Dystopian Literary Fiction

This is the story Harry Ransom. If you know his name it's most likely as the inventor of the Ransom Process, a stroke of genius that changed the world. Or you may have read about how he lost the battle of Jasper City, or won it, depending on where you stand in matters of politics. Friends called him Hal or Harry, or by one of a half-dozen aliases, of which he had more than any honest man should. He often went by Professor Harry Ransom, and though he never had anything you might call a formal education, he definitely earned it.

Charlie Johns has been snatched from his home on Earth and delivered to the strange future world of Ledom. Technology has triumphed over hunger, overpopulation, pollution, and even time and space. But there is a change Charlie finds even more shocking: Gender is a thing of the past. Gone are the tensions between male and female. Gone is the human preoccupation with sex.

Orla Cadden is a budding novelist stuck in a dead-end job, writing clickbait about movie-star hookups and influencer yoga moves. Then Orla meets Floss - a striving, wannabe A-lister - who comes up with a plan for launching them both into the high-profile lives they dream about. So what if Orla and Floss’s methods are a little shady - and sometimes people get hurt? Their legions of followers can’t be wrong.

Being alive is hard. Being human is harder. But since his recent recovery from death, R is making progress. He's learning how to read, how to speak, maybe even how to love, and the city's undead population is showing signs of life. R can almost imagine a future with Julie, this girl who restarted his heart - building a new world from the ashes of the old one.

Lyra's story begins in the Haven Institute, a building tucked away on a private island off the coast of Florida that from a distance looks serene and even beautiful. But up close, the locked doors, military guards, and biohazard suits tell a different story. In truth Haven is a clandestine research facility where thousands of replicas, or human models, are born, raised, and observed. When a surprise attack is launched on Haven, two of its young experimental subjects - Lyra, or 24, and the boy known only as 72 - manage to escape.

The end of the world didn't happen overnight. After years of war, societal breakdown, freak storms, and rising tides, humanity already hovered near the edge. Then came the most unexpected threat of all: the world's corpses rising up to deliver the final blow.

In the not-so-distant future, the forecasted "death of print" has become a reality. Anana Johnson works with her father, Doug, at the North American Dictionary of the English Language, where he is hard at work on the last edition that will ever be printed. Doug is a staunchly anti-meme, anti-tech intellectual who fondly remembers the days when people used e-mail to communicate - or even actually spoke to one another. One evening, Doug disappears, leaving a single written clue: ALICE - a code word he and Anana devised to signal if one of them ever fell into harm's way.

In The Power, the world is a recognizable place: There's a rich Nigerian boy who lounges around the family pool; a foster kid whose religious parents hide their true nature; an ambitious American politician; a tough London girl from a tricky family. But then a vital new force takes root and flourishes, causing their lives to converge with devastating effect. Teenage girls now have immense physical power: They can cause agonizing pain and even death. And, with this small twist of nature, the world drastically resets.

After nearly freezing to death on their trek north, Brooke and her small group wake to find themselves in civilization. Brooke soon realizes, though, that being safe and secluded is not all there is to life...Brooke finds herself facing the choice of a lifetime: to live in this perfect place, free and safe for the rest of her days, or to embark and fight for others’ freedom. It would be a journey, she knows, back through post-apocalyptic America, this time traveling west, across its breadth, in search of the rumored survivors, of her father.

Alice, the daughter of a wealthy innkeeper in Kilkenny, grows up watching her mother wither under the constraints of family responsibilities—and she vows that she will never suffer the same fate. In time, she discovers she has a flair for making money, and takes her father's flourishing business to new heights. But as her riches and stature grow, so too do rumors about her private life. By the time she marries her fourth husband—the three earlier are dead—a storm of local gossip and resentment culminates in a life-threatening accusation.

King has tenderly staked out a territory for his wife and three daughters, Grace, Lia, and Sky. He has lain the barbed wire; he has anchored the buoys in the water; he has marked out a clear message: Do not enter. Or viewed from another angle: Not safe to leave. Here women are protected from the chaos and violence of men on the mainland. The cult-like rituals and therapies they endure fortify them from the spreading toxicity of a degrading world. But when their father, the only man they've ever seen, disappears, they retreat further inward until the day two men and a boy wash ashore.

The world Cal and Frida have always known is gone, and they've left the crumbling city of Los Angeles far behind them. They now live in a shack in the wilderness, working side-by-side to make their days tolerable despite the isolation and hardships they face. Consumed by fear of the future and mourning for a past they can't reclaim, they seek comfort and solace in each other. But the tentative existence they've built for themselves is thrown into doubt when Frida finds out she's pregnant.

When Dorrit Wegner turned fifty, the government transferred her to a state-of-the-art facility where she can live out her days in comfort. Her apartment is furnished to her tastes, her meals expertly served, and all at the very reasonable non-negotiable price of one cardiopulmonary system. Once an outsider without family, derided by a society bent on productivity, Dorrit finds within The Unit the company of kindred spirits and a dignity conferred by 'use' in medical tests.

The first novel Nabokov wrote while living in America, and the most overtly political novel he ever wrote, Bend Sinister is a modern classic. While it is filled with veiled puns and characteristically delightful wordplay, it is, first and foremost, a haunting and compelling narrative about a civilized man caught in the tyranny of a police state. Professor Adam Krug, the country's foremost philosopher, offers the only hope of resistance to Paduk, dictator and leader of the Party of the Average Man.

New York. 2120. America has been decimated, wiped out from the second Civil War. In this post-apocalyptic world, survivors are far and few between. And most of those who do survive are members of the violent gangs, predators who live in the big cities. They patrol the countryside looking for slaves, for fresh victims to bring back into the city for their favorite death sport: Arena One. The death stadium where opponents are made to fight to the death, in the most barbaric of ways. There is only one rule to the arena: no one survives. Ever.

A recklessly idealistic girl dares to test the perimeters of her tightly controlled (future) world and is punished by being sent back in time to a region of North America - “Wainscotia, Wisconsin” - that existed 80 years before. Cast adrift in time in this idyllic Midwestern town, she is set upon a course of “rehabilitation” - but cannot resist falling in love with a fellow exile and questioning the constrains of the Wainscotia world with results that are both devastating and liberating.

Cuando las puertas de la furgoneta se cerraron de golpe tras Defred al final de El cuento de la criada, los lectores no tenían forma de saber cuál iba a ser su futuro: la libertad, la prisión o la muerte. Con la publicación de Los testamentos, la espera ha terminado. Margaret Atwood recupera la historia 15 años después de que Defred se adentrara en lo desconocido, con los testimonios asombrosos de tres narradoras del mundo de Gilead.

Storms and flooding are worsening around the world, and a mysterious immune disorder has begun to afflict the young. Sophie Perella is about to begin her senior year of high school in Toronto when her little sister, Kira, is diagnosed. Their parents' marriage falters under the strain, and Sophie's mother takes the girls to Oxford, England, to live with their Aunt Irene.

The year is 2084, and that famous Margaret Thatcher quote has become a reality: There really is no such thing as society. No one speaks to anyone else. No one looks at anyone else. People don’t collaborate, they only compete...It all sounds rather morbid, does it not? But please don’t despair, there is hope, and it comes in the form of our hero: Renee Ann Blanca. Wishing to fill the society-shaped hole in her life, our Renee does the unthinkable: She goes in search of human company!

In the near future, Berlin’s real estate is being flipped in the name of “sustainability”, only to make the city even more unaffordable; artists are employed by corporations as consultants, and the weather is acting strange. When Anja and Louis are offered a rent-free home on an artificial mountain - yet another eco-friendly initiative run by a corporation - they seize the opportunity, but it isn’t long before the experimental house begins malfunctioning.