Dystopian Literary Fiction

Orla Cadden is a budding novelist stuck in a dead-end job, writing clickbait about movie-star hookups and influencer yoga moves. Then Orla meets Floss - a striving, wannabe A-lister - who comes up with a plan for launching them both into the high-profile lives they dream about. So what if Orla and Floss’s methods are a little shady - and sometimes people get hurt? Their legions of followers can’t be wrong.

Nico Storm and his father, Willem, drive a truck filled with essential supplies through a desolate land. They are among the few in the world, as far as they know, to have survived a devastating virus that has swept over the planet. Their lives turned upside down, Nico realizes that his superb marksmanship and cool head mean he is destined to be his father's protector, even though he is still only a boy.

Wherever Hel looks, New York City is both reassuringly familiar and terribly wrong. As one of the thousands who fled the outbreak of nuclear war in an alternate US - an alternate timeline - she finds herself living as a refugee in our own not-so-parallel New York. The slang and technology are foreign to her, the politics and art unrecognizable. While others, like her partner Vikram, attempt to assimilate, Hel refuses to reclaim her former career or create a new life. Instead, she obsessively rereads Vikram's copy of The Pyronauts - a science-fiction masterwork in her world.

All the electricity has gone out, nobody knows why, and it's five months later. Food is scarce, and gas is scarcer. The world isn't sudden chaos: it's simply quiet and lost. Survival depends on trusting the right people, and staying away from the wrong ones. But how can you tell the difference? Tulsa is a ground's-eye view of the apocalypse: a front-row seat to the slow-motion unraveling of society and the things we believe comprise identity. As the world falls apart, there are people everywhere - trustworthy or treacherous - and somewhere in the countryside, there is a particular farm....

En un mundo apocalíptico donde llueve ceniza, un hombre y un chico cruzan a pie el territorio norteamericano en dirección al sur. El hambre es mucho más que una preocupación diaria: es la medida de todas las cosas, y las bandas de caníbales asolan el país convertido en un yermo donde solo la barbarie ha echado raíces. El amor de un padre por su hijo es, sin embargo, la única luz de una tierra que ha perdido a sus dioses. Quizá el fuego de la civilización no se haya apagado para siempre.

A recklessly idealistic girl dares to test the perimeters of her tightly controlled (future) world and is punished by being sent back in time to a region of North America - “Wainscotia, Wisconsin” - that existed 80 years before. Cast adrift in time in this idyllic Midwestern town, she is set upon a course of “rehabilitation” - but cannot resist falling in love with a fellow exile and questioning the constrains of the Wainscotia world with results that are both devastating and liberating.

It had been raining for weeks. Maybe months. He had forgotten the last day that it hadn't rained, when the storms gave way to the pale blue of the Gulf sky, when the birds flew and the clouds were white and sunshine glistened across the drenched land. Following years of catastrophic hurricanes, the Gulf Coast - stretching from the Florida panhandle to the western Louisiana border - has been brought to its knees. The region is so punished and depleted that the government has drawn a new boundary ninety miles north of the coastline.

The auto age is defunct. Buicks, Chryslers, and Pontiacs disfigure the landscape. Vines sprout in Manhattan. Wolves are seen in downtown Cleveland. And psychiatrist, mental hospital outpatient, and inventor Dr. Tom More has created a miraculous instrument: the ontological lapsometer, a kind of stethoscope of the human spirit. With it, he plans to cure mankind’s spiritual flu. But first, he must survive Moira, Lola, and Ellen - and discover why so many living people are actually dead.

As a child, Linda Russell was left to raise herself in a 20-acre walled-off property in rural Washington. The woods were her home, and for 12 years she lived oblivious to a stark and terrible truth: Her mother had birthed her only to replace another daughter who died in a tragic accident years before. Then one day Linda witnesses something she wasn’t meant to see.

Charlie Johns has been snatched from his home on Earth and delivered to the strange future world of Ledom. Technology has triumphed over hunger, overpopulation, pollution, and even time and space. But there is a change Charlie finds even more shocking: Gender is a thing of the past. Gone are the tensions between male and female. Gone is the human preoccupation with sex.

Having just escaped from the treacherous island that was once Manhattan, Brooke, Ben, Logan, Bree, and Rose make their way up the Hudson river in their stolen boat, low on fuel, low on food, and desperately needing shelter from the cold. On their tails are the slaverunners, who will stop at nothing until they capture them and bring them back. As they make their way upriver in this post-apocalyptic, action-packed thriller, on their way to try to find the mythical city in Canada, they will need to use all their ingenuity and survival skills to stay alive.

The year is 2084, and that famous Margaret Thatcher quote has become a reality: There really is no such thing as society. No one speaks to anyone else. No one looks at anyone else. People don’t collaborate, they only compete...It all sounds rather morbid, does it not? But please don’t despair, there is hope, and it comes in the form of our hero: Renee Ann Blanca. Wishing to fill the society-shaped hole in her life, our Renee does the unthinkable: She goes in search of human company!

In a surreal but familiar vision of modern-day Egypt, a centralized authority known as the Gate has risen to power in the aftermath of the Disgraceful Events, a failed popular uprising. Citizens are required to obtain permission from the Gate in order to take care of even the most basic of their daily affairs, yet the Gate never opens, and the queue in front of it grows longer. Citizens from all walks of life mix and wait in the sun: a revolutionary journalist, a sheikh, a poor woman concerned for her daughter's health, and more.

Lucien moves to Los Angeles to be with his grandmother as she undergoes an experimental treatment for Alzheimer’s using the new drug, Memoroxin. An emerging photographer, he’s also running from the sudden death of his mother, a well-known artist whose legacy haunts him. Sophie has just landed the lead in the upcoming performance of La Sylphide with the Los Angeles Ballet Company. She still waitresses at the Chateau Marmont during her off-hours, witnessing the recreational use of Memoroxin - or Mem - among the Hollywood elite.

Daniel Quinn, well known for Ishmael - a life-changing book for readers the world over - once again turns the tables and creates an otherworld that is very like our own, yet fascinating beyond words. Imagine that Nazi Germany was the first to develop an atomic bomb and the Allies surrendered. America was never bombed, occupied, or even invaded, but was nonetheless forced to recognize Nazi world dominance....

It's been nearly two decades since the Red Allies first attacked New York, and Manhattan is now a prisoner-of-war camp ruled by Rolladin and her brutal, impulsive warlords. For Skyler Miller, Manhattan is a cage that keeps her from the world beyond the city's borders. But for Sky's younger sister, Phee, the POW camp is a dangerous playground of possibility--and the only home she'd ever want.

Thirteen-year-old Vic is of the Youngest Generation, fixed in prepubescence after a catastrophic environmental degradation. She’s also her father’s favorite student. But when he takes his own life, the perennially ingenuous Vic wants to understand why. As she sets out on her quest, Vic begins to learn that family isn’t something you’re born with - it’s something you build.

For three strangers whose paths will cross, the storm hasn’t even reached its peak. Two of them are the kind of climate scientists no one ever listens to in disaster movies. The third, against even icier opposition, has just moved to the Magnolia State to come out. Soon they’ll all be pushed closer to the edge, where the bracing winds of cataclysmic change can be so wildly liberating.

Children of the New World introduces listeners to a near-future world of social media implants, memory manufacturers, dangerously immersive virtual reality games, and alarmingly intuitive robots. Many of these characters live in a utopian future of instant connection and technological gratification that belies an unbridgeable human distance, while others inhabit a post-collapse landscape made primitive by disaster, which they must work to rebuild as we once did millennia ago.

"We'd had to be cut free of our mother's womb. Abby and I were fused, you see. But here's the real kicker; Abby had the magic, I didn't." Now adults, Makeda and Abby still share their childhood home. The surgery to separate the two girls left Makeda with what feels like an even worse deformity: no mojo. The daughters of a celestial demigod and a human woman, Makeda and Abby were raised by their magical father. Today, Makeda has decided it's high time to move out and make her own life.