Dystopian Science Fiction

When twelve-year-old Maddie hatches a scheme for a secret sleepover with her two best friends, she ends up waking up to a nightmare. She’s alone—left behind in a town that has been mysteriously evacuated and abandoned. With no one to rely on, no power, and no working phone lines or internet access, Maddie slowly learns to survive on her own. Her only companions are a Rottweiler named George and all the books she can read. After a rough start, Maddie learns to trust her own ingenuity and invents clever ways to survive in a place that has been deserted and forgotten.

Nine of us came here. We look like you. We talk like you. We live among you. But we are not you. We can do things you dream of doing. We have powers you dream of having. We are stronger and faster than anything you have ever seen. We are the superheroes you worship in movies and comic books—but we are real.

London, chief city of Airstrip One, the third most populous province of Oceania. It's 1984 and Julia Worthing works as a mechanic fixing the novel-writing machines in the Fiction Department at the Ministry of Truth. Under the ideology of IngSoc and the rule of the Party and its leader Big Brother, Julia is a model citizen - cheerfully cynical, believing in nothing and caring not at all about politics. She routinely breaks the rules but also collaborates with the regime whenever necessary. Everyone likes Julia.

Kim Delorme fait la découverte des mukbangs, ces spectacles alimentaires numériques où l’on consomme d’énormes quantités de nourriture. Elle décide d’en faire sa carrière et de détrôner la célèbre mukbangeuse Misha Faïtas. Un incident mettra un frein à l’ascension de Kim en plus de générer une onde de choc dans son entourage. Au fil de l’intrigue, à l’humour grinçant et aux détours insolites, un portrait de société dérangeant se déploie, à la fois surnaturel et impitoyablement lucide, où le gouffre opère une force d’attraction irrésistible.

For dinosaurs, it was a big rock. For humans: Coronal Mass Ejection (CME). When the Earth is hit by the greatest CME in recorded history (several times larger than the Carrington Event of 1859), the combined societies of the planet's most developed nations struggle to adapt to a life thrust back into the Dark Ages. In the United States, the military scrambles to speed the nation's recovery on multiple fronts including putting down riots, establishing relief camps, delivering medical aid, and bringing communication and travel back on line. Just as a real foothold is established in retaking the skies (utilizing existing commercial aircraft supplemented by military resources and ground control systems), a mysterious virus takes hold of the population, spreading globally over the very flight routes that the survivors fought so hard to rebuild.

Morgan and his extended family could see the light at the end of the tunnel, dim though it may be. There was the promise of power once again. The plant was being repaired, and it looked as though it may actually run. While it meant lots of hard, sweaty work, the reward was worth the investment. The farm was growing strong, and community involvement was good. People were finally coming to terms with the fact that they needed to work together. So far Mother Nature had been on their side. But that, too, was about to change.

To Paradise is a fin de siècle novel of marvelous literary effect, but above all it is a work of emotional genius. The great power of this remarkable novel is driven by Yanagihara’s understanding of the aching desire to protect those we love—partners, lovers, children, friends, family, and even our fellow citizens—and the pain that ensues when we cannot.

Ever since the monster apocalypse hit town, average 13 year old Jack Sullivan has been living in his tree house, which he's armed to the teeth with catapults and a moat, not to mention video games, and an endless supply of Oreos and Mountain Dew scavenged from abandoned stores. But Jack alone is no match for the hordes of Zombies and Winged Wretches and Vine Thingies, and especially not for the eerily intelligent monster known only as Blarg. So Jack builds a team.

Princess Briar’s adventure in the Amstraad Republic continues. This time, she’s entering the battle for survival with her eyes open. All who betrayed her will pay with blood—starting with the men behind the deadly gameshow. Armed with just her popularity and a devoted companion, she must first overthrow its president and break free of her treacherous husband. But with the Republic on the verge of invasion, she must choose between saving the country and revenge. Series complete!

Tally is about to turn sixteen, and she can’t wait. In just a few weeks, she’ll have the operation that will turn her from a repellent ugly into a stunningly attractive pretty. And as a pretty, she’ll be catapulted into a high-tech paradise where her only job is to have fun. But Tally’s new friend Shay isn’t sure she wants to become a pretty. When Shay runs away, Tally learns about a whole new side of the pretty world—and it isn’t very pretty. The authorities offer Tally a choice: find her friend and turn her in, or never turn pretty at all. Tally’s choice will change her world forever.

A new drug is on the street. Everyone's buzzing about it. Take the hit. Live the most intense week of your life. Then die. It's the ultimate high at the ultimate price. Adam thinks it over. He's poor, and doesn't see that changing. Lizzie, his girlfriend, can't make up her mind about sleeping with him, so he can't get laid. His brother Jess is missing. And Manchester is in chaos, controlled by drug dealers and besieged by a group of homegrown terrorists who call themselves the Zealots. Wouldn't one amazing week be better than this endless, penniless misery?

Paige Mahoney has escaped the clandestine prison city of Oxford. Now a fugitive in London, she nurtures a new taste for revolution. Oxford may be behind her, but the Republic of Scion is undefeated. As it turns its all-seeing eye on Paige, she is forced to return to Jaxon Hall, her charismatic and brutal employer, to keep her foothold in the underworld. But Paige will bow to one now, and not even Jaxon will stop her exposing the corruption in the syndicate.

Ingersoll Lockwood (1841-1918) was a New York attorney, diplomat and lecturer who wrote children's books, satire, and poetry. 1900 or, The last President is a dystopian, alternative history book which was published in 1896 and ostensibly involves events of a few years later - the 1898 election that put William Jennings Bryan in power and led to civic unrest. As a work of political satire, the narrative deplores the rise of socialism and populism in its dystopian vision of the future.

After the last Antarctic icecaps melt, calamity follows. Landscapes are radically transformed, diseases mutate and spread with unprecedented speed, and, in response, forms the ghastly “virofinance” exchange—a market for corporations to profit from pandemics and global suffering. It’s in this grim near-future of 2272, where words such as “winter” and “cold” have no meaning, the Dengue Child grows. The monstrous humanoid mosquito emerges in newly tropical Argentina, carrying its namesake virus and despairing of its own existence.

If society collapsed, could you survive? When Morgan Carter's car breaks down 250 miles from his home, he figures his weekend plans are ruined. But things are about to get much, much worse: the country's power grid has collapsed. There is no electricity, no running water, no Internet, and no way to know when normalcy will be restored - if it ever will be.

There is a huge, bold black streak in the sky. Branches appear out of nowhere over North America, Southern Europe, and Central Africa. People who live beneath The Rift can see it. But scientists worldwide are distressed - their equipment cannot pick up any type of signal from it. The rift appears to consist of nothing. Literally. Nothing. Nada. Niente. Most people are curious but not overly concerned. The phenomenon seems to pose no danger. It is just there. Then something jolts the most hardened naysayers, and surpasses the worst nightmares of the world's greatest scientists.

A mysterious murder in a dystopian future leads a novice investigator to question what she's learned about the foundation of her population-controlled society. Decades after economic and environmental collapse destroys much of civilization in the United States, the Coast Road region isn't just surviving but thriving by some accounts, building something new on the ruins of what came before.

Henry Long doesn't have a heart. Since the Tragedies, he doesn't have much: just an annoying low-watt buzz from his makeshift transplant, skinny arms, and a dusty library attic from which he charts the slow progress of reconstruction in the Green Zone, the last habitable neighborhood of his troubled coastal city. While his parents work on making the Green Zone independent from a federal government that appears to have abandoned them, Henry himself feels increasingly left on his own.

After an imminent yet unnamed danger forces people across Colorado to leave their homes, a group of kids including an aspiring filmmaker and a budding journalist find themselves in the same evacuation camp. As they cope with the aftermath of having their world upended, they grow curious about the mysterious threat.

Two years after a devastating defeat in the decade-long Spore War, the island nation of Hōppon and its capital city of Neo Kinoko are occupied by invading Coprinian forces. Its fungal citizens are in dire straits, wracked by food shortages, poverty and an influx of war refugees. Even worse, the corrupt occupiers exploit their power, hounding the native population. As a winter storm looms over the metropolis, NKPD homicide detective Henrietta Hofmann begrudgingly partners up with mushroom-headed patrol officer Koji Nameko to investigate the mysterious murders of fungal and half-breed children.