoleleder, førstedame, underviser, koreograf og instruktør. Anne Marie Vessel Schlüter er dedikeret til balletten. Hun har været tilknyttet Det Kongelige Teater i 66 år, og hun arbejder stadig. Anne Marie Vessel Schlüter fortæller i erindringsbogen På skrå brædder og bonede gulve til journalist Trine Munk-Petersen om sin opvækst i en teaterfamilie, om skiftende balletmestre, verdenskendte dansere, turneer, det daglige arbejde bag kulisserne og ikke mindst om Danmarks store koreograf, som hun gør alt for at holde levende: August Bournonville.