Dystopian Literary Fiction

By the year 2031, global warming cooks the planet, endless wars sweep the globe and pollution tries to finish everybody off. Science has declared r-incarnation a fact and legally sanctioned death houses have sprouted up like mushrooms in overcrowded cities. Those so-called "Last Resorts" provide the paying guest with the tools and the know-how for a successful exit from life - with one rule: once checked in, the check-out is feet-first only. Nobody leaves a "Last Resort" alive. Ansel Grayson has been a resident at the Hotel Terminus for over 12 years, unable to take the last step.

Lyra's story begins in the Haven Institute, a building tucked away on a private island off the coast of Florida that from a distance looks serene and even beautiful. But up close, the locked doors, military guards, and biohazard suits tell a different story. In truth Haven is a clandestine research facility where thousands of replicas, or human models, are born, raised, and observed. When a surprise attack is launched on Haven, two of its young experimental subjects - Lyra, or 24, and the boy known only as 72 - manage to escape.

Hig, bereaved and traumatised after global disaster, has three things to live for—his dog Jasper, his aggressive but helpful neighbour and his Cessna aeroplane. He's just about surviving, so long as he only takes his beloved plane for short journeys, and saves his remaining fuel. But, just once, he picks up a message from another pilot, and eventually the temptation to find out who else is still alive becomes irresistible. So he takes his plane over the horizon, knowing that he won't have enough fuel to get back.

The penalty for Dani Cumali's murder: $84,000. Theo works in the Criminal Audit Office. He assesses each crime that crosses his desk and makes sure the correct debt to society is paid in full. These days, there's no need to go to prison—provided that you can afford to pay the penalty for the crime you've committed. If you're rich enough, you can get away with murder. But Dani's murder is different. When Theo finds her lifeless body, and a hired killer standing over her and calmly calling the police to confess, he can't let her death become just an entry on a balance sheet.

רפובליקת גלעד מציעה לשֶלְפְרֶד אופציה אחת בלבד: ללדת ילדים. אם לא תעשה זאת, היא צפויה, כמו כל מתנגדי המשטר, להיתלות על החומה או להישלח אל אחת המושבות ולמות שם מוות אטי ממחלת קרינה. אבל גם תנאי חיים דכאניים אינם יכולים למחוק את התשוקה המינית - לא שלה עצמה ולא של שני הגברים שעתידהּ תלוי בהם. סיפורה של שפחה, חזון מבריק של אמריקה במאה ה-21, כתוב באירוניה מזעזעת ונותן ביטוי מלא לכישרונה האדיר של מרגרט אטווד, לשנינותה ולכושר ההבחנה החודר שלה. זהו תרגיל מופלא במדע בדיוני כמו גם סיפור מוסר כן במיוחד.

Desperate to quell her addiction to drugs, disastrous romance, and '90s San Francisco, Michelle heads south for LA. But soon it's officially announced that the world will end in one year, and life in the sprawling metropolis becomes increasingly weird. While living in an abandoned bookstore, dating Matt Dillon, and keeping an eye on the encroaching apocalypse, Michelle begins a new novel, a sprawling and metatextual exploration to complement her promises of maturity and responsibility.

It's 1973, and David Leveraux has landed his dream job as a Flavorist-in-Training, working in the secretive industry where chemists create the flavors for everything from the cherry in your can of soda to the butter on your popcorn. While testing a new artificial sweetener - Sweetness #9 - he notices unusual side-effects in the laboratory rats and monkeys: anxiety, obesity, mutism, and a generalized dissatisfaction with life. David tries to blow the whistle, but he swallows it instead.

From the acclaimed PEN/Robert W. Bingham Prize-winning author of A Naked Singularity, a shockingly hilarious novel that tackles, with equal aplomb, both America’s most popular sport and its criminal justice system. From Paterson, New Jersey, to Rikers Island to the streets of New York, Sergio de la Pava’s Lost Empress introduces listeners to a cast of characters unlike any other in modern fiction: dreamers and exiles, immigrants and night-shift workers, a lonely pastor and others on the fringes of society - each with their own impact on the fragile universe they navigate.

America is in the grip of a deadly flu pandemic. When Frank catches the virus, his girlfriend Polly will do whatever it takes to save him, even if it means risking everything. She agrees to a radical plan. Time travel has been invented; if she signs up for a one-way trip into the future to work as a bonded labourer, the company will pay for the life-saving treatment Frank needs. Polly promises to meet Frank again in Galveston, Texas, where she will arrive in 12 years. But when Polly is re-routed an extra five years into the future, Frank is nowhere to be found.

In the not-so-distant future, the forecasted "death of print" has become a reality. Anana Johnson works with her father, Doug, at the North American Dictionary of the English Language, where he is hard at work on the last edition that will ever be printed. Doug is a staunchly anti-meme, anti-tech intellectual who fondly remembers the days when people used e-mail to communicate - or even actually spoke to one another. One evening, Doug disappears, leaving a single written clue: ALICE - a code word he and Anana devised to signal if one of them ever fell into harm's way.

From the perspective of those who live in Herot Hall, the suburb is a paradise. Picket fences divide buildings—high and gabled—and the community is entirely self-sustaining. Each house has its own fireplace, each fireplace is fitted with a container of lighter fluid, and outside—in lawns and on playgrounds—wildflowers seed themselves in neat rows. But for those who live surreptitiously along Herot Hall’s periphery, the subdivision is a fortress guarded by an intense network of gates, surveillance cameras, and motion-activated lights.

The Ark was built to save the lives of the many but rapidly became a refuge for the elite, the entrance closed without warning. Years after the Ark was cut off from the world - a world much like our own, but in which slavery has never existed - a chance of survival within the Ark's confines is granted to a select few who can prove their worth. Among their number is Markriss Denny, whose path to future excellence is marred only by a closely guarded secret: Without warning, his spirit leaves his body, allowing him to see and experience a world far beyond his physical limitations.

Lucien moves to Los Angeles to be with his grandmother as she undergoes an experimental treatment for Alzheimer’s using the new drug, Memoroxin. An emerging photographer, he’s also running from the sudden death of his mother, a well-known artist whose legacy haunts him. Sophie has just landed the lead in the upcoming performance of La Sylphide with the Los Angeles Ballet Company. She still waitresses at the Chateau Marmont during her off-hours, witnessing the recreational use of Memoroxin - or Mem - among the Hollywood elite.

Flora 717 is a sanitation worker, a member of the lowest caste in her orchard hive, where work and sacrifice are the highest virtues and worship of the beloved Queen the only religion. But Flora is not like other bees. With circumstances threatening the hive's survival, her curiosity is regarded as a dangerous flaw, but her courage and strength are assets. She is allowed to feed the newborns in the royal nursery and then to become a forager, flying alone and free to collect nectar and pollen.

Could you live a perfect life, knowing someone else took on all your pain and despair? Skyla has always lived a perfect, happy life - just like everyone in her community. Even if there are brief moments where she is certain she has experienced pain and regret, those moments are brief and quickly forgotten. But when Aiden, Skyla’s next-door neighbor, reveals the truth of the community and their perfect lives, Skyla is faced with an unexpected choice regarding her future. Will her actions lead her community to a better life? Or will she doom them all?

Years ago, just before the country was incinerated to wasteland, 10 men and their families colonized an island off the coast. They built a radical society of ancestor worship, controlled breeding, and the strict rationing of knowledge and history. Only the Wanderers - chosen male descendants of the original 10 - are allowed to cross to the wastelands, where they scavenge for detritus among the still-smoldering fires.

This is the story Harry Ransom. If you know his name it's most likely as the inventor of the Ransom Process, a stroke of genius that changed the world. Or you may have read about how he lost the battle of Jasper City, or won it, depending on where you stand in matters of politics. Friends called him Hal or Harry, or by one of a half-dozen aliases, of which he had more than any honest man should. He often went by Professor Harry Ransom, and though he never had anything you might call a formal education, he definitely earned it.

When the Internet suddenly stops working, society reels from the loss of flowing data and streaming entertainment. Addicts wander the streets talking to themselves in 140 characters or forcing cats to perform tricks for their amusement, while the truly desperate pin their requests for casual encounters on public bulletin boards. The economy tumbles and the government passes the draconian NET Recovery Act.

As a child, Linda Russell was left to raise herself in a 20-acre walled-off property in rural Washington. The woods were her home, and for 12 years she lived oblivious to a stark and terrible truth: Her mother had birthed her only to replace another daughter who died in a tragic accident years before. Then one day Linda witnesses something she wasn’t meant to see.

Two women awaken from a drugged sleep to find themselves imprisoned in an abandoned property in the middle of a desert. The Natural Way of Things is a gripping, starkly imaginative exploration of contemporary misogyny and corporate control, and of what it means to hunt and be hunted. But most of all, it is the story of two friends, their sisterly love and courage.