Drama Theater

When Mia mysteriously disappears from her college campus, her mother Joyce fears the worst — and a warning from Mia’s ex-boyfriend reveals she may have left the country to join a cult. Joyce impulsively launches a cross-continental trip to rescue her, gradually learning more about the seductive cult leader via audio tapes her daughter left behind.

A spirited factory worker on a mission. A nerdy manager with a propensity for puzzles. An unexpected adventure. Charmingly British and off-beat, Miscellaneous 0125 is a story about following your dreams, healing past traumas, and the joy of truly being understood.

Gain insights into how to mentally live from the end of your intentions by living in the power of your imagination.

In this third book in a four-book series, Lindell A. Warden, a former student of Neville Goddard, will be sharing with you some powerful principles around Neville's teachings. You will learn about spirituality, not religions. You'll also discover that everything begins in the theater of your mind and that you are always creating in your imagination.

Lin-Manuel Miranda's groundbreaking musical Hamilton is as revolutionary as its subject: the poor kid from the Caribbean who fought the British, defended the Constitution, and helped to found the United States. Fusing hip-hop, pop, R&B, and the best traditions of theater, this once-in-a-generation show broadens the sound of Broadway, reveals the storytelling power of rap, and claims our country's origins for a diverse new generation.

Meet Alex, a photographer on a holiday with his family in the south of France. Meet Abe, a music producer with a baby on the way. Two men - both fathers, husbands, and sons - take us on a journey you will never forget. The finest actors of their generation, Academy Award® nominee Jake Gyllenhaal (Sunday in the Park with George) and Tony Award nominee Tom Sturridge (1984), had audiences roaring to their feet during the sold-out Broadway engagement. Now Sea Wall / A Life, a dramatic exploration of transformative love and devastating loss, comes to Audible.

In this second book in this four-book series, Lindell A. Warden, a former student of Neville Goddard, will be sharing with you some powerful principles around Neville's teachings. You will learn that everything begins in the theater of your mind and that you are always creating in your imagination. He shares that your thought always precedes your evidence. You can literally choose what you will think daily and transform your world from the inside out.

Why would the multimillionaire producer of Cats, The Phantom of the Opera, and Miss Saigon take his limo from Manhattan to the struggling former steel town of Levittown, Pennsylvania, to see a high school production of Les Misérables? To see the show performed by the astoundingly successful theater company at Harry S Truman High School, run by its legendary director, Lou Volpe. Broadway turns to Truman High when trying out controversial shows such as Rent and Spring Awakening before they move on to high school theater programs across the nation. Volpe’s students from this blue-collar town go on to become Emmy-winning producers, entertainment executives, newscasters, and community-theater founders.

After 40 years with his beloved wife, Henry is alone for the first time. His sudden bachelorhood is a struggle for him and his daughter Lisa, who is feeling pressure to fill the void. To give Henry the companionship he’s craving, Lisa buys him a personal robotic assistant. The device transforms Henry’s life and inspires him to embrace the possibility of romance during his golden years.

This riveting Pulitzer Prize and Tony Award-winning drama tells the fascinating, real-life story of Charlotte von Mahlsdorf, a transgender woman who managed to defy insurmountable odds. Based on interviews conducted by the playwright, I Am My Own Wife takes us on a theatrical journey that vividly chronicles the bravery, cunning, and strength that Von Mahlsdorf used to survive both the Nazi and Communist regimes of East Germany.

In this fourth book in this four-book series, Lindell A. Warden a former student of Neville Goddard, will be sharing with you some powerful principles around Neville's teachings. You will learn that everything begins in the theater of your mind and that you are always creating in your imagination. He shares that your thought always precedes your evidence. You can literally choose what you will think daily and transform your world from the inside out.

NYC, 2013. During late night trips on the A train, we get snapshots of Tyrone's life - his close relationship with his mother, his attempts to flirt with a coworker, Niesha, his job as a bouncer, and his dreams of going back to school. As new traumas accumulate, Tyrone's world becomes as claustrophobic as the subway car, with as few opportunities to exit or change course.

Callie Miller loves drama. As a theater major, that's a given. It's hard to date in the theater department when all the guys are either taken or gay - like her best friend and longtime crush. When Callie becomes the lead in the biggest production of the year, she realizes she has no time for love. Until Sebastian "Bash" Moore reenters her life, stage left. He left everything behind three years ago to chase his dreams. But his heart remained at home, tied to memories of a tiny blonde with a flair for the dramatics - on and off the stage.

Only in the world of the theater can Nat Field find an escape from the tragedies that have shadowed his young life. So he is thrilled when he is chosen to join an American drama troupe traveling to London to perform A Midsummer Night's Dream in a new replica of the famous Globe theater. Shortly after arriving in England, Nat goes to bed ill and awakens transported back in time 400 years - to another London, and another production of A Midsummer Night's Dream. Amid the bustle and excitement of an Elizabethan theatrical production, Nat finds the warm, nurturing father figure missing from his life - in none other than William Shakespeare.

The St. Charles Players present multi-cast dramatizations of some of Edgar Allan Poe's greatest works, including The Black Cat, The System of Dr. Tarr and Prof. Fether, The Purloined Letter, and The Murders in the Rue Morgue.

Tom Stoppard is a towering and beloved literary figure. Known for his dizzying narrative inventiveness and intense attention to language, he deftly deploys art, science, history, politics, and philosophy in works that span a remarkable spectrum of literary genres: theater, radio, film, TV, journalism, and fiction. His most acclaimed creations - Rosencrantz and Guildenstern Are Dead, The Real Thing, Arcadia, The Coast of Utopia, Shakespeare in Love - remain as fresh and moving as when they entranced their first audiences.

He was known as the Wildman more than 100 years ago, terrorizing lumberjacks and farmers who complained that their lives were at stake. The American Indians, depending on their tribe, had many names for the Creature: Sasahevas, Sasquatch, Bukwas (wild man of the woods), See'atco (one who runs and hides). What would Native American Indians have to gain from falsifying the existence of a Beast?

It's 1991, and Tara Maureen Murphy is finally on top. A frightening cross between Regina George and Tracy Flick, Tara Maureen Murphy is any high school's worst nightmare. She's a senior, poised to star as Sandy in South High's production of Grease. Cinching the role is just one teensy step in Tara's plot to get out of her hometown and become the Broadway starlet she was born to be. It gets tricky with the arrival of freshman Matthew Bloom, whose dazzling audition for the role of Danny Zuko turns Tara's world upside down.

Quarantine is an adaptation for the theater by E. Thomalen of Albert Camus' The Plague translated by Stuart Gilbert. It is a play in four acts and begins with the observation of rats dying, ending with "freedom" because of the lifting of the quarantine. Not everyone finds freedom to his liking. The characters capture the angst, boredom, grief, heroism, spiritual questioning, villainy, courage and longing brought on by the quarantine and the plague.

In this survey of eighteenth and nineteenth century American drama, Tice L. Miller examines American plays written before a canon was established in American dramatic literature and provides analyses central to the culture that produced them. Entertaining the Nation evaluates plays in the early years of the republic, reveals shifts in taste from the classical to the contemporary in the 1840s and 1850s, and considers the increasing influence of realism at the end of the nineteenth century.