Early Art

The saga of Sword Art Online continues with three side stories set during the Aincrad and Alfheim eras. The game of death took its toll on every player in a different way—when one turns up dead on the fifty-seventh floor, the game's afoot, and it's up to Asuna and Kirito to crack the case. There's also the story of how Kirito got his Excalibur sword in Alfheim (with a little help from his friends). And when the game of death first began, Kirito learned a difficult lesson—one he would never forget.

In this book, C.S. Lewis tells of his search for joy, a spiritual journey that led him from the Christianity of his early youth into atheism and then back to Christianity.

This Eagles hit translates well for solo piano playing. The lesson starts with a full demonstration of the song followed by a detailed “by ear” lesson demonstrating and explaining every phrase and note of the song. This arrangement is rated at an early intermediate level.

In this Piano By Ear lesson, you will learn a piano solo arrangement of this well-loved inspirational standard completely “by ear”. The lesson starts with a full demonstration of the song followed by a detailed note-by-note description of how to play the song, including the fingering.

This fun and upbeat Christmas standard is an easy one to add to your repertoire when you learn it “by ear”! The lesson starts with a full demonstration of the arrangement followed by a detailed, note-by-note description of the entire song.

This lesson includes a full demonstration followed by a detailed “by ear” lesson teaching the song in two to four measure sections. When you learn without print or video, you memorize the song while you learn it and develop your skill to pick out other songs “by ear”.

This lesson is based upon the original version of the song in the key of D flat. This is not a simplified arrangement. This song is considered an early advanced level piece, so it is suitable for most third or fourth year adult students who have played consistently. The lesson includes a full demonstration at the beginning, and then sections of the song are played and taught in two to four measure sections. There is more detailed instruction on unusual or more difficult passages.

This Gavotte is a simple but interesting piece to play since it brings in counterpoint and legato phrases against staccato accents in separate hands. When the student finishes working on this piece, they will have better control of basic technique and simple trills that are essential for more advanced playing. The lesson starts with a full demonstration followed by a two to four measure sectional lesson of the entire songs describing notes and fingering.

This clever and fun piece is a nice introduction into Bach’s counterpoint style that set him up as the king of the Baroque period. The lesson starts with a full demonstration followed by a detailed “by ear” lesson breaking the entire song down into two to four measure sections.

This sonatina is special in that it starts in the typical sonatina style in four-four time but then adds a romance section at the end in six-eight time. It is basically two songs in one. This lesson starts with a full demonstration of the sonatina followed by a detailed all-audio lesson teaching the entire song without music, print, or video. When you learn “by ear”, you learn faster and you memorize the piece while learning it.

This is the original version and not an arrangement. In this lesson, you will learn this four voice fugue by Bach completely “by ear”! The song is fully demonstrated and then taught “by ear” using no print, music, or video. Each measure is broken down note-by-note with fingering and tips on technique.

Mecklenburgh Square has always been a radical address. Nestled in the heart of Bloomsbury, these townhouses have borne witness to the lives of some of the century's most revolutionary cultural figures - many of whom were extraordinary women. United by their desire to experiment with new ways of living - and, therefore, of being - these authors and thinkers were trailblazers in their commitment to creative independence.

Maximum Volume offers a glimpse into the mind, the music, and the man behind the sound of the Beatles. George Martin's working-class childhood and musical influences profoundly shaped his early career in the BBC's Classical Music department and as head of the EMI Group's Parlophone Records. Out of them flowed the genius behind his seven years producing the Beatles' incredible body of work, including such albums as Rubber Soul, Revolver, Sgt. Pepper's Lonely Hearts Club Band, and Abbey Road.

In this Piano by Ear lesson, you will learn an early intermediate level arrangement of the hymn “Beyond the Sunset”. This faith-filled inspirational song has been a standard for decades and now you can learn it completely “by ear”. The lesson begins with a full demonstration of the song and then teaches it in two to four measure sections completely “by ear”, using no print, music, or video.

In this all-audio lesson, you will learn the main theme song from the '70s movie with the same name. This instrumental piece is taught completely “by ear” so there is no music, print, or video to contend with. The lesson starts with a full demonstration of the song and then teaches the entire piece in two to four measure sections, describing each note and finger used.

“To a Wild Rose” by Edward MacDowell is one of this American composer’s most recognized pieces. It is only an early intermediate level piece, so it is suitable for most second-year adult students. The lesson begins with a full demonstration of the song followed by a totally all-audio lesson detailing every note and finger.

This arrangement is in the keys of D and E and presents three different left hand accompaniment patterns that the student can use for not only this song but other songs as well. The song is fully demonstrated and then taught completely “by ear” without music, print, or video. This lesson is suitable for most adult students who have been practicing regularly for a little over a year.

In this all-audio lesson, you will learn an early-intermediate arrangement of the hymn using three different accompaniment patterns in the left hand. This allows you to not only learn the hymn for performance but to also learn different ways of arranging the accompaniment for use in other songs. This lesson is suitable for most adult students who have been practicing regularly for a little over a year.

This is one of many enduring hymns that were penned from a heart of loss and sorrow. In this all-audio lesson, you will learn an early-intermediate arrangement of this famous hymn without the use of music or video. This not only lets you learn the song faster but also develops your ability to pick out other songs “by ear”.

In this lesson, you will learn this traditional hymn in two keys with three different left hand accompaniment styles. The style is explained so that you can use the techniques for other songs as well. The song is fully demonstrated and then taught completely “by ear” without music, print, or video. This lesson is suitable for most adult students who have been practicing regularly for a little over a year.