Dystopian Comedy

Three years have passed since the Jamaicans caused the apocalypse, and things in post-Armageddon Chicago have settled into a new kind of normal. Unfortunately, that "normal" includes collapsing skyscrapers, bands of bloodthirsty maniacs, and a dwindling cache of survival supplies. After watching his family, friends, and most of the non-sadistic elements of society crumble around him, Patrick decides it's time to cross one last item off his bucket list. He's going to Disney World.

Willkommen in QualityLand! In der Zukunft ist alles durch Algorithmen optimiert: QualityPartner weiß, wer am besten zu dir passt. Das selbstfahrende Auto weiß, wo du hinwillst. Und wer bei TheShop angemeldet ist, bekommt alle Produkte, die er bewusst oder unbewusst haben will, automatisch zugeschickt. Kein Mensch ist mehr gezwungen, schwierige Entscheidungen zu treffen - denn in QualityLand lautet die Antwort auf alle Fragen: o.k.

Japan, after suffering from a massive irreparable disaster, cuts itself off from the world. Children are so weak they can barely stand or walk: the only people with any get-go are the elderly. Mumei lives with his grandfather Yoshiro, who worries about him constantly. They carry on a day-to-day routine in what could be viewed as a post-Fukushima time, with all the children born ancient - frail and gray-haired, yet incredibly compassionate and wise. Mumei may be enfeebled and feverish, but he is a beacon of hope, full of wit and free of self-pity and pessimism.

This brilliant new novel is an urgent bulletin from an all-too-believable near future in which the religious right has come out on top. And where a smart young girl who questions the new order is suddenly a terrorist. By the best-selling author of The Girls and The Mountain Story.

Angus is a reformed ne’er-do-well looking forward to the birth of his first child when he’s murdered by a man who is in love with his pregnant wife, Gracie. Having never believed in God, heaven or hell, Angus finds himself in the afterlife—a place that provides more questions than answers. As a worldwide pandemic finally reaches the shores of Australia, the afterlife starts to get very crowded and Angus finds a way to reconnect with his wife, Gracie, and maybe even seek revenge on his murderer.

The irreverent author of the cult classic Syrup hits his target in this satire on the wages of big capital. In Max Barry's hilarious vision of the near future, the world is run by giant American corporations, and employees take the last names of the companies they work for; The Police and The NRA are publicly traded security firms, and the U.S. government may only investigate crimes if they can bill a citizen directly.

Is this what's in store? June 12, 2030, started out like any other day in memory---and by then, memories were long. Since cancer had been cured fifteen years before, America's population was aging rapidly. That sounds like good news, but consider this: millions of baby boomers, with a big natural predator picked off, were sucking dry benefits and resources that were never meant to hold them into their eighties and beyond.

In an Indian village in the 1950s, a precocious child is born into a family of Dalit coconut farmers. King Rao will grow up to be the most accomplished tech CEO in the world and, eventually, the leader of a global, corporate-led government. In a future in which the world is run by the Board of Corporations, King’s daughter, Athena, reckons with his legacy—literally, for he has given her access to his memories, among other questionable gifts.

It’s two decades in the future, and a Christian college student named Ace Hartwick has just destroyed his neighbor’s so-called “wife”—actually a sexbot named Sally—in a trash compactor. Soon, Ace will be on trial for murder. Unfortunately for Ace, everyone despises his kind of “radical” Christianity, and, in the fragile America of the future, all the juries are fixed.

I played all those cool video games. I watched all those movies. I even read the books. In most of 'em, the hero shoots the bad guys, drives a sweet car, never gets hungry, and always seems to get laid by the end. Yeah. Whatever. I gotta be straight with you about why I wrote this journal, and it comes down to one thing, the apocalypse kinda sucks. It doesn’t meet my expectations at all.

From the acclaimed PEN/Robert W. Bingham Prize-winning author of A Naked Singularity, a shockingly hilarious novel that tackles, with equal aplomb, both America’s most popular sport and its criminal justice system. From Paterson, New Jersey, to Rikers Island to the streets of New York, Sergio de la Pava’s Lost Empress introduces listeners to a cast of characters unlike any other in modern fiction: dreamers and exiles, immigrants and night-shift workers, a lonely pastor and others on the fringes of society - each with their own impact on the fragile universe they navigate.

In a profoundly strange country called Inner Horner, large enough for only one resident at a time, citizens waiting to enter the country fall under the rule of the power-hungry and tyrannical Phil, setting off a chain of injustice and mass hysteria. An Animal Farm for the 21st century, this is an incendiary political satire of unprecedented imagination, spiky humor, and cautionary appreciation for the hysteric in everyone.

Schwer was los in QualityLand, dem besten aller möglichen Länder. Peter Arbeitsloser darf endlich als Maschinentherapeut arbeiten und schlägt sich jetzt mit den Beziehungsproblemen von Haushaltsgeräten herum. Kiki Unbekannt schnüffelt in ihrer eigenen Vergangenheit und gerät dabei ins Fadenkreuz eines seltsamen Killers. Martyn Vorstand versucht verzweifelt ein Level aufzusteigen, um das Recht auf Vergessen werden nutzen zu dürfen.

The year is 2084, and that famous Margaret Thatcher quote has become a reality: There really is no such thing as society. No one speaks to anyone else. No one looks at anyone else. People don’t collaborate, they only compete...It all sounds rather morbid, does it not? But please don’t despair, there is hope, and it comes in the form of our hero: Renee Ann Blanca. Wishing to fill the society-shaped hole in her life, our Renee does the unthinkable: She goes in search of human company!

As Trafford Sewell struggles to work through the usual crowds of commuters, he is confronted by the intimidating figure of his Parish Confessor. Why has Trafford not been streaming his every moment of sexual intimacy onto the community website like everybody else? Does he think he's different or special in some way? Better than his fellow man and woman? Does he have something to hide? Imagine a world where everyone knows everything about everybody.

In the near future, Berlin’s real estate is being flipped in the name of “sustainability”, only to make the city even more unaffordable; artists are employed by corporations as consultants, and the weather is acting strange. When Anja and Louis are offered a rent-free home on an artificial mountain - yet another eco-friendly initiative run by a corporation - they seize the opportunity, but it isn’t long before the experimental house begins malfunctioning.

Mireya is back where she started, but everything is different now. She's at the top of her class on the military base, her doting parents are actually proud of her, and she's surrounded by the friends and classmates she's known all her safe, protected, predictable life. Everything would be perfect if it weren't for the troubling dreams and the occasional hallucinations she gets. Mireya knows the visions aren't real, but they feel like memories of a life she never had.

Blending the piercing humor of Alexandra Kleeman and the jagged satire of Black Mirror, an audacious, eerily prescient debut novel that chronicles the rise and fall of a massive high-rise housing complex, and the lives it affected before - and after - its demise. Standing nearly 500 stories tall, Los Verticalés once bustled with life and excitement. Now this marvel of modern architecture and nontraditional urban planning has collapsed into a pile of rubble known as the Heap.

National Book Award winner M. T. Anderson returns to future Earth in a sharply wrought satire of art and truth in the midst of colonization.

Miles, a lead creative at a midsize virtual reality company known for its "original experiences," has engineered a new product called The Ghost Lover. Wildly popular from the outset, the "game" is simple: a user's simulated life is almost identical to their reality, except they're haunted by the ghost of an ex-lover. However, when a shift in the company's strategic vision puts The Ghost Lover at the center of a platform-wide controversy, Miles becomes the target of user outrage, and starts receiving a series of anonymous death threats.