Elizabethan English

Hans Holbein the Younger is chiefly celebrated for his beautiful and precisely realized portraiture, which includes representations of Henry VIII, his advisors Thomas More and Thomas Cromwell, his wives Jane Seymour and Anne of Cleves, and an array of the Tudor lords and ladies encountered during the course of two sojourns in England. But beyond these familiar images, which have come to define our perception of the age, Holbein was a multifaceted genius: a humanist, satirist, and political propagandist, and a deft man whose work was rich in layers of symbolism and allusion.

Jack and Annie are whisked back to Elizabethan England where they meet the Bard of Avon himself, William Shakespeare, and luckily for them, he is desperate for two small actors for his latest play! An exciting adventure and a wonderful introduction to Shakespeare.

In England in the Age of Shakespeare, Jeremy Black takes readers on a tour of life in the streets, homes, farms, churches, and palaces of the Bard’s era. Panning from play to audience and back again, Black shows how Shakespeare's plays would have been experienced and interpreted by those who paid to see them. From the dangers of travel to the indignities of everyday life in teeming London, Black explores the jokes, political and economic references, and small asides that Shakespeare’s audiences would have recognized.

If you want to discover the captivating history of Medieval England and Magna Carta, then get England in the Middle Ages - a set of two books about England during the Middle Ages and the influence of the Magna Carta.

In the final days of World War II, Catherine Hastings meets the man she wants to marry. Flight surgeon Jonathan Brandon isn't just handsome - he's everything Catherine could hope for in her betrothed. But her dream of a happily ever after is shattered when Jonnie vanishes before their wedding, leaving Catherine bereft, broken-hearted, and with a lifetime of unanswered questions.

Britain's most esteemed scholar of 16th and 17th century literature, Frank Kermode is also a noted author and professor. In this Modern Library Chronicle, he uses the context of the Elizabethan Era to link each of Shakespeare's plays to their probable years of creation. By portraying the bard's England in terms of its society, economy, and arts, Kermode provides an invaluable guide to understanding Shakespeare?s works.

London: a settlement founded by the Romans, occupied by the Saxons, conquered by the Danes and ruled by the Normans. This unremarkable place - not even included in the Domesday Book - became a medieval maze of alleys and courtyards, later to be chequered with grand estates of Georgian splendour. It swelled with industry and became the centre of the largest empire in history. And rising from the rubble of the Blitz, it is now one of the greatest cities in the world.

Mary, Queen of Scots’ marriage to the Earl of Bothwell is notorious. Less known is Bothwell’s first wife, Jean Gordon, who extricated herself from their marriage and survived the intrigue of the queen’s court. Daughters of the North reframes this turbulent period in history by focusing on Jean, who became Countess of Sutherland, following her from her birth as the daughter of the ‘King of the North’ to her disastrous union with the notorious Earl of Bothwell—and her lasting legacy to the Earldom of Sutherland.

The critically acclaimed author of Serving Victoria brilliantly illuminates the life of the little-known Bess of Hardwick - next to Queen Elizabeth I, the richest and most powerful woman in 16th-century England.

Alice Spencer was born in 1560 to a family on the rise. Her grandfather had amassed a sizeable estate of fertile grazing land and made a small fortune in sheep farming, allowing him to purchase a simple but distinguished manor house called Althorp. With her sizable dowry, Alice married the heir to one of the most powerful aristocratic families in the country, eventually becoming the Countess of Derby. Though she enjoyed modest renown, it wasn’t until her husband’s sudden death that Alice and her family’s future changed forever.

The East India Company was the largest commercial enterprise in British history, yet its roots in Tudor England are often overlooked. The Tudor revolution in commerce led ambitious merchants to search for new forms of investment, not least in risky overseas enterprises-and for these "adventurers" the most profitable bet of all would be on the Company. Through a host of stories and fascinating details, David Howarth brings to life the Company's way of doing business—from the leaky ships and petty seafarers of its embattled early days to later sweeping commercial success.

Every Tudor Queen had ladies-in-waiting. They were her confidantes and her chaperones. Only the Queen's ladies had the right to enter her most private chambers, spending hours helping her to get dressed and undressed, caring for her clothes and jewels, listening to her secrets. But they also held a unique power. A quiet word behind the scenes, an appropriately timed gift, a well-negotiated marriage alliance were all forms of political agency wielded expertly by women.

1564: Devon sailor Francis Drake sets out on a journey of adventure. Drake learns of routes used to transport Spanish silver and gold, and risks his life in an audacious plan to steal a fortune.

Lady Penelope Rich is one of the most beautiful and sought-after women in Elizabethan England. The daughter of the Earl of Essex, she is married to the wealthy Baron Robert Rich. Penelope's life is full of love and scandal. The inspiration for Sir Philip Sidney’s sonnet "Astrophel and Stella", she is involved in the Essex Rebellion. A complex and fascinating woman, her life is a story of love, betrayal, and tragedy.

London in the time of Queen Elizabeth I is a bustling place, its streets crowded with vendors selling goods from all over the world. In the courtyard of St. Paul's Cathedral, Alice Wood competes with other booksellers, hawking pamphlets, plays, and the latest poetry from the continent. It is a lonely life for a hardworking young widow, and she will soon put it aside. When a black-clad stranger visits, speaking in riddles and asking questions about her long-vanished son, Alice will be drawn into an adventure straight out of one of her faerie stories.

William Shakespeare found dozens of different ways to kill off his characters, and audiences today still enjoy the same reactions - shock, sadness, fear - that they did more than 400 years ago when these plays were first performed. But how realistic are these deaths, and did Shakespeare have the knowledge to back them up? Kathryn Harkup turns her discerning scientific eye to the Bard and the varied and creative ways his characters die.

Robert Devereux, Earl of Essex, is one of the most intriguing men of the Elizabethan period. Tall and handsome, he soon becomes a ‘favorite’ at court, so close to the queen many wonder if they are lovers. The truth is far more complex, as each has what the other yearns for. Robert Devereux longs for recognition, wealth and influence. His flamboyant naïveté amuses the ageing Queen Elizabeth, like the son she never had, and his vitality makes her feel young.

The day Rodney Hawkhurst rides onto her father's grand estate, Lizbeth Gillingham is a wild eighteen-year-old, with tangled red hair, dirt on her apron, and an archer's bow in her hand. A chance encounter leads to a clandestine kiss, leaving the tomboy Lizbeth wondering if the life of a sophisticated lady could be so bad if she was on the arm of Rodney Hawkhurst... But Rodney has not come to see Sir Gillingham about Lizbeth. He has come to borrow money for a daring sea voyage, and to ask for the hand of Phillida, Lizbeth's elegant sister.

Elizabeth Tudor, daughter of the ill-fated Queen Anne Boleyn and temperamental King Henry VIII, was never meant to rule the country. Yet, when her time came, she didn’t stumble under the weight of the English crown. Elizabeth was perhaps the most intelligent, forward-thinking monarch who ever sat on the throne before or since. Her reign is responsible for the strength of the Royal Navy, the cultivation of fine arts, the long-term stability and safety of her nation from foreign attacks, and the first steps toward international colonization.

Beautiful Catrienne Lyly vowed to avenge herself on the powerful magistrate who had destroyed her noble family. Even if it meant that she must match wits with Nicholas D'Avenant, Queen Elizabeth's most mysterious agent. And even if his bold swordplay and seductive cunning drew her into a far deadlier game—and more dangerous passion. For Nicholas, the man Cat sought was his only link to the traitors who would bring England to war. And even as he found himself yielding to Cat’s fiery innocence, he moved to discover all her secrets—even if the price might be more than he’d ever dare lose.