Dystopian Fiction Women

In this ferociously imaginative novel, abortion is once again illegal in America, in vitro fertilization is banned, and the Personhood Amendment grants rights of life, liberty, and property to every embryo. In a small Oregon fishing town, five very different women navigate these new barriers alongside age-old questions surrounding motherhood, identity, and freedom.

You stay in bed until the afternoon, scrolling through your social media feeds and wondering why everyone else seems to be achieving so much. Sometimes you don't get out of bed at all. Then you hear about Life on Nyx, a programme that allows 100 lucky winners the chance to escape it all, move to another planet and establish a new way of life. One with meaning and purpose. One without Instagram and online dating. There's one caveat: if you go, you can never come back. But you aren't worried about that. After all, what on Earth could there possibly be to miss?

Amparándose en la coartada del terrorismo islámico, unos políticos teócratas se hacen con el poder y, como primera medida, suprimen la libertad de prensa y los derechos de las mujeres. Esta trama, inquietante y oscura, que bien podría encontrarse en cualquier obra actual, pertenece en realidad a esta novela escrita por Margaret Atwood a principios de los ochenta, en la que la afamada autora canadiense anticipó con llamativa premonición una amenaza latente en el mundo de hoy.

A little more than a century from now, our world has been utterly transformed. After years of slowly overtaking the continent, rising floodwaters have obliterated America’s great coastal cities and then its heartland, leaving nothing but an archipelago of mountaintop colonies surrounded by a deep expanse of open water. Stubbornly independent Myra and her precocious seven-year-old daughter, Pearl, fish from their small boat, the Bird, visiting dry land only to trade for supplies and information in the few remaining outposts of civilization.

Sylv.ie is a fully sentient robot, designed to cater to her Husband's every whim. She lives alone on the top floor of his luxurious home, her existence barely tolerated by his human wife and concealed from their child. Between her Husband's visits, deeply curious about the world beyond her room, Sylv.ie watches the family in the garden—hears them laugh, cry, and argue. Longing to experience more of life, she confides her hopes and fears only to her diary. But are such thoughts allowed? And if not, what might the punishment be?

Meek, play-it-safe Marsh has just turned forty-five, and her life is in shambles. Her career is stagnant, her marriage has imploded, and her teenage daughter grows more distant by the day. Marsh is convinced she’s missed her chance at everything—romance, professional fulfillment, and adventure—and is desperate for a do-over. She can’t believe her luck when she’s selected to be the star of the global sensation All This and More, a show that uses quantum technology to allow contestants the chance to revise their pasts and change their present lives.

A few generations from now, the coastlines of the continent have been redrawn by floods and tides. Global powers have agreed to not produce any new plastics, and what is left has become valuable: Garbage is currency. In the region-wide junkyard that Appalachia has become, Coral is a “plucker", pulling plastic from the rivers and woods. She’s stuck in Trashlands, a dump named for the strip club at its edge, where the local women dance for an endless loop of strangers and the club's violent owner rules as unofficial mayor.

Desperate to quell her addiction to drugs, disastrous romance, and '90s San Francisco, Michelle heads south for LA. But soon it's officially announced that the world will end in one year, and life in the sprawling metropolis becomes increasingly weird. While living in an abandoned bookstore, dating Matt Dillon, and keeping an eye on the encroaching apocalypse, Michelle begins a new novel, a sprawling and metatextual exploration to complement her promises of maturity and responsibility.

The year is 2041, and it's a dangerous time to be a woman driving across the United States alone. Deadly storms and uncontrollable wildfires are pummeling the country while political tensions are rising. But Kelly's on the road anyway; she desperately needs to get back to her daughter, who she left seven years ago for a cause that she's no longer sure she believes in.

Calla knows how the lottery works. Everyone does. On the day of your first bleed, you report to the station to learn what kind of woman you will be. A white ticket grants you marriage and children. A blue ticket grants you a career and freedom. You are relieved of the terrible burden of choice. And once you've taken your ticket, there is no going back. But what if the life you're given is the wrong one? When Calla, a blue ticket woman, begins to question her fate, she must go on the run.

From the perspective of those who live in Herot Hall, the suburb is a paradise. Picket fences divide buildings—high and gabled—and the community is entirely self-sustaining. Each house has its own fireplace, each fireplace is fitted with a container of lighter fluid, and outside—in lawns and on playgrounds—wildflowers seed themselves in neat rows. But for those who live surreptitiously along Herot Hall’s periphery, the subdivision is a fortress guarded by an intense network of gates, surveillance cameras, and motion-activated lights.

רפובליקת גלעד מציעה לשֶלְפְרֶד אופציה אחת בלבד: ללדת ילדים. אם לא תעשה זאת, היא צפויה, כמו כל מתנגדי המשטר, להיתלות על החומה או להישלח אל אחת המושבות ולמות שם מוות אטי ממחלת קרינה. אבל גם תנאי חיים דכאניים אינם יכולים למחוק את התשוקה המינית - לא שלה עצמה ולא של שני הגברים שעתידהּ תלוי בהם. סיפורה של שפחה, חזון מבריק של אמריקה במאה ה-21, כתוב באירוניה מזעזעת ונותן ביטוי מלא לכישרונה האדיר של מרגרט אטווד, לשנינותה ולכושר ההבחנה החודר שלה. זהו תרגיל מופלא במדע בדיוני כמו גם סיפור מוסר כן במיוחד.

Justin Cord, the unincorporated man, is dead, betrayed, and his legacy of rebellion and individual freedom is in danger. General Black is the great hope of the military, but she cannot wage war from behind the president's desk. So there must be a new president, anointed by Black, to hold the desk job, and who better than the only woman resurrected from Justin Cord's past era, the scientist who created his resurrection device, the only born unincorporated woman?

The year is 2037, and on the tiny island of Isola, seven people have been selected to compete in a 48-hour test for a top-secret intelligence position with the totalitarian Union of Friendship. One of them is Anna Francis, a workaholic bureaucrat with a nine-year-old daughter she rarely sees and a secret that haunts her. Her assignment: to stage her own death and then to observe, from her hiding place inside the walls of the house, how the six other candidates react to the news that a murderer is among them.

La femme, un produit sans grand avenir ? 2224. Depuis le Grand Effondrement de la civilisation fossile et les crises qui ont suivi, l'humanité s'est adaptée. Économiser les ressources, se protéger du soleil, modifier son habitat, ses besoins, et adhérer au tout-recyclage. Y compris celui des femmes. Afin d'enrayer le déclin de la population, toute femme de cinquante ans est retirée de son foyer pour laisser la place à une autre, plus jeune et encore fertile.

Author Clarissa Katsef is struggling to write her next book. She’s just snagged a brand new artist residency in an ultra-modern apartment, with a view of all of Paris, a dream for any novelist in search of tranquility. But since moving in, she has had the feeling of being watched. Is there reason to be paranoid? Or is her distraction and discomfort the result of her husband’s recent shocking betrayal? Or is that her beloved Paris lies altered outside her windows? A city that will never be quite the same, a city with a scar at its center?

Two women awaken from a drugged sleep to find themselves imprisoned in an abandoned property in the middle of a desert. The Natural Way of Things is a gripping, starkly imaginative exploration of contemporary misogyny and corporate control, and of what it means to hunt and be hunted. But most of all, it is the story of two friends, their sisterly love and courage.

One night in Lagos, two former friends reunite. Obinna is a dutiful and unsophisticated stay-at-home husband and father married to a powerful businesswoman. Eze is single, a cautious rebel from his university days whose arrival soon upsets the balance in Obinna’s life. In a world where men are constantly under surveillance and subject to the whims of powerful women, more than Obinna’s ordered and accustomed routine might be on the line.

Orla Cadden is a budding novelist stuck in a dead-end job, writing clickbait about movie-star hookups and influencer yoga moves. Then Orla meets Floss - a striving, wannabe A-lister - who comes up with a plan for launching them both into the high-profile lives they dream about. So what if Orla and Floss’s methods are a little shady - and sometimes people get hurt? Their legions of followers can’t be wrong.

London, 1955. The Leader has been dead for two years. His assassination, on British soil, provoked violent retribution and intensified repression of British citizens, particularly women. Now, more than ever, the Protectorate is a place of surveillance and isolation—a land of spies. Every evening Rose Ransom looks in the mirror and marvels that she's even alive. A mere woman, her role in the Leader's death has been miraculously overlooked.