Director Biography

Nora Ephron at the Movies offers an unfiltered look at Ephron as a champion of the rom-com and as a feminist Hollywood trailblazer. It explores her life and work by pairing detailed criticism with exclusive interviews with Ephron’s key collaborators, including Andie MacDowell and Jenn Kaytin Robinson, to add color and nuance to her life and legacy. With her singular voice, Nora Ephron flourished as a dominant force in the entertainment industry, focusing on the idiosyncrasies of romance that were universally relatable.

Warner Bros. Studio is best known as a media conglomerate with a broad range of intellectual property, spanning movies, TV shows, and streaming content. Despite popular interest in the origins of this empire, the core of the Warner Bros. saga cannot be found in its commercial successes. It is the story of four brothers—Harry, Albert, Sam, and Jack—whose vision for Hollywood helped shape the world of entertainment.

Born to immigrant parents and raised in the slums of Toronto during the Depression, Ted Kotcheff learned storytelling on the streets before taking a stagehand job at CBC Television. Discovering his skills with actors and production, Kotcheff went on to direct some of the greatest films of the freewheeling 1970s, including The Apprenticeship of Duddy Kravitz, Wake in Fright, and North Dallas Forty.

A powerful and revelatory memoir from former CIA director John Brennan, spanning his more than 30 years in government.

The first uncensored biography to investigate our era's most celebrated, distinctive, and confounding filmmaker reveals the controversial private life behind the iconic public persona.

Veteran motion picture, television, and Broadway producer Julian Schlossberg grew up in New York City with an early love of entertainment. As a child, he was an avid fan of radio, film, and the new art of television, and harbored ambitions of meeting his favorite stars one day. Little did he know that in the course of his career, he would not only meet many of them, but also become their producer, representative, and friend.

Among a crop of fresh filmmakers including Steven Spielberg, George Lucas, Martin Scorsese, and Francis Ford Coppola revolutionizing Hollywood in the ’70s, Brian De Palma—a director from Philadelphia with a few social satires under his belt—charted a cinematic path unlike any of his peers. At times he was unfairly dismissed as a Hitchcock copycat; other times he was misunderstood for his peculiar mix of sexuality, humor, music, and violence. But, over the course of ten years, he created a new cinematic language.

With unprecedented access to more than a dozen individuals who have made the life-and-death decisions that come with running the world’s most powerful and influential intelligence service, Chris Whipple tells the story of an agency that answers to the United States president alone, but whose activities — spying, espionage, and covert action — take place on every continent. At pivotal moments, the CIA acts as a counterforce against rogue presidents, starting in the mid-70s with DCI Richard Helms’s refusal to conceal Richard Nixon’s criminality.

While many film fans may not be familiar with Bill Duke's name, they most certainly recognize his face. Dating back to the 1970s, Duke has appeared in a number of popular films, including Car Wash, American Gigolo, Commando, Predator, and X-Men: The Last Stand. Fewer still might be aware of Duke's extraordinary accomplishments off-screen as a talented director, producer, entrepreneur, and humanitarian. Bill Duke is the memoir of a Hollywood original.

A Companion to Martin Scorsese is a comprehensive collection of original essays assessing the career of one of America's most prominent contemporary filmmakers....

They are icons of the literary world whose soaring works have been discussed and analyzed in countless classrooms, homes, and pubs. Yet for most listeners, the living, breathing human beings behind the classics have remained unknown - until now. In this utterly captivating audiobook, Dr. Elliot Engel, a leading authority on the lives of great authors, illuminates the fascinating and flawed members of literature's elite. In lieu of stuffy biographical sketches, Engel provides fascinating anecdotes.

Un'auto lascia Roma di primo mattino. Alla guida c'è un affermato regista. Sul sedile accanto, l'uomo che da molti anni ama di un amore sconfinato. Mentre la città si allontana, il regista decide di narrare al compagno silenzioso il suo mondo «prima di lui». Inizia così un viaggio avanti e indietro nel tempo. Tante storie si intrecciano, esilaranti eppure commoventi, fino a comporre «la Storia» di un'esistenza che si annulla in un'altra come estremo dono d'amore.

Wawrczeck zeichnet ein subjektives Porträt eines der größten Künstler des 20. Jahrhunderts. Man sitzt mit ihm vor dem Fernseher, wenn er den ersten Hitchcock-Film sieht, begleitet ihn ins Tonstudio zu den Aufnahmen der "Drei ???" und zieht mit ihm durch die Welt: Von Hamburg über New York, von Bodega Bay nach London, immer auf der Spur von Hitchcocks Meisterwerken. Er erzählt, wie ihm Hitchcocks Filme bei der Suche nach der eigenen Identität halfen und ihm zeigten, dass die Beantwortung der Frage "Bin ich verrückt oder sind es die anderen?" immer vom Standpunkt abhängt.

El Director es un retrato íntimo de las encrucijadas éticas, las relaciones personales, las amistades y deslealtades que se viven cuando se ocupa el despacho de uno de los grandes diarios del país. David Jiménez hizo carrera cubriendo guerras, desastres y revoluciones durante casi dos décadas antes de ser nombrado director de El Mundo. Lo que parecía un reto ilusionante - dirigir el diario en el que entró como becario a los 23 años.

Lucas: His Hollywood Legacy is the first collection to bring a sustained scholarly perspective to the iconic filmmaker and his legacy beyond the Star Wars films. Edited by Richard Ravalli, this volume analyzes Lucas's overall contribution and importance to the film industry, diving deep into his use and development of modern special effects technologies, the history of his Skywalker Ranch production facilities, and more.

David Jiménez va ser nomenat director d'El Mundo. La il·lusió es va anar transformant en una crua batalla per defensar la independència del periodisme, que va acabar amb l’acomiadament del director després d'un any en el càrrec. Jiménez destapa aquí la podrida xarxa de pressions i influències que s'estableix entre els grups de poder econòmic i polític, i la premsa que suposadament ha de vigilar els dos primers. El director és un relat únic sobre com funciona el joc de favors entre els mitjans i l’elit d’un país, i quin preu paguen els que es neguen a participar-hi.

Starting out in the mid-70s, a time when few women were directing movies, Susan Seidelman was determined to become a filmmaker. She longed to tell stories about the unrepresented characters she wanted to see on screen: unconventional women in unusual circumstances, needing to express themselves and maintain their autonomy. Her genre-blending films reflect a passion for classic Hollywood storytelling, mixed with a playful New Wave spirit, informed by her years living in downtown NYC.

The first book ever written about FBI Director J. Edgar Hoover by a member of his personal staff - his former assistant, Paul Letersky - offers unprecedented insight into an American legend.

The first major biography of one of Old Hollywood’s greatest directors. Sometime partner of the eccentric Howard Hughes, drinking buddy of William Faulkner and Ernest Hemingway, an inveterate gambler and a notorious liar, Howard Hawks was the most modern of the great masters and one of the first directors to declare his independence from the major studios. He played Svengali to Lauren Bacall, Montgomery Clift, and others, but Hawks’s greatest creation may have been himself.

New York City, 1977. Cool and crime-ridden, cheap and wild. Bruce Van Dusen shows up in town with a film degree and $150 to his name. He wants to make movies. So he does. The only ones anyone will pay him to make? Little ones. Thirty seconds long. Commercials. He has no idea what he's doing, and the money sucks. But he's a director. He quickly learns he has the two things he needs to succeed in the fickle world of commercial-making: a talent for telling short, emotional stories, and the hustle to fight for every job no matter how small.