Dark Ecology

Timothy Morton argues that ecological awareness in the present Anthropocene era takes the form of a strange loop or Möbius strip, twisted to have only one side. Deckard travels this oedipal path in Blade Runner when he learns that he might be the enemy he has been ordered to pursue. Ecological awareness takes this shape because ecological phenomena have a loop form that is also fundamental to the structure of how things are.

In this glorious celebration of the night, New York Times bestselling nature writer Leigh Ann Henion invites us to leave our well-lit homes, step outside, and embrace the dark as a profoundly beautiful part of the world we inhabit. Because no matter where we live, we are surrounded by animals that rise with the moon, and blooms that reveal themselves as light fades. Henion explores her home region of Appalachia, where she attends a synchronous firefly event in Tennessee, a bat outing in Alabama, and a moth festival in Ohio.

Among the more than 34,000 species of fish, few have the walleye's following—among anglers and diners, states conferring official status on the fish, and towns battling for recognition as the Walleye Capital of the World. And among those passionate fans, few know the walleye as well as Paul J. Radomski does—a fisheries biologist, lake ecology scientist, and old fisherman. In Walleye: A Beautiful Fish of the Dark he unspools the mysteries of this fascinating fish.

Cara Foster is, one might say, eco-anxious—perhaps even eco-neurotic. She eats out of dumpsters—not because she wants to but because it’s the right thing to do—does laundry as seldom as possible, takes navy showers every couple of days, and is reevaluating her boyfriend for killing a spider. Then, during a mimosa-soaked Sunday brunch, she meets her boyfriend’s alluring mother, Millie. As they begin spending time together, getting pedicures and drinking martinis, Cara becomes hooked on Millie and this new freedom from the harsh realities of life in the twenty-first century.