Dramatized Adaptation Fantasy

They call him Jig Dragonslayer - and who is he to deny a legend. After all, common sense - something in very short supply among goblins - has a lot to do with Jig's continued existence. Though he's been captured by adventures and dragged unwillingly along on their foolish quest, he's survived both the Necromancer and the Dragon. If people want to insist he's a hero, he isn't going to fight about it. But the trouble with being labeled a hero is that everyone expects you to keep doing heroic things.

Everything you know about vampires is wrong, as struggling actress Esther Diamond discovers after taking a job as a victim in The Vampyre, an off-Broadway cult hit in Manhattan. Not only is she besieged by fang-wearing vampire groupies, fanatical anti-vampire activists, and the bloodsucking paparazzi, but she also has to put up with broody lead actor Daemon Ravel, who claims to be a real vampire. But when one of Daemon's fan girls turns up dead - and drained of all her blood - Esther is determined to help.

Beneath the brutal sun of the nuke-ravaged Southwest, the Texas desert burns red hot and merciless, commanding agony and untold riches to those greedy and mad enough to mine the slick black crude that lies beneath the scorched earth. When a Gateway jump puts Ryan and the others deep in the hell of Texas, they face a no win situation: Fry in the heat, or become a rogue baron's sec force for an oil refinery targeted by saboteurs. The task: Catch the raiders and win their freedom. Or fail...and face death.

Since the zombie invasion, the island of Manhattan has been turned into a wintery wasteland. The Zombie King has arrived in search of a mythical Opener. A human who can create a bridge to the land of the dead and unleash all its horrors on earth. But, who is the mysterious Giant, and why can no one get onto the island of Manhattan? Then we take a trip to the carnival and learn the origins of the Dead-Killer and why he wants the Zombie King dead forever. And finally, where does the Vamp get her tattoos? And why are they so important?

There is a sword, forged by the master swordsmith Goffanon the Dwarf, imbued with powerfully magical properties. But this magic can be wielded by only one man. And there is a stallion - a fierce animal that allows only those pure of heart to ride it. The only man worthy of taking up this sword and climbing into this saddle is Prince Corum - the Eternal Champion. The struggle for dominion between the races of good and evil is reaching an epic crescendo. Corum’s most desperate quest yet will see treachery, betrayal, wizards, dragons, and brutal battle.

Acting jobs don't grow on fire escapes, so struggling actress Esther Diamond is outraged when her guest role as a hooker on controversial TV drama The Dirty Thirty is jeopardized by zombies, angry spirits, and a voodoo curse. Meanwhile, the talented teens Esther is coaching at a Harlem cultural center are also being attacked by the sinister supernatural power that's spreading through Manhattan.

Mankind has ceded the night to the corelings, demons that rise up out of the ground each day at dusk, killing and destroying at will until dawn, when the sun banishes them back to the Core. As darkness falls, the world’s few surviving humans hide behind magical wards, praying the magic can see them through another night. As years pass, the distances between each tiny village seem longer and longer. It seems nothing can harm the corelings, or bring humanity back together.

Baron Crabbe is dangerously high on legends of the Trader and rumors of a secret cache. He occupies a redoubt but the old tech remains unfathomable. His ace in the hole is Ryan Cawdor and his band. Prisoners at blasterpoint, they’ re ordered to use the matter-transfer units to secure the whereabouts of the imagined weapons stockpile. Ryan knows the truth — and it won’t help Crabbe.

When Ishmael Jones and his partner Penny are asked to escort a VIP on the late-night train to Bath, it would appear to be a routine case. The Organisation has acquired intelligence that an attempt is to be made on Sir Dennis Gregson’s life as he travels to Bath to take up his new position as Head of the British Psychic Weapons Division. Ishmael’s mission is to ensure that Sir Dennis arrives safely. How could anyone orchestrate a murder in a crowded railway carriage without being noticed and with no obvious means of escape?

During one of the hottest summers the city has ever seen, someone is murdering mages with fires that burn when they shouldn't, that don't stop when they should. Necromancer Eric Carter is being framed for the killings and hunted by his own people. To Carter, everything points to the god Quetzalcoatl coming after him, after he defied the mad wind god in the Aztec land of the dead. But too many things aren't adding up, and Carter knows there's more going on.

Necromancer Eric Carter's problems keep getting bigger. Bad enough he's the unwilling husband to the patron saint of death, Santa Muerte, but now her ex, the Aztec King of the dead, Mictlantecuhtli, has come back - and it turns out that Carter and he are swapping places. As Mictlantecuhtli breaks loose of his prison of jade, Carter is slowly turning to stone. To make matters worse, both gods are trying to get Carter to assassinate the other. But only one of them can be telling him the truth and he can't trust either one. Carter's solution? Kill them both.

In the realm of Imphallion, there once was a nightmare - a living nightmare known only as the Terror of the East. Nigh invulnerable in his magical black armor and aided by unholy minions, he laid waste to all in his path on his all-consuming quest to bring order to the land. His order. Then, at what should have been his moment of triumph, his will failed. And his army fell. Taking a young noblewoman as hostage, he escaped, vanishing into darkest memory.

Bartering their expertise to a nautical band of brilliant technomads, Ryan's group finds trouble waiting in the steaming, fetid swamplands of the Louisiana Gulf. Merciless storms and pirates strand them in Haven. But the barony's inviting name masks a ville hijacked by fear, territorial conflict, and monstrous horror. With the gravely injured Krysty Wroth's fate uncertain, a desperate Ryan aids the strange but hospitable Baron Blackwell in his effort to save Haven from a genetic blood curse. He'll succeed, provided his luck - and his options - don't run out first.

The Carnacki institute exists to do something about ghosts. Lay them to rest, send them packing, or kick their nasty ectoplasmic arses with extreme prejudice. The institute’s operatives are the best of the best. JC Chance: sharp, brave, charming, and almost unbearably arrogant; Melody Chambers: science geek, techno-wizard extraordinaire who keeps the antisupernatual equipment running smoothly; and Happy Jack Palmer: the telepath with the gloomy disposition, the last person anyone would want navigating through their head.

The Krakau came to Earth in the year 2104. By 2105, humanity had been reduced to shambling, feral monsters. In the Krakau’s defense, it was an accident, and a century later, they did come back and try to fix us. Sort of. It’s been four months since Marion “Mops” Adamopoulos learned the truth of that accident. Four months since she and her team of hygiene and sanitation specialists stole the EMCS Pufferfish and stopped a bioterrorism attack against the Krakau homeworld. Four months since she set out to find proof of what really happened on Earth all those years ago.

In the ancient Castle Erorn, Corum of the Scarlet Robe dwells in isolation and sorrow. He has outlived his great love, Rhalina, and is tormented by voices in his dreams - a crowd of shadowy figures chanting his name. Unable to ignore their calls for help any longer, he will travel through eons of time to an age of tragedy, where the people of Tuha-na-Cremm Croich, descendants of Rhalina, are persecuted by the giant gods of the Cold Folk. A great black bull has the power needed to defeat the monsters of a new age.

Picking up exactly where Playing Gods 1: Isolation left off, Playing Gods 2: Adaptation brings the zehuderan warriors Xriah and Vylis to the world of Gravios. A far cry from the last plane where the two battled, Gravios is an ocean world of cybernetically augmented humans and post-apocalyptic sea vessels. All land on Gravios has been completely submerged into the depths, the sea level elevated by the planet-swallowing marine creature known as the Grava.

It has a dark past—one in which a number of humans were killed. A past that caused it to christen itself “Murderbot”. But it has only vague memories of the massacre that spawned that title, and it wants to know more. Teaming up with a Research Transport vessel named ART (you don’t want to know what the “A” stands for), Murderbot heads to the mining facility where it went rogue. What it discovers will forever change the way it thinks.

Caim makes his living on the edge of a blade, but when a routine job goes south, he is thrust into the middle of an insidious plot. Pitted against crooked lawmen, rival killers, and sorcery from the Other Side, his only allies are Josephine, the socialite daughter of his last victim, and Kit, a guardian spirit no one else can see. But in this fight for his life, Caim only trusts his knives and his instincts, but they won't be enough when his quest for justice leads him from Othir's hazardous back alleys to its shining corridors of power.

Chicago, 1932. Mick Oberon may look like just another private detective, but beneath the fedora and the overcoat, he's got pointy ears and he's packing a wand.