Dramatized Science

JC, Happy, and Melody are investigating a haunting at the long-abandoned Haybarn Theater, which is being renovated. But work has been thrown off-schedule by some peculiar and unnatural activities and a homeless man who appears to have been scared to death. After the potentially world-altering recent events of their previous assignment at Chimera House, the team thinks that a haunted theater (aren't they all?) will be a walk in the park.

Humanity has been brought to the brink of extinction. Each night, the world is overrun by demons - bloodthirsty creatures of nightmare that have been hunting the surface for over 300 years. A scant few hamlets and half-starved city-states are all that remain of a once proud civilization, and it is only by hiding behind wards, ancient symbols with the power to repel the demons, that they survive. A handful of Messengers brave the night to keep the lines of communication open between the increasingly isolated populace.

Esmay Suiza wasn't a member of a great Navy family like the Serranos. She'd had to make her way on grit alone, which meant it wasn't likely she'd ever make admiral and "hoist her own flag." Well, that was fine with her: all Esmay wanted was a secure berth where she could be part of something greater than herself, and otherwise just live her life in peace.

The Carnacki institute exists to do something about ghosts. Lay them to rest, send them packing, or kick their nasty ectoplasmic arses with extreme prejudice. The institute’s operatives are the best of the best. JC Chance: sharp, brave, charming, and almost unbearably arrogant; Melody Chambers: science geek, techno-wizard extraordinaire who keeps the antisupernatual equipment running smoothly; and Happy Jack Palmer: the telepath with the gloomy disposition, the last person anyone would want navigating through their head.

Esther Diamond's year gets off to a rocky start when NYPD's Detective Connor Lopez, who slept with her and then didn't call, shuts down the Little Italy restaurant where Esther works between acting jobs and gets her arrested. Once she's out of handcuffs, Esther takes a small role in a grad student's film project in Chinatown - where her friend, semi-retired hit man Lucky Battistuzzi, is hiding out in a Chinese-Italian mortuary.

For years, like millions of other Americans, John Thomas Rourke had planned for what seemed inevitable — the destruction of civilization. There were various possible causes: global economic collapse, some uncontrollable pestilence, a world famine — or nuclear war. And the rumbling signaling the coming of Total War was becoming increasingly strong as Rourke, ex-CIA Covert Operations Officer, weapons expert, and survival authority, made his last desperate gambit to save his estranged wife and two children before the button was pressed.

The Hunter from the Woods marks the much-anticipated return of Michael Gallatin, the lycanthropic hero of Robert McCammon's classic, The Wolf's Hour. These all-new, interlinked stories offer a full measure of McCammon's trademark narrative excitement, and comprise a fascinating composite portrait of a unique fictional creation. The volume opens with a pair of brief glimpses into Michael's early life in Russia and his initial recruitment into the British Secret Service. It ends with a haunting vision of the werewolf at twilight.

The worst has happened: Fleet is tearing itself apart. Some of the mutineers see injustice in the unequal spread of the rejuvenation drugs that offer virtual immortality to the rich; others are simply thirsty for power, or for blood. The Loyalists, meanwhile, fight desperately to preserve the rule of law in Familias Regnant space. But when Esmay Suiza-Serrano is unceremoniously booted out of Fleet, the apparent victim of family politics, she has no idea of the whirlwind of conflict into which she is about to be drawn.

A cold sense of dèjá vu becomes reality as the group emerges from a gateway they'd survived before — a grim graveyard of lost friends and nightmares. The consuming need to escape the dangerous melancholy of the place forces Ryan and company onto the frozen tundra, where an even greater menace awaits. The forbidding land harbors a dying tribe — cursed members of the ancient Inuit, who seize the arrival of Ryan and his band as their last hope to appease angry gods...by offering them up as human sacrifice.

In the ancient canyons of New Mexico, the citizens of Little Pueblo prepare to sacrifice Ryan and his companions to demons locked inside a 20th-century dam project. But in a world where nuke-spawned predators feed upon weak and strong alike, Ryan knows avenging eternal spirits aren't a part of the game. Especially when these freaks spit yellow acid — and their creators are the white coat masterminds of genetic recombination, destroyed by their mutant offspring born of sin and science gone horribly wrong....

It has a dark past—one in which a number of humans were killed. A past that caused it to christen itself “Murderbot”. But it has only vague memories of the massacre that spawned that title, and it wants to know more. Teaming up with a Research Transport vessel named ART (you don’t want to know what the “A” stands for), Murderbot heads to the mining facility where it went rogue. What it discovers will forever change the way it thinks.

All parties converge on the capital city, Triah - Cinzia and the Odenites to establish their new religion and appeal against a charge of heresy; Knot and Astrid to find answers in the vampire girl's past; and Winter has come to conquer the city, at the head of a tiellan army. But Winter is still struggling with her addictions and anger; Knot's efforts to be reunited with her can only lead to disappointment. Cinzia cannot free herself from a terrible bargain. As the battle lines are drawn, the true nature of the goddess Canta, and the Odenites' final purpose, will soon be revealed....

Someone is poisoning San Francisco's foodies. Tony Mandolin, the fog city's only Private Eye with a view into the supernatural, has been retained to find out whom and why. Unfortunately this brings him to the attention of Medb, the Queen of the Unseelie Court and it seems that Tony's only hope of survival lies in the hands of Landau Bain, the alcoholic wizard, and Bain is cranky.

Two hundred years after the events chronicled in Deathstalker Destiny, it is a golden age for the Human Empire. Lewis Deathstalker is a remote descendant of the legendary Owen and foremost among the Paragons, an elite force of noble warriors in service to a benevolent constitutional monarchy. The new monarch, Douglas Campbell, grandson of Robert and Constance, and his reluctant Champion Lewis Deathstalker find themselves in deep and treacherous waters on Campbell’s first day in Parliament.

The Spear of Lugh, one of the four Kingly Hallows of Ireland is in Chicago. And everyone, everyone wants it, for it is said that he who carries the spear into battle cannot be defeated. Among those who seek it are an agent of the infamous Wild Hunt; a mobster who knows far more about these things than he should; and of course both the Seelie and Unseelie Courts - the last people PI Mick Oberon would want getting hold of the spear....

In the realm of Imphallion, there once was a nightmare - a living nightmare known only as the Terror of the East. Nigh invulnerable in his magical black armor and aided by unholy minions, he laid waste to all in his path on his all-consuming quest to bring order to the land. His order. Then, at what should have been his moment of triumph, his will failed. And his army fell. Taking a young noblewoman as hostage, he escaped, vanishing into darkest memory.

Lt. Wayson Harris is one of thousands of clones born and bred to be the ultimate soldiers. But unlike the others, Harris is an outlawed model - one with independent thoughts and an addiction to violence. Presumed dead after his troops were massacred, Harris - who blames the U.A. for the slaughter - has gone AWOL as a bounty hunter. Still, it’s hard for a clone to overcome his conditioning, and Harris finds himself drawn back into the U.A.'s service by his mentor and creator, Fleet Admiral Bryce Klyber.

GFL star Quentin Barnes is an orphan born into a culture that prizes family connections above all. He spent his youth struggling with poverty. When he signed his deal with the Ionath Krakens and became rich, one of the first things he did was hire a private detective to find out if his family is still alive. The Detective is the story of that search, as seen through the eyes of Frederico Esteban Guissepe Gonzaga — a.k.a. “Fred,” a master of disguise and a truly dangerous human. But Fred’s past is just as big a mystery as is the whereabouts of Quentin’s family.

Since the zombie invasion, the island of Manhattan has been turned into a wintery wasteland. The Zombie King has arrived in search of a mythical Opener. A human who can create a bridge to the land of the dead and unleash all its horrors on earth. But, who is the mysterious Giant, and why can no one get onto the island of Manhattan? Then we take a trip to the carnival and learn the origins of the Dead-Killer and why he wants the Zombie King dead forever. And finally, where does the Vamp get her tattoos? And why are they so important?

Underpowered and overwhelmed, Kenton tries to hold the Sand Masters together as forces political and personal conspire against them. Now, in one final push, Kenton must tap the most dangerous depths of his own abilities to combat the enemies within his own guild and discover the truth behind the ambush that killed his father and almost destroyed the Sand Masters for good.