Dramatized Adaptation Fantasy

In the realm of Imphallion, there once was a nightmare - a living nightmare known only as the Terror of the East. Nigh invulnerable in his magical black armor and aided by unholy minions, he laid waste to all in his path on his all-consuming quest to bring order to the land. His order. Then, at what should have been his moment of triumph, his will failed. And his army fell. Taking a young noblewoman as hostage, he escaped, vanishing into darkest memory.

Necromancer Eric Carter's problems keep getting bigger. Bad enough he's the unwilling husband to the patron saint of death, Santa Muerte, but now her ex, the Aztec King of the dead, Mictlantecuhtli, has come back - and it turns out that Carter and he are swapping places. As Mictlantecuhtli breaks loose of his prison of jade, Carter is slowly turning to stone. To make matters worse, both gods are trying to get Carter to assassinate the other. But only one of them can be telling him the truth and he can't trust either one. Carter's solution? Kill them both.

The Krakau came to Earth in the year 2104. By 2105, humanity had been reduced to shambling, feral monsters. In the Krakau’s defense, it was an accident, and a century later, they did come back and try to fix us. Sort of. It’s been four months since Marion “Mops” Adamopoulos learned the truth of that accident. Four months since she and her team of hygiene and sanitation specialists stole the EMCS Pufferfish and stopped a bioterrorism attack against the Krakau homeworld. Four months since she set out to find proof of what really happened on Earth all those years ago.

JC, Happy, and Melody are investigating a haunting at the long-abandoned Haybarn Theater, which is being renovated. But work has been thrown off-schedule by some peculiar and unnatural activities and a homeless man who appears to have been scared to death. After the potentially world-altering recent events of their previous assignment at Chimera House, the team thinks that a haunted theater (aren't they all?) will be a walk in the park.

Mankind has ceded the night to the corelings, demons that rise up out of the ground each day at dusk, killing and destroying at will until dawn, when the sun banishes them back to the Core. As darkness falls, the world’s few surviving humans hide behind magical wards, praying the magic can see them through another night. As years pass, the distances between each tiny village seem longer and longer. It seems nothing can harm the corelings, or bring humanity back together.

It has a dark past—one in which a number of humans were killed. A past that caused it to christen itself “Murderbot”. But it has only vague memories of the massacre that spawned that title, and it wants to know more. Teaming up with a Research Transport vessel named ART (you don’t want to know what the “A” stands for), Murderbot heads to the mining facility where it went rogue. What it discovers will forever change the way it thinks.

In the ancient Castle Erorn, Corum of the Scarlet Robe dwells in isolation and sorrow. He has outlived his great love, Rhalina, and is tormented by voices in his dreams - a crowd of shadowy figures chanting his name. Unable to ignore their calls for help any longer, he will travel through eons of time to an age of tragedy, where the people of Tuha-na-Cremm Croich, descendants of Rhalina, are persecuted by the giant gods of the Cold Folk. A great black bull has the power needed to defeat the monsters of a new age.

Chicago, 1932. Mick Oberon may look like just another private detective, but beneath the fedora and the overcoat, he's got pointy ears and he's packing a wand.

Picking up exactly where Playing Gods 1: Isolation left off, Playing Gods 2: Adaptation brings the zehuderan warriors Xriah and Vylis to the world of Gravios. A far cry from the last plane where the two battled, Gravios is an ocean world of cybernetically augmented humans and post-apocalyptic sea vessels. All land on Gravios has been completely submerged into the depths, the sea level elevated by the planet-swallowing marine creature known as the Grava.

A cold sense of dèjá vu becomes reality as the group emerges from a gateway they'd survived before — a grim graveyard of lost friends and nightmares. The consuming need to escape the dangerous melancholy of the place forces Ryan and company onto the frozen tundra, where an even greater menace awaits. The forbidding land harbors a dying tribe — cursed members of the ancient Inuit, who seize the arrival of Ryan and his band as their last hope to appease angry gods...by offering them up as human sacrifice.

They call him Jig Dragonslayer - and who is he to deny a legend. After all, common sense - something in very short supply among goblins - has a lot to do with Jig's continued existence. Though he's been captured by adventures and dragged unwillingly along on their foolish quest, he's survived both the Necromancer and the Dragon. If people want to insist he's a hero, he isn't going to fight about it. But the trouble with being labeled a hero is that everyone expects you to keep doing heroic things.

The Hunter from the Woods marks the much-anticipated return of Michael Gallatin, the lycanthropic hero of Robert McCammon's classic, The Wolf's Hour. These all-new, interlinked stories offer a full measure of McCammon's trademark narrative excitement, and comprise a fascinating composite portrait of a unique fictional creation. The volume opens with a pair of brief glimpses into Michael's early life in Russia and his initial recruitment into the British Secret Service. It ends with a haunting vision of the werewolf at twilight.

Kylara Vatta is the only daughter in a family full of sons, and her father's only child to buck tradition by choosing a military career instead of joining the family business. For Ky, it's no contest: Even running the prestigious Vatta Transport Ltd. shipping concern can't hold a candle to shipping out as an officer aboard an interstellar cruiser. It's adventure, not commerce, that stirs her soul. And despite her family's misgivings, there can be no doubt that a Vatta in the service will prove a valuable asset. But with a single error in judgment, it all comes crumbling down.

When Ishmael Jones and his partner Penny are asked to escort a VIP on the late-night train to Bath, it would appear to be a routine case. The Organisation has acquired intelligence that an attempt is to be made on Sir Dennis Gregson’s life as he travels to Bath to take up his new position as Head of the British Psychic Weapons Division. Ishmael’s mission is to ensure that Sir Dennis arrives safely. How could anyone orchestrate a murder in a crowded railway carriage without being noticed and with no obvious means of escape?

There is a sword, forged by the master swordsmith Goffanon the Dwarf, imbued with powerfully magical properties. But this magic can be wielded by only one man. And there is a stallion - a fierce animal that allows only those pure of heart to ride it. The only man worthy of taking up this sword and climbing into this saddle is Prince Corum - the Eternal Champion. The struggle for dominion between the races of good and evil is reaching an epic crescendo. Corum’s most desperate quest yet will see treachery, betrayal, wizards, dragons, and brutal battle.

In the ancient canyons of New Mexico, the citizens of Little Pueblo prepare to sacrifice Ryan and his companions to demons locked inside a 20th-century dam project. But in a world where nuke-spawned predators feed upon weak and strong alike, Ryan knows avenging eternal spirits aren't a part of the game. Especially when these freaks spit yellow acid — and their creators are the white coat masterminds of genetic recombination, destroyed by their mutant offspring born of sin and science gone horribly wrong....

War has come to Melengar. To save her kingdom, Princess Arista runs a desperate gamble when she defies her brother and hires Royce and Hadrian for a dangerous mission. As the power of the Nyphron Empire grows, so does Royce's suspicion that the wizard Esrahaddon is using the thieves as pawns in his own game. To find the truth, he must unravel the secret of Hadrian's past - what he discovers may end their friendship and break Riyria in two.

Heris Serrano - formerly a commander in the Regular Space Service - must take whatever job she can get after her resignation under a cloud. What she can get is the captaincy of a rich old lady's space yacht...a rich old horsewoman, who has little liking for the military, and whose spoiled nephew Ronnie (and his equally spoiled friends) have been foisted on her after his folly embarrassed the family. Lady Cecelia's only apparent interest is horses - she intends to go fox hunting on the private pleasure planet of a friend of hers, Lord Thornbuckle.

The Carnacki institute exists to do something about ghosts. Lay them to rest, send them packing, or kick their nasty ectoplasmic arses with extreme prejudice. The institute’s operatives are the best of the best. JC Chance: sharp, brave, charming, and almost unbearably arrogant; Melody Chambers: science geek, techno-wizard extraordinaire who keeps the antisupernatual equipment running smoothly; and Happy Jack Palmer: the telepath with the gloomy disposition, the last person anyone would want navigating through their head.

A vengeful ghost trapped in a goblin's ear...a flaming spider who must help stop a goddess from conquering a science-fiction convention...a goblin nursery worker who finds herself trapped in the middle of a war. This collection features six humorous short stories that explore the fantasy realm from the perspective of the lowest of the low, the unlikeliest of unheroes: the goblins.