Egypt Revolution

Bassem Youssef's incendiary satirical news program, Al-Bernameg ( The Program), chronicled the events of the 2011 Egyptian Revolution, the fall of President Hosni Mubarak, and the rise of Mubarak's successor, Mohamed Morsi. Youssef not only captured his nation's dissent, but stamped it with his own brand of humorous political criticism, in which the Egyptian government became the prime laughing stock. In Revolution for Dummies, Youssef recounts his life and offers hysterical riffs on hypocrisy, instability, and corruption.

In 2003 Rachel Aspden arrived in Egypt as a 23-year-old journalist. She found a country on the brink of change. The two thirds of Egypt's eight million citizens under the age of 30 were stifled, broken, and frustrated, caught between a dictatorship that had nothing to offer them and their autocratic parents' generation, defined by tradition and obedience. In January 2011 the young people's patience ran out.

By the middle of the second century BC, the city of Rome was spiraling toward bankruptcy and moral decay. The generation which had defeated Hannibal and brought the Mediterranean under Roman control had now passed away, even as gold poured in. Hardly a Roman name of any note appears for half a century. The noble Roman has disappeared. The once feared Roman army has become a mere shadow of its former self, and the public have come to accustom themselves to news of shattering defeats.

The revolutions sweeping the Middle East in 2011 were unlike any the world had ever seen. Brutal regimes that had been in power for many decades were suddenly swarmed by unstoppable mobs of freedom seekers. Now, one of the key figures behind the Egyptian uprising tells the riveting inside story of what happened and presents lessons for all of us on how to unleash the power of crowds. Wael Ghonim was a little-known 30-year-old Google executive in the fall of 2010 when he anonymously launched a Facebook page to protest the death of an Egyptian man at the hands of security forces....

Drawn by a fascination with Egypt's rich history and culture, Peter Hessler moved with his wife and twin daughters to Cairo in 2011. He wanted to learn Arabic, explore Cairo's neighborhoods, and visit the legendary archaeological digs of Upper Egypt. After his years of covering China for The New Yorker, friends warned him Egypt would be a much quieter place. But not long before he arrived, the Egyptian Arab Spring had begun, and now the country was in chaos.

The Twitter accounts of the activists who brought heady days of revolution to Egypt in January and February this year paint an exhilarating picture of an uprising in real-time. Thousands of young people documented on cell phones every stage of their revolution, as it happened. This book brings together a selection of key tweets in a compelling, fast-paced narrative, allowing the story of the uprising to be told directly by the people in Cairo's Tahrir Square.

Analysis of the Egyptian social and economic conditions during the July era through cinematic production and direction after the July Revolution. Analysis of the scenario, dialogue and messages contained in the artistic works, analysis of the artistic production process, how these conditions were presented through cinema at that time, and why.

Analysis of cinema criticizing the Egyptian situation during the July period through cinematic production and direction after the July Revolution. Analysis of the scenario, dialogue, and messages contained in the artistic works, analysis of the artistic production process, and how cinema criticizing the Egyptian situation was presented through cinema at that time, and why.

Analysis of High Dam cinema during the July period through cinematic production and direction after the July Revolution. Analysis of the scenario, dialogue, and messages contained in the artworks, analysis of the artistic production process, and how High Dam cinema was presented through cinema at that time, and why.

Analysis of women's cinema during the July period through film production and direction after the July Revolution. Analysis of the scenario, dialogue, and messages contained in the artworks, analysis of the artistic production process, and how women’s cinema was presented through cinema at that time, and why.

In early 2011, the world’s attention was riveted on Cairo, where after three decades of supremacy, Hosni Mubarak was driven from power. It was a revolution as swift as it was explosive. For 18 days, anger, defiance, and resurgent national pride reigned in the streets - protestors of all ages struck back against police and state security, united toward the common goal of liberation. But the revolution was more than a spontaneous uprising. It was the end result of years of mounting tension, brought on by a state that shamelessly abused its authority, rigging elections, silencing opposition, and violently attacking its citizens.