Dramatized Adaptation Fantasy

Kylar Stern has rejected the assassin's life. The Godking's successful coup has left Kylar's master, Durzo, and his best friend, Logan, dead. He is starting over: new city, new friends, and new profession. But when he learns that Logan might actually be alive and in hiding, Kylar is faced with an agonizing choice: Will he give up the way of shadows forever and live in peace with his new family, or will he risk everything by taking on the ultimate hit?

When Ishmael Jones and his partner Penny are asked to escort a VIP on the late-night train to Bath, it would appear to be a routine case. The Organisation has acquired intelligence that an attempt is to be made on Sir Dennis Gregson’s life as he travels to Bath to take up his new position as Head of the British Psychic Weapons Division. Ishmael’s mission is to ensure that Sir Dennis arrives safely. How could anyone orchestrate a murder in a crowded railway carriage without being noticed and with no obvious means of escape?

Sister murdered, best friend dead, married to the patron saint of death, Necromancer Eric Carter's return to Los Angeles hasn't gone well, and it's about to get even worse. His link to the death goddess is changing his powers, changing him. While searching for a way to break Santa Muerte's hold over him, Carter finds himself the target of a psychopath who can steal anyone's form, powers, and memories. He can be anyone. He can be anywhere.

In the realm of Imphallion, there once was a nightmare - a living nightmare known only as the Terror of the East. Nigh invulnerable in his magical black armor and aided by unholy minions, he laid waste to all in his path on his all-consuming quest to bring order to the land. His order. Then, at what should have been his moment of triumph, his will failed. And his army fell. Taking a young noblewoman as hostage, he escaped, vanishing into darkest memory.

Necromancer Eric Carter's problems keep getting bigger. Bad enough he's the unwilling husband to the patron saint of death, Santa Muerte, but now her ex, the Aztec King of the dead, Mictlantecuhtli, has come back - and it turns out that Carter and he are swapping places. As Mictlantecuhtli breaks loose of his prison of jade, Carter is slowly turning to stone. To make matters worse, both gods are trying to get Carter to assassinate the other. But only one of them can be telling him the truth and he can't trust either one. Carter's solution? Kill them both.

The Krakau came to Earth in the year 2104. By 2105, humanity had been reduced to shambling, feral monsters. In the Krakau’s defense, it was an accident, and a century later, they did come back and try to fix us. Sort of. It’s been four months since Marion “Mops” Adamopoulos learned the truth of that accident. Four months since she and her team of hygiene and sanitation specialists stole the EMCS Pufferfish and stopped a bioterrorism attack against the Krakau homeworld. Four months since she set out to find proof of what really happened on Earth all those years ago.

JC, Happy, and Melody are investigating a haunting at the long-abandoned Haybarn Theater, which is being renovated. But work has been thrown off-schedule by some peculiar and unnatural activities and a homeless man who appears to have been scared to death. After the potentially world-altering recent events of their previous assignment at Chimera House, the team thinks that a haunted theater (aren't they all?) will be a walk in the park.

It has a dark past—one in which a number of humans were killed. A past that caused it to christen itself “Murderbot”. But it has only vague memories of the massacre that spawned that title, and it wants to know more. Teaming up with a Research Transport vessel named ART (you don’t want to know what the “A” stands for), Murderbot heads to the mining facility where it went rogue. What it discovers will forever change the way it thinks.

In the ancient Castle Erorn, Corum of the Scarlet Robe dwells in isolation and sorrow. He has outlived his great love, Rhalina, and is tormented by voices in his dreams - a crowd of shadowy figures chanting his name. Unable to ignore their calls for help any longer, he will travel through eons of time to an age of tragedy, where the people of Tuha-na-Cremm Croich, descendants of Rhalina, are persecuted by the giant gods of the Cold Folk. A great black bull has the power needed to defeat the monsters of a new age.

Picking up exactly where Playing Gods 1: Isolation left off, Playing Gods 2: Adaptation brings the zehuderan warriors Xriah and Vylis to the world of Gravios. A far cry from the last plane where the two battled, Gravios is an ocean world of cybernetically augmented humans and post-apocalyptic sea vessels. All land on Gravios has been completely submerged into the depths, the sea level elevated by the planet-swallowing marine creature known as the Grava.

The Carnacki institute exists to do something about ghosts. Lay them to rest, send them packing, or kick their nasty ectoplasmic arses with extreme prejudice. The institute’s operatives are the best of the best. JC Chance: sharp, brave, charming, and almost unbearably arrogant; Melody Chambers: science geek, techno-wizard extraordinaire who keeps the antisupernatual equipment running smoothly; and Happy Jack Palmer: the telepath with the gloomy disposition, the last person anyone would want navigating through their head.

Heris Serrano - formerly a commander in the Regular Space Service - must take whatever job she can get after her resignation under a cloud. What she can get is the captaincy of a rich old lady's space yacht...a rich old horsewoman, who has little liking for the military, and whose spoiled nephew Ronnie (and his equally spoiled friends) have been foisted on her after his folly embarrassed the family. Lady Cecelia's only apparent interest is horses - she intends to go fox hunting on the private pleasure planet of a friend of hers, Lord Thornbuckle.

Caim makes his living on the edge of a blade, but when a routine job goes south, he is thrust into the middle of an insidious plot. Pitted against crooked lawmen, rival killers, and sorcery from the Other Side, his only allies are Josephine, the socialite daughter of his last victim, and Kit, a guardian spirit no one else can see. But in this fight for his life, Caim only trusts his knives and his instincts, but they won't be enough when his quest for justice leads him from Othir's hazardous back alleys to its shining corridors of power.

A cold sense of dèjá vu becomes reality as the group emerges from a gateway they'd survived before — a grim graveyard of lost friends and nightmares. The consuming need to escape the dangerous melancholy of the place forces Ryan and company onto the frozen tundra, where an even greater menace awaits. The forbidding land harbors a dying tribe — cursed members of the ancient Inuit, who seize the arrival of Ryan and his band as their last hope to appease angry gods...by offering them up as human sacrifice.

War has come to Melengar. To save her kingdom, Princess Arista runs a desperate gamble when she defies her brother and hires Royce and Hadrian for a dangerous mission. As the power of the Nyphron Empire grows, so does Royce's suspicion that the wizard Esrahaddon is using the thieves as pawns in his own game. To find the truth, he must unravel the secret of Hadrian's past - what he discovers may end their friendship and break Riyria in two.

The Hunter from the Woods marks the much-anticipated return of Michael Gallatin, the lycanthropic hero of Robert McCammon's classic, The Wolf's Hour. These all-new, interlinked stories offer a full measure of McCammon's trademark narrative excitement, and comprise a fascinating composite portrait of a unique fictional creation. The volume opens with a pair of brief glimpses into Michael's early life in Russia and his initial recruitment into the British Secret Service. It ends with a haunting vision of the werewolf at twilight.

Kylara Vatta is the only daughter in a family full of sons, and her father's only child to buck tradition by choosing a military career instead of joining the family business. For Ky, it's no contest: Even running the prestigious Vatta Transport Ltd. shipping concern can't hold a candle to shipping out as an officer aboard an interstellar cruiser. It's adventure, not commerce, that stirs her soul. And despite her family's misgivings, there can be no doubt that a Vatta in the service will prove a valuable asset. But with a single error in judgment, it all comes crumbling down.

There is a sword, forged by the master swordsmith Goffanon the Dwarf, imbued with powerfully magical properties. But this magic can be wielded by only one man. And there is a stallion - a fierce animal that allows only those pure of heart to ride it. The only man worthy of taking up this sword and climbing into this saddle is Prince Corum - the Eternal Champion. The struggle for dominion between the races of good and evil is reaching an epic crescendo. Corum’s most desperate quest yet will see treachery, betrayal, wizards, dragons, and brutal battle.

Chicago, 1932. Mick Oberon may look like just another private detective, but beneath the fedora and the overcoat, he's got pointy ears and he's packing a wand.

After two centuries of nuclear blight, a new America is emerging, forged by those seeking peace and hope for the future. Pocket communities, ruled by local barons, have become the new centers of civilization...and power. But while many desire prosperity, others embrace ideas of ultimate domination. The son of a powerful baron, Ryan Cawdor has chosen his own path through the Deathlands. Now rumors of trouble bring him home to West Virginia, where he'd left his nephew Nathan at the head of the barony.