Domestic Home

"Your son is missing," they say, and life as I know it is over. "Where would he go?" the police ask. "Where would he be?" my daughter begs. My heart races as images flash in my mind. The cabin we rent every autumn, surrounded by fiery-red maple trees. Voices raised. Tears falling. A marriage falling apart. And worst of all my husband telling our child, Theo, to run. The rest is a blank in my memory. If I close my eyes I can almost see it. A betrayal that has left me alone, in tatters, grieving for what we had.

When Dinah Brooke's second novel, Lord Jim at Home, was first published in 1973, it was described as "squalid and startling," "nastily horrific," and a "monstrous parody" of upper-middle class English life. It is the story of Giles Trenchard, who grows up isolated in an atmosphere of privilege and hidden violence; who goes to war, and returns; and then, one day—like the hero of Joseph Conrad's classic Lord Jim—commits an act that calls his past, his character, his whole world into question.

It's not news that women work, have families, and are conflicted about it. No one needs to be reminded that motherhood is hard. Enter Caitlin Flanagan with a fresh, witheringly funny take on women's lives today, the weddings, nannies, overscheduled children, sex (and the lack of sex), the cult of the "domestic goddess" and its manias for home decorating and gourmet cooking, and the endless tension between working moms and stay-at-home moms.

Orphaned at age ten by a violent home invasion, Susannah Faulkner grew up wild, her stubbornness the only thing harder than her heart. Since then, she’s used her skills to put a boot in the faces of those who deserve it. Then she gets word her brother Ethan needs her help, so she returns home to Atlanta. But in the airport, she finds her Uncle Gavin suffering a heart attack. Before he is rushed to the hospital, Gavin whispers a single word to Suzie: peaches. She’s determined to uncover the meaning behind the cryptic message, but Ethan is also deep in trouble.

Hattie Gilby has not been back to her family home since the devastating events that took place there years ago. Events that changed Hattie and which continue to haunt her today. But one phone call changes everything. Now Hattie is going back to her family home to face her brothers, Adam and Luke and to hear the last words of her dying mother.

As two-income families find themselves ever more time-poor, many look to outsource to cleaners, nannies, and care workers. More and more, it would seem, people are finding themselves without either the emotional or the financial resources to take care of themselves and each other. The home, rather than an escape from the work and its pressures, is in fact an extension of it. After Work is a crucial corrective to this trend, extending its attention beyond paid jobs to the impact of domestic work upon familial relationships, social bonds, and our conceptions of domestic space.

I wake on the sofa, my head throbbing. Why did I fall asleep here? In the darkness, I make my way to my bedroom. I know immediately something is wrong. The sheets I tucked in so carefully this morning are rumpled, disturbed. I turn on the lights. And then I scream. There’s a body in my bed. And I know this man: We went on two dates together. Who could have killed him? And how did he get into this house? Only two people have a key: me and my ex-husband, Matthew. I cast my mind desperately back to last night, to the last few painful months.

Jill Farrow is a typical suburban mom who has finally gotten her and her daughter's lives back on track after a divorce. She is about to remarry, her job as a pediatrician fulfills her - though it is stressful - and her daughter, Megan, is a happily overscheduled thirteen-year-old juggling homework and the swim team. But Jill’s life is turned upside down when her ex-stepdaughter, Abby, shows up on her doorstep late one night and delivers shocking news: Jill’s ex-husband is dead. Abby insists that he was murdered and pleads with Jill to help find his killer.

What are the roots of radicalism? Journalist Carla Power came to this question well before the January 6, 2021, attack in Washington, DC, turned our country’s attention to the problem of domestic radicalization. Her entry point was a different wave of radical panic - the way populists and pundits encouraged us to see the young people who joined ISIS or other terrorist organizations as simple monsters. Power wanted to chip away at the stereotypes by focusing not on what these young people had done but why.

Many Americans believe that foreign military intervention is central to protecting our domestic freedoms. But Christopher J. Coyne and Abigail R. Hall urge engaged citizens to think again. Overseas, our government takes actions in the name of defense that would not be permissible within national borders. Emboldened by the relative weakness of governance abroad, the US government is able to experiment with a broader range of social controls.

Single-mom Samantha moves with her daughter to a quiet village in the Peak District. The post as matron at Hallow Croft, now an exclusive residential home, seems to offer the escape she needs. But away from the TV room and afternoon activities, one of the residents is kept locked out of sight "for their own safety." And nobody will talk about the previous matron. She disappeared, leaving behind only a scuffed diary. Forty years ago, a girl was killed on the grounds of Hallow Croft Manor. Some people even say that began a curse on the home and the family who owned it.

Nominated for a National Book Award in 1971, His Own Where is the story of Buddy, a fifteen-year-old boy whose world is spinning out of control. He meets Angela, whose angry parents accuse her of being "wild." When life falls apart for Buddy and his father, and when Angela is attacked at home, they take action to create their own way of staying alive in Brooklyn. In the process, the two find refuge in one another and learn that love is real and necessary.

I watched you move in next door and thought we might be friends. I saw you watching from the window - and knew I’d have to keep you well away from my husband. I started to trust you. Confide in you. I started to mistrust you. Suspect you. I was confused when I blacked out after an evening at your place. Was I really that drunk? I came up with a plan. A plan to make you both pay.

I’d stay in Ballyholme, Northern Ireland, to decide whether to forgive my cheating husband, Ryan. Ciara, my new best friend, would stay in our London home, free of charge, until I made up my mind. The ruse certainly had its plus points: Ciara’s unexpected appearance would freak Ryan out, and my disappearance should make him regret his roving eye. But now I learn Ciara has evidence…evidence that my husband has committed murder. And she’s no longer answering my texts and calls. Is it some sort of blackmail plot? More worrying, if Ryan is indeed a killer, could he strike again?

One person out of every 25 people is a manipulative sociopath. These sorts of people can creep right into your life and snatch you up without you knowing. This audiobook explores ways to spot master manipulators of all kinds and provides advice on how to manage every outcome when they cross your path in your social, family, and professional life - as well as tips to keep yourself from becoming their next victim and how to send them away forever.

When the body of pregnant 15-year-old Hope Lacey is discovered in a churchyard on Christmas morning, the community is shocked, but unsurprised. For Hope lived in The Home, the residence of three young girls, whose violent and disturbing pasts have seen them cloistered away. As a police investigation gets underway, the lives of Hope, Lara and Annie are examined, and the staff who work at the home are interviewed, leading to shocking and distressing revelations...and clear evidence that someone is seeking revenge.

This gripping title from the author of My Life with Murderers and A Plot to Kill explores the tragic prevalence of domestic murder and how, for so many victims, their own home is the place they are most in danger. David Wilson is the UK's leading criminologist and his knowledge of murder is unparalleled. By walking through each part of the house, he explains how each room's purpose has changed over time, the weapons they contain, and ultimately, how these things combine in murder.

Margot and Myron Spielman move to a new town, looking for an escape from the long shadow of their past. But soon after they buy Rawlingswood, a foreclosed mansion rumored to be haunted, they realize they’re in for more of the same…or worse. After a renovation fraught with injuries and setbacks, the Spielmans move in to the century-old house, and their problems quickly escalate. The home’s beautiful facade begins to crumble around them when their teenage son uncovers disturbing details of Rawlingswood’s history - a history of murder, betrayal, and financial ruin.

Lauren Abrams wants nothing to do with her damaged mother, whose spurious testimony sent Lauren’s father to prison for murder years ago. After a serial killer’s confession to the crime restored justice, Lauren chose to live with her father and grandmother. Now an adult, Lauren has come home to the Sacramento family estate for good, her mother’s lies be damned... It’s been decades since Donna made her cheating husband pay, but she hasn’t forgotten the past. She knows her estranged daughter has made a terrible mistake by returning to the estate.

When we move into the exclusive Westford Park housing estate, we feel safe at last. More like a country club, it has everything we might need – beautiful houses with big gardens, a pool, a boating lake, extensive grounds. It’s also got 24/7 security. Our new neighbours are lovely too. We start to make friendships that feel like they could last a lifetime. It feels like nothing could possibly go wrong here. It’s like our secrets haven’t followed us here. Or that’s what we think at first…