Dystopian Literary Fiction

Welcome to Gor, a parallel Earth, where social norms are exotic and the way of life is brutal. In the fifth book in the Gorean Series, the deadly assassin Kuurus is intent on a bloody mission of vengeance. His adventure takes him from the caste of the pleasure-slaves, which are rigorously trained in the rules and techniques of sexual ecstasy, to the brutal arenas where humans participate in deadly hand-to-hand combat. He witnesses violence, conflict and uncertainty, as the inhabitants of Counter-Earth are forced to confront their destinies…no matter how exalted or debased.

Children of the New World introduces listeners to a near-future world of social media implants, memory manufacturers, dangerously immersive virtual reality games, and alarmingly intuitive robots. Many of these characters live in a utopian future of instant connection and technological gratification that belies an unbridgeable human distance, while others inhabit a post-collapse landscape made primitive by disaster, which they must work to rebuild as we once did millennia ago.

Being alive is hard. Being human is harder. But since his recent recovery from death, R is making progress. He's learning how to read, how to speak, maybe even how to love, and the city's undead population is showing signs of life. R can almost imagine a future with Julie, this girl who restarted his heart - building a new world from the ashes of the old one.

Qualityland, Marc-Uwe Kling's first book to be translated into English, is a brilliantly clever, illuminating satire in the tradition of Kurt Vonnegut, Douglas Adams, and George Orwell that offers a visionary, frightening, and all-too funny glimpse at a near future we may be hurtling toward faster than it's at all comfortable to admit. So why delay any longer? TheShop already knows you're going to love this book. You may as well head to the cash register, crack the covers, and see why that is for yourself.

When spring comes, the people leave their winter cave, foraging for honey and shoots, bulbs and grubs, the hot richness of a deer's brain. They awaken the fire to heat their naked bodies, lay down their thorn bushes and share pictures in their minds. But strange things are happening - inexplicable scents, sounds and violence - and, suddenly, unimaginable creatures are half-glimpsed in the forest: an upright new people of bone-faces and deerskins. What the early people don't know is that their season is already over....

This is the story Harry Ransom. If you know his name it's most likely as the inventor of the Ransom Process, a stroke of genius that changed the world. Or you may have read about how he lost the battle of Jasper City, or won it, depending on where you stand in matters of politics. Friends called him Hal or Harry, or by one of a half-dozen aliases, of which he had more than any honest man should. He often went by Professor Harry Ransom, and though he never had anything you might call a formal education, he definitely earned it.

In a profoundly strange country called Inner Horner, large enough for only one resident at a time, citizens waiting to enter the country fall under the rule of the power-hungry and tyrannical Phil, setting off a chain of injustice and mass hysteria. An Animal Farm for the 21st century, this is an incendiary political satire of unprecedented imagination, spiky humor, and cautionary appreciation for the hysteric in everyone.

In a speculative future, Abel, a menial worker, is called to serve in a secretive and fabled jury system. At the heart of this system is the repeat room, where a single juror, selected from hundreds of candidates, is able to inhabit the defendant's lived experience, to see as if through their eyes.

Bubblegum is set in an alternate present-day world in which the internet does not exist and has never existed. Rather, a wholly different species of interactive technology - a "flesh-and-bone robot" called the Curio - has dominated both the market and the cultural imagination since the late 1980s. Belt Magnet, who as a boy in greater Chicago became one of the lucky first adopters of a Curio, is now writing his memoir, and through it we follow a singular man out of sync with the harsh realities of a world he feels alien to but must find a way to live in.

After nearly freezing to death on their trek north, Brooke and her small group wake to find themselves in civilization. Brooke soon realizes, though, that being safe and secluded is not all there is to life...Brooke finds herself facing the choice of a lifetime: to live in this perfect place, free and safe for the rest of her days, or to embark and fight for others’ freedom. It would be a journey, she knows, back through post-apocalyptic America, this time traveling west, across its breadth, in search of the rumored survivors, of her father.

The end of the world didn't happen overnight. After years of war, societal breakdown, freak storms, and rising tides, humanity already hovered near the edge. Then came the most unexpected threat of all: the world's corpses rising up to deliver the final blow.

King has tenderly staked out a territory for his wife and three daughters, Grace, Lia, and Sky. He has lain the barbed wire; he has anchored the buoys in the water; he has marked out a clear message: Do not enter. Or viewed from another angle: Not safe to leave. Here women are protected from the chaos and violence of men on the mainland. The cult-like rituals and therapies they endure fortify them from the spreading toxicity of a degrading world. But when their father, the only man they've ever seen, disappears, they retreat further inward until the day two men and a boy wash ashore.

The old-fashioned struggle for fairness has finally been abandoned. It was a misguided endeavor. The world is divided into two groups, pats and quads. The pats may kill the quads as they like, and do. The quads have no recourse but to continue with their lives. The Divers’ Game is a thinly veiled description of our society, an extreme case that demonstrates a truth: we must change or our world will collapse. What is the effect of constant fear on a life, or on a culture?

Ten years after the collapse, Huxley has built a good life again. He has a loving wife, a farm with fields of golden barley, and a daughter with a strange and wonderful gift. Then the slavers come. Working out in the fields during the attack, Huxley returns too late. His daughter has been taken, and his wife is bleeding out, her last whispered words about a man with a scorpion tattoo on his neck. Where do the slavers go? Huxley has no idea. He knows only that they head east, and so will he, setting out on foot across the desert of the Wastelands.

In a near future where climate change has severely affected weather and agriculture, the North End of an unnamed city has long been abandoned in favor of the neighboring South End. Aside from the scavengers steadily stripping the empty city to its bones, only a few thousand people remain, content to live quietly among the crumbling metropolis. Many, like the narrator, are there to try to escape the demons of their past. He spends his time observing and recording the decay around him, attempting to bury memories of what he has lost.

Japan, after suffering from a massive irreparable disaster, cuts itself off from the world. Children are so weak they can barely stand or walk: the only people with any get-go are the elderly. Mumei lives with his grandfather Yoshiro, who worries about him constantly. They carry on a day-to-day routine in what could be viewed as a post-Fukushima time, with all the children born ancient - frail and gray-haired, yet incredibly compassionate and wise. Mumei may be enfeebled and feverish, but he is a beacon of hope, full of wit and free of self-pity and pessimism.

In a surreal but familiar vision of modern-day Egypt, a centralized authority known as the Gate has risen to power in the aftermath of the Disgraceful Events, a failed popular uprising. Citizens are required to obtain permission from the Gate in order to take care of even the most basic of their daily affairs, yet the Gate never opens, and the queue in front of it grows longer. Citizens from all walks of life mix and wait in the sun: a revolutionary journalist, a sheikh, a poor woman concerned for her daughter's health, and more.

Nico Storm and his father, Willem, drive a truck filled with essential supplies through a desolate land. They are among the few in the world, as far as they know, to have survived a devastating virus that has swept over the planet. Their lives turned upside down, Nico realizes that his superb marksmanship and cool head mean he is destined to be his father's protector, even though he is still only a boy.

In the Before, when the government didn't prohibit large public gatherings, Luce Cannon was on top of the world. One of her songs had just taken off and she was on her way to becoming a star. Now, in the After, terror attacks and deadly viruses have led the government to ban concerts, and Luce's connection to the world - her music, her purpose - is closed off forever. She does what she has to do: She performs in illegal concerts to a small but passionate community, always evading the law.

Cuando las puertas de la furgoneta se cerraron de golpe tras Defred al final de El cuento de la criada, los lectores no tenían forma de saber cuál iba a ser su futuro: la libertad, la prisión o la muerte. Con la publicación de Los testamentos, la espera ha terminado. Margaret Atwood recupera la historia 15 años después de que Defred se adentrara en lo desconocido, con los testimonios asombrosos de tres narradoras del mundo de Gilead.