Dramatized Science

Set in a fractured United States, in the southwestern country now known as Texoma. A world where magic is acknowledged but mistrusted, especially by a young gunslinger named Lizbeth Rose. Battered by a run across the border to Mexico Lizbeth Rose takes a job offer from a pair of Russian wizards to be their local guide and gunnie. For the wizards, Gunnie Rose has already acquired a fearsome reputation and they’re at a desperate crossroad, even if they won’t admit it.

If you think it’s hard being a hobgoblin or a human, try living a goblin’s life for a while. In fact, try imagining what it’s like to be the runtiest goblin in the caves, the lone worshiper of a god who’s been forgotten for a good reason, and the target everyone points to at the first hint of trouble. Try picturing yourself as Jig Dragonslayer, and see how you like it....

Sister murdered, best friend dead, married to the patron saint of death, Necromancer Eric Carter's return to Los Angeles hasn't gone well, and it's about to get even worse. His link to the death goddess is changing his powers, changing him. While searching for a way to break Santa Muerte's hold over him, Carter finds himself the target of a psychopath who can steal anyone's form, powers, and memories. He can be anyone. He can be anywhere.

They call him Jig Dragonslayer - and who is he to deny a legend. After all, common sense - something in very short supply among goblins - has a lot to do with Jig's continued existence. Though he's been captured by adventures and dragged unwillingly along on their foolish quest, he's survived both the Necromancer and the Dragon. If people want to insist he's a hero, he isn't going to fight about it. But the trouble with being labeled a hero is that everyone expects you to keep doing heroic things.

Prince Corum has defeated the Chaos Lord Arioch. But any peace for him and his faithful Rhalina is brief. His actions have evoked the murderous anger of Arioch’s sister, the dreaded Xiombarg. The Prince in the Scarlet Robe must continue his odyssey, face the terror of the Mabden armies, and challenge the might of the Queen of the Swords. Only the legendary City of the Pyramid offers a glimmer of hope. But Corum must get there first, and along the way he will encounter horrifying creatures, strange forms of sorcery, and new planes of existence.

When Ishmael Jones and his partner Penny are asked to escort a VIP on the late-night train to Bath, it would appear to be a routine case. The Organisation has acquired intelligence that an attempt is to be made on Sir Dennis Gregson’s life as he travels to Bath to take up his new position as Head of the British Psychic Weapons Division. Ishmael’s mission is to ensure that Sir Dennis arrives safely. How could anyone orchestrate a murder in a crowded railway carriage without being noticed and with no obvious means of escape?

The Carnacki institute exists to do something about ghosts. Lay them to rest, send them packing, or kick their nasty ectoplasmic arses with extreme prejudice. The institute’s operatives are the best of the best. JC Chance: sharp, brave, charming, and almost unbearably arrogant; Melody Chambers: science geek, techno-wizard extraordinaire who keeps the antisupernatual equipment running smoothly; and Happy Jack Palmer: the telepath with the gloomy disposition, the last person anyone would want navigating through their head.

The sun is setting on humanity. The night now belongs to voracious demons that prey upon a dwindling population forced to cower behind half-forgotten symbols of power. Legends tell of a Deliverer: a general who once bound all mankind into a single force that defeated the demons. But is the return of the Deliverer just another myth? Perhaps not. Out of the desert rides Ahmann Jardir, who has forged the desert tribes into a demon-killing army. He has proclaimed himself Shar’Dama Ka, the Deliverer and he carries ancient weapons - a spear and a crown - that give credence to his claim.

Everything you know about vampires is wrong, as struggling actress Esther Diamond discovers after taking a job as a victim in The Vampyre, an off-Broadway cult hit in Manhattan. Not only is she besieged by fang-wearing vampire groupies, fanatical anti-vampire activists, and the bloodsucking paparazzi, but she also has to put up with broody lead actor Daemon Ravel, who claims to be a real vampire. But when one of Daemon's fan girls turns up dead - and drained of all her blood - Esther is determined to help.

Cornerstone is a ville like no other that Ryan Cawdor and his companions have ever encountered. Hoping to find medical treatment for wounds sustained combating Magus and his creations, especially Ryan’s own debilitating injury, they have been brought to Cornerstone by their new friends, a relationship forged from those same battles. The ville appears to be a prosperous bastion of civilization, sheltered from the savagery of the Deathlands by virtue of the community’s relationship with an extraordinary manifestation of the will of Gaia.

The Spear of Lugh, one of the four Kingly Hallows of Ireland is in Chicago. And everyone, everyone wants it, for it is said that he who carries the spear into battle cannot be defeated. Among those who seek it are an agent of the infamous Wild Hunt; a mobster who knows far more about these things than he should; and of course both the Seelie and Unseelie Courts - the last people PI Mick Oberon would want getting hold of the spear....

While working as a singing waitress in Little Italy, struggling actress Esther Diamond witnesses a mob hit. And right before getting whacked out, the victim tells her that he just saw his own doppio - a perfect double and a notorious portent of death. Before long, more döppelgangers start haunting New York’s mobsters, who are subsequently getting bumped off in mysterious ways. Meanwhile, Esther’s new love-interest, Detective Connor Lopez, gets transferred to the NYPD’s organized crime unit and is assigned to investigate these hits.

Necromancer Eric Carter's problems keep getting bigger. Bad enough he's the unwilling husband to the patron saint of death, Santa Muerte, but now her ex, the Aztec King of the dead, Mictlantecuhtli, has come back - and it turns out that Carter and he are swapping places. As Mictlantecuhtli breaks loose of his prison of jade, Carter is slowly turning to stone. To make matters worse, both gods are trying to get Carter to assassinate the other. But only one of them can be telling him the truth and he can't trust either one. Carter's solution? Kill them both.

Beneath the brutal sun of the nuke-ravaged Southwest, the Texas desert burns red hot and merciless, commanding agony and untold riches to those greedy and mad enough to mine the slick black crude that lies beneath the scorched earth. When a Gateway jump puts Ryan and the others deep in the hell of Texas, they face a no win situation: Fry in the heat, or become a rogue baron's sec force for an oil refinery targeted by saboteurs. The task: Catch the raiders and win their freedom. Or fail...and face death.

During one of the hottest summers the city has ever seen, someone is murdering mages with fires that burn when they shouldn't, that don't stop when they should. Necromancer Eric Carter is being framed for the killings and hunted by his own people. To Carter, everything points to the god Quetzalcoatl coming after him, after he defied the mad wind god in the Aztec land of the dead. But too many things aren't adding up, and Carter knows there's more going on.

Kylara Vatta is the only daughter in a family full of sons, and her father's only child to buck tradition by choosing a military career instead of joining the family business. For Ky, it's no contest: Even running the prestigious Vatta Transport Ltd. shipping concern can't hold a candle to shipping out as an officer aboard an interstellar cruiser. It's adventure, not commerce, that stirs her soul. And despite her family's misgivings, there can be no doubt that a Vatta in the service will prove a valuable asset. But with a single error in judgment, it all comes crumbling down.

Heris Serrano - formerly a commander in the Regular Space Service - must take whatever job she can get after her resignation under a cloud. What she can get is the captaincy of a rich old lady's space yacht...a rich old horsewoman, who has little liking for the military, and whose spoiled nephew Ronnie (and his equally spoiled friends) have been foisted on her after his folly embarrassed the family. Lady Cecelia's only apparent interest is horses - she intends to go fox hunting on the private pleasure planet of a friend of hers, Lord Thornbuckle.

Joe Sunday has been a Los Angeles low-life for years, but his life gets a whole lot lower when he is killed by the rival of his crime boss-only to return as a zombie. His only hope is to find and steal a talisman that he learns can grant immortality. But, unfortunately for Joe, every other undead thug and crime boss in Los Angeles is looking for the same thing.

It has a dark past—one in which a number of humans were killed. A past that caused it to christen itself “Murderbot”. But it has only vague memories of the massacre that spawned that title, and it wants to know more. Teaming up with a Research Transport vessel named ART (you don’t want to know what the “A” stands for), Murderbot heads to the mining facility where it went rogue. What it discovers will forever change the way it thinks.

Humanity has been brought to the brink of extinction. Each night, the world is overrun by demons - bloodthirsty creatures of nightmare that have been hunting the surface for over 300 years. A scant few hamlets and half-starved city-states are all that remain of a once proud civilization, and it is only by hiding behind wards, ancient symbols with the power to repel the demons, that they survive. A handful of Messengers brave the night to keep the lines of communication open between the increasingly isolated populace.