Dystopian Literary Fiction

It is the present day, and the world is as we know it: smartphones, social networking, and Happy Meals. Save for one thing: The Civil War never occurred. A gifted young black man calling himself Victor has struck a bargain with federal law enforcement, working as a bounty hunter for the US Marshal Service. He's got plenty of work. In this version of America, slavery continues in four states called "the Hard Four". On the trail of a runaway known as Jackdaw, Victor arrives in Indianapolis knowing that something isn't right—with the case file, with his work, and with the country itself.

In a speculative future, Abel, a menial worker, is called to serve in a secretive and fabled jury system. At the heart of this system is the repeat room, where a single juror, selected from hundreds of candidates, is able to inhabit the defendant's lived experience, to see as if through their eyes.

It's been nearly two decades since the Red Allies first attacked New York, and Manhattan is now a prisoner-of-war camp ruled by Rolladin and her brutal, impulsive warlords. For Skyler Miller, Manhattan is a cage that keeps her from the world beyond the city's borders. But for Sky's younger sister, Phee, the POW camp is a dangerous playground of possibility--and the only home she'd ever want.

The world Cal and Frida have always known is gone, and they've left the crumbling city of Los Angeles far behind them. They now live in a shack in the wilderness, working side-by-side to make their days tolerable despite the isolation and hardships they face. Consumed by fear of the future and mourning for a past they can't reclaim, they seek comfort and solace in each other. But the tentative existence they've built for themselves is thrown into doubt when Frida finds out she's pregnant.

With each passing day, Kelsea Glynn is growing into her new responsibilities as queen of the Tearling. By stopping the shipments of slaves to the neighboring kingdom of Mortmesne, she crossed the Red Queen, a brutal ruler whose power derives from dark magic, who is sending her fearsome army into the Tearling to take what is hers. And nothing can stop the invasion.

Une muraille opaque de brouillard et ses cohortes de monstres avancent inexorablement vers Eden. La Grande Tempête qui a balayé l'Amérique reviendra-t-elle détruire la nouvelle civilisation que les Pans, les enfants étrangement épargnés par le cataclysme, tentent de créer ? Sauront-ils déjouer les complots du Buveur d'Innocence ? L'Alliance des Trois pourra-t-elle s'opposer à la menace d'Entropia, royaume du chaos et de la mort ?

La guerre avec les Cyniks terminée, les Pans se croyaient enfin en sécurité. Mais Entropia se rapproche inexorablement et rien ne semble pouvoir arrêter sa course dévastatrice. Rien, sauf peut-être la réunion des Cœurs de la Terre.

In the spirit of Station Eleven and Never Let Me Go, this dazzling and ambitious literary debut follows three generations of beekeepers from the past, present, and future, weaving a spellbinding story of their relationship to the bees - and to their children and one another - against the backdrop of an urgent global crisis.

Before the Arrest, Sandy Duplessis had a reasonably good life as a screenwriter in L.A. An old college friend, the charismatic and malicious Peter Todbaum, had become one of the most powerful men in Hollywood. Now, post-Arrest, nothing is what it was. Sandy, who calls himself Journeyman, has landed in rural Maine. There he assists the butcher and delivers the food grown by his sister, Maddy, at her farm. But then Todbaum shows up in an extraordinary vehicle: a retrofitted tunnel-digger powered by a nuclear reactor. Can it be that Todbaum wants to produce one more extravaganza?

Mikhail lives in Russia in 1881. When a skeleton of a rare wild horse is brought to him, the zoologist plans an expedition to Mongolia to find the fabled Przewalski horse, a journey that tests not only his physicality, but his heart.In 1992, Karin, alongside her troubled son Mathias and several Przewalski horses, travels to Mongolia to re-introduce the magnificent horses to their native land. The veterinarian has dedicated her life to saving the breed from extinction, prioritizing the wild horses, even over her own son.

Only four years after publishing his fable Animal Farm, a biting satire of Joseph Stalin’s horrific regime of terror, George Orwell turned his attention to the future. But his next book was to be no satire, no fable. What emerged from Orwell’s pen in 1949 was the most grimly dystopian novel ever written: 1984.

When Dorrit Wegner turned fifty, the government transferred her to a state-of-the-art facility where she can live out her days in comfort. Her apartment is furnished to her tastes, her meals expertly served, and all at the very reasonable non-negotiable price of one cardiopulmonary system. Once an outsider without family, derided by a society bent on productivity, Dorrit finds within The Unit the company of kindred spirits and a dignity conferred by 'use' in medical tests.

Amparándose en la coartada del terrorismo islámico, unos políticos teócratas se hacen con el poder y, como primera medida, suprimen la libertad de prensa y los derechos de las mujeres. Esta trama, inquietante y oscura, que bien podría encontrarse en cualquier obra actual, pertenece en realidad a esta novela escrita por Margaret Atwood a principios de los ochenta, en la que la afamada autora canadiense anticipó con llamativa premonición una amenaza latente en el mundo de hoy.

In this ferociously imaginative novel, abortion is once again illegal in America, in vitro fertilization is banned, and the Personhood Amendment grants rights of life, liberty, and property to every embryo. In a small Oregon fishing town, five very different women navigate these new barriers alongside age-old questions surrounding motherhood, identity, and freedom.

As America collapses in the chaos of war, pollution, and bankruptcy, two sisters pool their resources to survive alone in the hills above San Francisco. Although dwindling food and increasing isolation threaten them, they soon find a more immediate danger standing at their door. When a young man arrives, his friendship offers tantalizing fulfillment, but his love threatens to divide the sisters.

In the not-so-distant future, the forecasted "death of print" has become a reality. Anana Johnson works with her father, Doug, at the North American Dictionary of the English Language, where he is hard at work on the last edition that will ever be printed. Doug is a staunchly anti-meme, anti-tech intellectual who fondly remembers the days when people used e-mail to communicate - or even actually spoke to one another. One evening, Doug disappears, leaving a single written clue: ALICE - a code word he and Anana devised to signal if one of them ever fell into harm's way.

When spring comes, the people leave their winter cave, foraging for honey and shoots, bulbs and grubs, the hot richness of a deer's brain. They awaken the fire to heat their naked bodies, lay down their thorn bushes and share pictures in their minds. But strange things are happening - inexplicable scents, sounds and violence - and, suddenly, unimaginable creatures are half-glimpsed in the forest: an upright new people of bone-faces and deerskins. What the early people don't know is that their season is already over....

A recklessly idealistic girl dares to test the perimeters of her tightly controlled (future) world and is punished by being sent back in time to a region of North America - “Wainscotia, Wisconsin” - that existed 80 years before. Cast adrift in time in this idyllic Midwestern town, she is set upon a course of “rehabilitation” - but cannot resist falling in love with a fellow exile and questioning the constrains of the Wainscotia world with results that are both devastating and liberating.

Gary Shteyngart, author of The Russian Debutante’s Handbook, creates a compelling reality in this tale about an illiterate America in the not-too-distant future. Lenny Abramov may just be penning the world’s last diary. Which is good, because while falling in love with a rather unpleasant woman and witnessing the fall of a great empire, Lenny has a lot to write about.

King has tenderly staked out a territory for his wife and three daughters, Grace, Lia, and Sky. He has lain the barbed wire; he has anchored the buoys in the water; he has marked out a clear message: Do not enter. Or viewed from another angle: Not safe to leave. Here women are protected from the chaos and violence of men on the mainland. The cult-like rituals and therapies they endure fortify them from the spreading toxicity of a degrading world. But when their father, the only man they've ever seen, disappears, they retreat further inward until the day two men and a boy wash ashore.