Dystopian Comedy

Miles, a lead creative at a midsize virtual reality company known for its "original experiences," has engineered a new product called The Ghost Lover. Wildly popular from the outset, the "game" is simple: a user's simulated life is almost identical to their reality, except they're haunted by the ghost of an ex-lover. However, when a shift in the company's strategic vision puts The Ghost Lover at the center of a platform-wide controversy, Miles becomes the target of user outrage, and starts receiving a series of anonymous death threats.

Dave and Melanie thought an asteroid was going to destroy the planet. For a full seven weeks, so did everyone else on Earth. But then, it missed. Now, along with the rest of humanity, Dave and Melanie have to deal with the choices they made during “The Countdown” and figure out if there are any parts of their old life worth hanging on to after “The Miss”.

The new book censor hasn't slept soundly in weeks. By day he combs through manuscripts at a government office, looking for anything that would make a book unfit to publish-allusions to queerness, unapproved religions, any mention of life before the Revolution. By night the characters of literary classics crowd his dreams, and pilfered novels pile up in the house he shares with his wife and daughter. As the siren song of forbidden reading continues to beckon, he descends into a netherworld of resistance fighters, undercover booksellers, and outlaw librarians.

Big Time is set in a not-too-distant future Australia, where the eastern states have become the world's newest autocracy—a place where pop music is propaganda, science is the enemy, nationalism trumps all, and moral indecency is punishable by indefinite detention. The novel opens as Julian Ferryman, bass player for the Acceptables, returns to Melbourne after a year overseas. He reconnects with his band as they prepare to record and tour their second album, and is given his first taste of a new designer drug, F, a powerful synthetic hallucinogen that gives users a glimpse of their own future.

Imagine a world where everyone knows everything about everybody. Where what a person "feels" and "truly believes" is protected under the law, while what is rational, even provable is condemned as heresy. A world where to question ignorance and intolerance is to commit a Crime against Faith. Imagine it. Or just wait until After the Flood.

When gumshoe detective, Daxon Steele, finds he’s ankle deep in more than a chewed up wad, he quickly uncovers a sinister plot that sets out to exploit and destroy not just the skink-pushers who hide in the shadows of the Flatpack District, not just the poor guys, gals and others shaking their hips at Shooters & Hooters Club, but the entire population of Bryunsville. Will Dax overcome his prejudice and accept Gaz, a former stripper-bot, as his partner?

James Kingzett delivers a chilling depiction of a future overshadowed by "The New Dark" - an era marked by the collapse of energy transmission grids and power systems. As society teeters on the brink of chaos, Kingzett warns of the dangers inherent in our current energy landscape, advocating for a shift towards renewable sources such as geothermal energy. Using satire, storytelling, and some digs at the government, Kingzett creates a compelling story that exposes the need to change our centralized grid system or risk facing The New Dark.

Aleya’s world starts to unravel after a café customer leaves behind a collection of short stories. Surprised and disturbed to discover that it has been dedicated to her, Aleya delves into the strange book. A mad scientist seeks to steal his son’s dreams. A struggling writer, skilled only at destruction, finds himself courted by Hollywood. A woman seeks to escape her body and live inside her dreams. Citizens panic when a new city block manifests out of nowhere. The more Aleya reads, the deeper she sinks into the mysterious writer’s work.

A kid's book (that's not really for kids) to help you cope with the world's rapid descent into a dystopian societal collapse. Sleep well!

When the head of a hovercycle club inexplicably calls in news of his own murder, Detective Simon Grave and his team are drawn in to Crab Cove's hovercycle underworld, a world of loyalty, betrayal, greed, and-yes-irony. As if murder weren't enough, the bombing of an election debate stage has the mayor pressing for a quick resolution to both crimes. It becomes increasingly clear that the crimes are connected, and that the solution will require the unraveling of an elaborate criminal scheme-and more.

It’s the year 2073 and Rowan Greenbaum is condemned to die of an easily cured form of cancer. The reason? His zip code is over its maximum population capacity—at least, according to recent legislation enshrined into law at the behest of the country’s largest health insurance company. This population cap disqualifies Rowan from lifesaving treatment but he discovers a loophole that allows him to trade another life for his own.

In Max Barry's twisted, hilarious vision of the near future, the world is run by giant American corporations; employees take the last names of the companies they work for; The Police and The NRA are publicly-traded security firms. Jennifer Government is a Catch-22 for the New World Order, a satire both broad and pointed, deeply funny and disturbingly on-target.

Wir schreiben das Jahr 2031: Staatsfeminismus, Mega-Hitzewellen, Wirbelstürme, Endzeitstimmung und ein 50-jähriges Klassentreffen in der Hamburger Vorortkneipe "Ehrlich". Dank der Verjüngungspille Ephebo, der auch Sebastian Bürger sein gutes Aussehen verdankt, ein ganz besonderes Klassentreffen.

In Yurope! Hillary's Invasion, Thomas D. is the last self-sufficient man in America. The illiterate masses of humanoid gelatin surround him on their government assigned wheel chairs and clap rapturously as more and more of their freedoms are taken away in the pursuit of comfort. The first female American president, Hillary Clinton, is elected. At the same time, a mysterious stranger named Kuzen calls upon Thomas to liberate the country of Ungland.

"L'osteria volante" è un romanzo pubblicato per la prima volta nel 1914. La vicenda è ambientata in un'Inghilterra futura dove un'alleanza tra l'Islam e i grandi poteri economici porta all'introduzione di norme ispirate alla legge coranica, che, tra le altre cose, mettono fuori legge gli alcolici. Concepito come un romanzo surreale, sembra essere ancora attuale, e lo humor inglese di Chesterton è fresco oggi come allora.

When the Internet suddenly stops working, society reels from the loss of flowing data and streaming entertainment. Addicts wander the streets talking to themselves in 140 characters or forcing cats to perform tricks for their amusement, while the truly desperate pin their requests for casual encounters on public bulletin boards. The economy tumbles and the government passes the draconian NET Recovery Act.

Yang Wei wakes to find himself still a patient at the hospital. Somehow, he’s aged decades overnight and is confined to the geriatric ward on a massive Hospital ship as it floats along a bloodred sea full of unsightly things. But human remains and sea nymphs are perhaps nothing compared to the goings-on belowdecks.

It’s the end of the world, and Hertell Daggett has decided to save it. Well not save it so much, as just, remember it. The Earth’s magnetic poles have reversed and civilization has just had its clock reset to the great cosmic flashing 12:00am from almost a million years ago, and humanity, and everybody in it, is pretty much forgetting everything it learned since the last time. Everybody except Hertell, who remembers pretty much everything because he’d once been shot in the head.

A mildly political prisoner, incarcerated in an intolerant banana republic, manages to keep in touch with his lover outside, in spite of the heavy odds stacked against them, by inventing an ingenious method for signaling in secret - the story references Bizet's Carmen.

If you could know exactly how and when calamity would strike, would you want to know? And more importantly, would you tell your insurance company? What if it was something smaller, like the next time you were going to get a bad case of athlete’s foot? Would you let them know then? In House of Apollo, they already know. The actuaries have won: Big Data predicts it all.