Dystopian Comedy

A kid's book (that's not really for kids) to help you cope with the world's rapid descent into a dystopian societal collapse. Sleep well!

iDEATH is a place where the sun shines a different color every day and where people travel to the length of their dreams. Rejecting the violence and hate of the old gang at the Forgotten Works, they lead gentle lives in watermelon sugar. In this book, Richard Brautigan discovers and expresses the mood of the counterculture generation.

Is this what's in store? June 12, 2030, started out like any other day in memory---and by then, memories were long. Since cancer had been cured fifteen years before, America's population was aging rapidly. That sounds like good news, but consider this: millions of baby boomers, with a big natural predator picked off, were sucking dry benefits and resources that were never meant to hold them into their eighties and beyond.

Japan, after suffering from a massive irreparable disaster, cuts itself off from the world. Children are so weak they can barely stand or walk: the only people with any get-go are the elderly. Mumei lives with his grandfather Yoshiro, who worries about him constantly. They carry on a day-to-day routine in what could be viewed as a post-Fukushima time, with all the children born ancient - frail and gray-haired, yet incredibly compassionate and wise. Mumei may be enfeebled and feverish, but he is a beacon of hope, full of wit and free of self-pity and pessimism.

The new book censor hasn't slept soundly in weeks. By day he combs through manuscripts at a government office, looking for anything that would make a book unfit to publish-allusions to queerness, unapproved religions, any mention of life before the Revolution. By night the characters of literary classics crowd his dreams, and pilfered novels pile up in the house he shares with his wife and daughter. As the siren song of forbidden reading continues to beckon, he descends into a netherworld of resistance fighters, undercover booksellers, and outlaw librarians.

The auto age is defunct. Buicks, Chryslers, and Pontiacs disfigure the landscape. Vines sprout in Manhattan. Wolves are seen in downtown Cleveland. And psychiatrist, mental hospital outpatient, and inventor Dr. Tom More has created a miraculous instrument: the ontological lapsometer, a kind of stethoscope of the human spirit. With it, he plans to cure mankind’s spiritual flu. But first, he must survive Moira, Lola, and Ellen - and discover why so many living people are actually dead.

This brilliant new novel is an urgent bulletin from an all-too-believable near future in which the religious right has come out on top. And where a smart young girl who questions the new order is suddenly a terrorist. By the best-selling author of The Girls and The Mountain Story.

Willkommen in QualityLand! In der Zukunft ist alles durch Algorithmen optimiert: QualityPartner weiß, wer am besten zu dir passt. Das selbstfahrende Auto weiß, wo du hinwillst. Und wer bei TheShop angemeldet ist, bekommt alle Produkte, die er bewusst oder unbewusst haben will, automatisch zugeschickt. Kein Mensch ist mehr gezwungen, schwierige Entscheidungen zu treffen - denn in QualityLand lautet die Antwort auf alle Fragen: o.k.

Zurück in die Zukunft! Die große dystopische Erzählung geht weiter ... Schwer was los in QualityLand, dem besten aller möglichen Länder. Peter Arbeitsloser darf endlich als Maschinentherapeut arbeiten und schlägt sich jetzt mit den Beziehungsproblemen von Haushaltsgeräten herum. Kiki Unbekannt schnüffelt in ihrer eigenen Vergangenheit und gerät dabei ins Fadenkreuz eines seltsamen Killers. Martyn Vorstand versucht verzweifelt ein Level aufzusteigen, um das Recht auf Vergessen werden nutzen zu dürfen.

Lionel Bigman is dead. Murdered by a robot. Guy Matthias, the philandering founder and CEO of the mega-corporation Beetle, insists it was human error. But was it? Either the predictive algorithms of Beetle's supposedly omniscient "lifechain" don't work, or, they've been hacked. Both scenarios are impossible to imagine and signal the end of Beetle's technotopia and life as we know it.

In an Indian village in the 1950s, a precocious child is born into a family of Dalit coconut farmers. King Rao will grow up to be the most accomplished tech CEO in the world and, eventually, the leader of a global, corporate-led government. In a future in which the world is run by the Board of Corporations, King’s daughter, Athena, reckons with his legacy—literally, for he has given her access to his memories, among other questionable gifts.

In a profoundly strange country called Inner Horner, large enough for only one resident at a time, citizens waiting to enter the country fall under the rule of the power-hungry and tyrannical Phil, setting off a chain of injustice and mass hysteria. An Animal Farm for the 21st century, this is an incendiary political satire of unprecedented imagination, spiky humor, and cautionary appreciation for the hysteric in everyone.

As Trafford Sewell struggles to work through the usual crowds of commuters, he is confronted by the intimidating figure of his Parish Confessor. Why has Trafford not been streaming his every moment of sexual intimacy onto the community website like everybody else? Does he think he's different or special in some way? Better than his fellow man and woman? Does he have something to hide? Imagine a world where everyone knows everything about everybody.

With three degrees and the highest measured IQ in the Motherlands, Shelly Summers knows that she's socially awkward. It doesn't bother her since as the head engineer for Advances Technologies she has little time for social interactions anyway. When she learns that one of the testers for the sex-bots her company manufactures is her old crush, Marco, she's curious to see if he'll recognize her now that she's 10 years older and no longer has bushy eyebrows and a bad case of acne. A normal person would have said something when Marco doesn't recognize her from his past.

Welcome to the not-too-distant future: Japan, having vanished from the face of the earth, is now remembered as "the land of sushi." Hiruko, its former citizen and a climate refugee herself, has a job teaching immigrant children in Denmark with her invented language Panska (Pan-Scandinavian): "homemade language. no country to stay in. three countries I experienced. insufficient space in brain. so made new language. homemade language."

Set in Rhode Island, Winner of the National Book Award tells the story of twins who could not be more different. Abigail Mather is a woman of passionate sensual and sexual appetites, while her sister, the book-loving local librarian Dorcas, lives a quiet life of the mind. But when the sisters are sought out by the predatory and famous poet, Guy DeVilbiss, who introduces them to Hollywood hack writer and possible psychopath Conrad Lowe, they rapidly become pawns in a game that leads to betrayal, shame and ultimately, murder.

Miles, a lead creative at a midsize virtual reality company known for its "original experiences," has engineered a new product called The Ghost Lover. Wildly popular from the outset, the "game" is simple: a user's simulated life is almost identical to their reality, except they're haunted by the ghost of an ex-lover. However, when a shift in the company's strategic vision puts The Ghost Lover at the center of a platform-wide controversy, Miles becomes the target of user outrage, and starts receiving a series of anonymous death threats.

"In un periodo d'inganno universale, dire la verità è un atto sovversivo" (George Orwell). Stanchi dei tanti e continui soprusi, gli animali di una fattoria decidono di ribellarsi agli umani e, cacciato il proprietario, danno vita a un nuovo ordine fondato sull'uguaglianza. Ben presto, però, sorge tra loro una nuova classe di burocrati, i maiali, che con astuzia, cupidigia e prepotenza s'impongono sugli altri animali. E il cerchio si chiude. Perché "tutti gli animali sono uguali, ma alcuni animali sono più uguali degli altri".

Joe, is a bad guy. Joe doesn’t know, Joe, is a bad guy. Joe thinks he’s a good guy. That’s why we had to beat him to take over that world. It was for the better good. Joe was not a good guy, regardless of what he’d have you believe.

In the tradition of Colson Whitehead's Zone One, a visionary debut novel about shelter, escape, family, violence, and dumpster diving. It's the story of a restless group of young squatters. They've run away from their families and their pasts, questing after knowledge of their most wild selves, roaming the half-empty suburbs of America, occupying the homes of the foreclosed or vacationing, never staying in one place long enough to attract attention while shoplifting beer at the local Speedy Stop.