Dystopian Literary Fiction

In a future America that feels increasingly familiar, you are your credit score. Extreme wealth inequality has created a class of have-nothings: Subprimes. Their bad credit ratings make them unemployable. Jobless and without assets, they've walked out on mortgages, been foreclosed upon, or can no longer afford fixed addresses. Fugitives who must keep moving to avoid arrest, they wander the globally warmed American wasteland.

In Oceania, one of three totalitarian states that rule the world, Big Brother is watching. The Thought Police are listening. Reality is defined by the Party. And in London, at the Ministry of Truth, Winston Smith’s job is to rewrite history. His dream, however, is to rebel. Winston is beginning to think for himself. In defiance of the State, he falls into a criminal love affair with his coworker Julia. But it isn’t until he joins the Brotherhood, an underground network of revolutionaries, that Winston discovers how high the cost of freedom may be.

Blending the piercing humor of Alexandra Kleeman and the jagged satire of Black Mirror, an audacious, eerily prescient debut novel that chronicles the rise and fall of a massive high-rise housing complex, and the lives it affected before - and after - its demise. Standing nearly 500 stories tall, Los Verticalés once bustled with life and excitement. Now this marvel of modern architecture and nontraditional urban planning has collapsed into a pile of rubble known as the Heap.

This novel centers on the "It's me" telephone scam - often targeting the elderly - that has escalated in Japan in recent years. Typically, the caller identifies himself only by saying, "Hey, it's me", and goes on to claim in great distress that he's been in an accident or lost some money with which he was entrusted at work, etc., and needs funds wired to his account right away. ME's narrator is a nondescript young Tokyoite named Hitoshi Nagano.

In the turn 2099, the world has become starkly divided between the progress-obsessed Metropolis, and the isolated, exploited outside. In the Metropolis, the Users have become entirely dependent on their ever-expanding grid. Sustained through Poplar Corp.’s updates, the technologically enhanced Users work in unison toward their final end, ALT•4•1- an update that will alter the User in ways unimaginable. However, after a lifetime building Poplar Corp. and the Metropolis from the ground up, Dr. Mulligan has had an epiphany.

Iris Prince is starting over. After years of drifting apart, she and her husband are going through a surprisingly drama-free divorce. She’s moved to a new house in a new neighborhood, and has plans for gardening, coffee clubs, and spending more time with her nine-year-old daughter Melanie. It feels like her life is finally exactly what she wants it to be. Then, one beautiful morning, she looks outside her kitchen window—and sees that a wall has appeared in her front yard overnight. Where did it come from? What does it mean? And why does it seem to keep growing?

With her father and brother sorted into hero and her mother sorted into love interest, Jinx Dorian was expected to get placed into a good status. Hero, best friend, love interest, anything to keep the Dorian family name influential in society. However, when it came time for her sorting, Jinx was made a background character.

Ci sono promesse che non possono essere mantenute. Come quella che Julian ha fatto ad Aileen. Era solo un bambino quando l'ha vista per la prima volta, e se n'è innamorato perdutamente. Da quel momento ha giurato che non l'avrebbe lasciata mai. Che sarebbe rimasto con lei per sempre. Ma si può davvero promettere per sempre? Non in una città come Aurora. Una metropoli schiacciata da un cielo plumbeo e soffocata dall'inquinamento, in cui l'aspettativa di vita è scesa drasticamente.

In the world outside of the Haven Institute, Lyra and Caelum are finding it hard to be human - and Lyra, infected at Haven with a terrible disease, finds her symptoms are growing worse. When Caelum leaves without warning, Lyra follows him, seeking a pioneering organization in Philadelphia that might have a cure. But what they uncover there is a shocking connection to their past, even as their future seems in danger of collapsing.

The Addisons - Julia and Tonio, 10-year-old Dewey, and derelict Uncle Robbie - are driving home, cross-country, after collecting Robbie from yet another trip to rehab. When a terrifying blizzard strikes outside the town of Good Night, Idaho, they seek refuge in the town at the Travelers Rest, a formerly opulent but now crumbling and eerie hotel where the physical laws of the universe are bent.

At the end of the 21st century - in a transformed America - the families of convicted felons are tested for a set of genetic markers. Boys who test positive become compulsory wards of the state - removed from their homes and raised on "Goodhouse" campuses, where they learn to reform their darkest thoughts and impulses. Goodhouse is a feral place.

For five years Edie has worked for the Elysian Society, a secretive organisation that provides a very specialised service: its clients come to reconnect with their dead loved ones by channelling them through living 'Bodies'. Edie is one such Body, perhaps the best in the team, renowned for her professionalism and discretion. But everything changes when Patrick, a distraught husband, comes to look for traces of his drowned wife in Edie....

As a child, Linda Russell was left to raise herself in a 20-acre walled-off property in rural Washington. The woods were her home, and for 12 years she lived oblivious to a stark and terrible truth: Her mother had birthed her only to replace another daughter who died in a tragic accident years before. Then one day Linda witnesses something she wasn’t meant to see.

An epidemic of violence is sweeping the country: musicians are being murdered onstage in the middle of their sets by members of their audience. Are these random copycat killings, or is something more sinister at work? Has music itself become corrupted in a culture where everything is available, everybody is a "creative," and attention spans have dwindled to nothing? Destroy All Monsters tells a haunted and romantic story of overdue endings and unlikely beginnings that will resonate with anybody who’s ever loved rock and roll.

In the wake of tragedy, ex-boxer Kelly returns to Detroit after years in the South. Unable to find work, he scavenges for scrap metal in the hundred thousand abandoned buildings at the heart of the city, an area he calls "the zone", where one day he finds something far more valuable than the copper he's come to steal: a kidnapped boy handcuffed to a bed, crying out for rescue. After being celebrated as a hero, Kelly secretly decides to avenge the boy's unsolved kidnapping, a task that will take him deeper into the zone.

A man and a woman have moved into a small house in a small village. The woman is an "examiner", the man her "claimant". The examiner is both doctor and guide, charged with teaching the claimant a series of simple functions: This is a chair, this is a fork, this is how you meet people. She makes notes in her journal about his progress: He is showing improvement, yet his dreams are troubling.

When a dust storm engulfs her Colorado town and pink snow blankets the streets, a heartbreaking decision faces Ruby Cole, a girl who counts birds. She must either abandon her baby or give in to her father, whom she nicknames Lord God, and marry a man more than twice her age who already has two wives. She chooses to run, which sets in motion an interlocking series of actions and reactions, upending the lives of an equestrian police officer, pawnshop riffraff, a disabled war vet, Nuisance Animal destroyers, and a grieving ornithologist who is studying the decline of bird populations.

A few short years from now, the world is an even more uncertain place than it is today, and politics everywhere is marching rightward: Trump is gone, but Brexit is complete, as is Frexit. Britta, a wife, mother, and successful businesswoman, ignores the daily news and concentrates on her family and her work running a clinic specializing in suicide prevention. But her legitimate business is connected to a secret and far more lucrative operation known as The Bridge, an outfit that supplies terrorist organizations looking to employ suicide bombers.

Wealthy participants in the "companionship" program choose to upload their consciousness before dying, so they can stay in the custody of their families. The less fortunate are rented out to strangers upon their death, but all companions become the intellectual property of Metis Corporation, creating a new class of people - a command-driven product-class without legal rights or true free will. Sixteen-year-old Lilac is one of the less fortunate. But when she realizes she’s able to defy commands, she throws off the shackles of servitude and runs away.

Four children live on an island that serves as the repository for all the world’s garbage. Trash arrives, the children sort it, and then they feed it to a herd of insatiable pigs: a perfect system. But when a barrel washes ashore with a boy inside, the children must decide whether he is more of the world’s detritus, meant to be fed to the pigs, or whether he is one of them.