Director Biography

Quickly becoming a cornerstone of Holocaust historiography, this is a devastatingly stark memoir from one of the lone survivors of Treblinka. Why do some live while so many others perish? Tiny children, old men, beautiful girls - in the gas chambers of Treblinka, all are equal. The Nazis kept the fires of Treblinka burning night and day, a central cog in the wheel of the Final Solution.

Born to immigrant parents and raised in the slums of Toronto during the Depression, Ted Kotcheff learned storytelling on the streets before taking a stagehand job at CBC Television. Discovering his skills with actors and production, Kotcheff went on to direct some of the greatest films of the freewheeling 1970s, including The Apprenticeship of Duddy Kravitz, Wake in Fright, and North Dallas Forty.

Among a crop of fresh filmmakers including Steven Spielberg, George Lucas, Martin Scorsese, and Francis Ford Coppola revolutionizing Hollywood in the ’70s, Brian De Palma—a director from Philadelphia with a few social satires under his belt—charted a cinematic path unlike any of his peers. At times he was unfairly dismissed as a Hitchcock copycat; other times he was misunderstood for his peculiar mix of sexuality, humor, music, and violence. But, over the course of ten years, he created a new cinematic language.

In Solid Ivory, a carefully crafted mosaic of memories, portraits, and reflections, the Academy Award-winning filmmaker James Ivory, a partner in the legendary Merchant Ivory Productions and the director of A Room with a View, Howards End, Maurice, and The Remains of the Day, tells stories from his remarkable life and career as one of the most influential directors of his time. At times, he touches on his love affairs, looking back coolly and with unexpected frankness.

With unprecedented access to more than a dozen individuals who have made the life-and-death decisions that come with running the world’s most powerful and influential intelligence service, Chris Whipple tells the story of an agency that answers to the United States president alone, but whose activities — spying, espionage, and covert action — take place on every continent. At pivotal moments, the CIA acts as a counterforce against rogue presidents, starting in the mid-70s with DCI Richard Helms’s refusal to conceal Richard Nixon’s criminality.

Lucas: His Hollywood Legacy is the first collection to bring a sustained scholarly perspective to the iconic filmmaker and his legacy beyond the Star Wars films. Edited by Richard Ravalli, this volume analyzes Lucas's overall contribution and importance to the film industry, diving deep into his use and development of modern special effects technologies, the history of his Skywalker Ranch production facilities, and more.

They are the most famous and controversial directors the CIA has ever had - Allen Dulles, Richard Helms, William Colby, and William Casey. Disciples is the story of these dynamic agents and their daring espionage and sabotage in wartime Europe under OSS Director Bill Donovan.

Jordan describes his work with Stephen Rea, Jaye Davidson, Bob Hoskins, Tom Cruise and many others, but this is not a conventional story of life in the movies. The book is an eerie meditation on loss, love and creativity, on inspiration and influence, by one of the most unusual artists Ireland has produced.

Best known for his horror/sci-fi/fantasy films including Phantasm, The Beastmaster, Bubba Ho-tep, and John Dies at the End, now Don Coscarelli’s taking you on a white-knuckle ride through the rough and tumble world of indie film. This memoir fits an entire film school education into a single audiobook. It’s loaded with behind-the-scenes stories and will prove indispensable for fans of Coscarelli’s movies, aspiring filmmakers, and anyone who loves a story of an underdog who prevails while not betraying what he believes.

While many film fans may not be familiar with Bill Duke's name, they most certainly recognize his face. Dating back to the 1970s, Duke has appeared in a number of popular films, including Car Wash, American Gigolo, Commando, Predator, and X-Men: The Last Stand. Fewer still might be aware of Duke's extraordinary accomplishments off-screen as a talented director, producer, entrepreneur, and humanitarian. Bill Duke is the memoir of a Hollywood original.

Warner Bros. Studio is best known as a media conglomerate with a broad range of intellectual property, spanning movies, TV shows, and streaming content. Despite popular interest in the origins of this empire, the core of the Warner Bros. saga cannot be found in its commercial successes. It is the story of four brothers—Harry, Albert, Sam, and Jack—whose vision for Hollywood helped shape the world of entertainment.

In 2006, J Deeh was hired as a video editor for Pornobec, a mysterious adult film company based in Montreal, Quebec. By 2008, J Deeh and his partner Miguel had become two of the leading porn directors in the nation, creating an endless stream of explicit films while struggling to maintain control over a lifestyle increasingly riddled with sexual temptation, sadistic bosses, wild parties, dangerous psychopaths, clashing egos, doomed relationships, and criminal organizations.

Starting out in the mid-70s, a time when few women were directing movies, Susan Seidelman was determined to become a filmmaker. She longed to tell stories about the unrepresented characters she wanted to see on screen: unconventional women in unusual circumstances, needing to express themselves and maintain their autonomy. Her genre-blending films reflect a passion for classic Hollywood storytelling, mixed with a playful New Wave spirit, informed by her years living in downtown NYC.

The first book ever written about FBI Director J. Edgar Hoover by a member of his personal staff - his former assistant, Paul Letersky - offers unprecedented insight into an American legend.

Veteran motion picture, television, and Broadway producer Julian Schlossberg grew up in New York City with an early love of entertainment. As a child, he was an avid fan of radio, film, and the new art of television, and harbored ambitions of meeting his favorite stars one day. Little did he know that in the course of his career, he would not only meet many of them, but also become their producer, representative, and friend.

Before he was producing the musical hits of our generation, Jeffrey was just a kid coming to terms with his adoption, trying to understand his sexuality, and determined to escape his dysfunctional household in a poor neighborhood just outside Detroit. We see him find his voice through musical theater and move to New York, where he is determined to shed his past and make a name for himself on Broadway. But moving to the big city is never easy—especially not at the height of the HIV/AIDS crisis—and Jeffrey learns to survive and thrive in the colorful and cutthroat world of commercial theatre.

After a brief yet exalted career that resulted in the acclaimed films Badlands and Days of Heaven, director Terrence Malick shunned the public eye and, seemingly, his talents. In The Absence of Malick, David Handelman renders the scope and mystery of Malick's disappearance and, against all odds, finds him on the other end of a phone call.

In this first biography of Woody Allen in over a decade, David Evanier discusses key movies, plays, and prose as well as Allen's personal life. Evanier tackles the themes that Allen has spent a lifetime sorting through in art: morality, sexuality, Judaism, the eternal struggle of head and heart. Woody will be the definitive word on a major American talent as he begins his ninth decade and his sixth decade of making movies.

The first uncensored biography to investigate our era's most celebrated, distinctive, and confounding filmmaker reveals the controversial private life behind the iconic public persona.

Wawrczeck zeichnet ein subjektives Porträt eines der größten Künstler des 20. Jahrhunderts. Man sitzt mit ihm vor dem Fernseher, wenn er den ersten Hitchcock-Film sieht, begleitet ihn ins Tonstudio zu den Aufnahmen der "Drei ???" und zieht mit ihm durch die Welt: Von Hamburg über New York, von Bodega Bay nach London, immer auf der Spur von Hitchcocks Meisterwerken. Er erzählt, wie ihm Hitchcocks Filme bei der Suche nach der eigenen Identität halfen und ihm zeigten, dass die Beantwortung der Frage "Bin ich verrückt oder sind es die anderen?" immer vom Standpunkt abhängt.