Elizabethan Fiction

London in the time of Queen Elizabeth I is a bustling place, its streets crowded with vendors selling goods from all over the world. In the courtyard of St. Paul's Cathedral, Alice Wood competes with other booksellers, hawking pamphlets, plays, and the latest poetry from the continent. It is a lonely life for a hardworking young widow, and she will soon put it aside. When a black-clad stranger visits, speaking in riddles and asking questions about her long-vanished son, Alice will be drawn into an adventure straight out of one of her faerie stories.

As Stephen Long steps ashore in England one gray dawn in May 1581, he wonders how many more Catholics will have to die to make Queen Elizabeth feel secure. Involuntarily he trembles at the thought that soon he may be numbered among them.

The writing of sonnets was a craze among poets of the 1590s. The sonnet, an Italian form, was introduced into England by Thomas Wyatt (1503-1542), who modelled himself on Petrarch, and by Henry Howard, Earl of Surrey (1517-1547). It was Surrey who invented what is now known as the Shakespearean sonnet - three differently rhyming quatrains and a clinching couplet. This collection of Elizabethan sonnets and lyrics were recorded by Anthony Quayle.

Alexander “Sander” Cooke is the most celebrated “boy player” in the Chamberlain’s Men, William Shakespeare’s theatre company. Indeed, Sander’s androgynous beauty and deft portrayal of female roles have made him the toast of London, and his companionship is sought by noblewomen and -men alike. And yet, now at the height of his fame, he teeters on the cusp of adulthood, his future uncertain. Often, he wishes he could stop time and remain a boy forever.

The day Rodney Hawkhurst rides onto her father's grand estate, Lizbeth Gillingham is a wild eighteen-year-old, with tangled red hair, dirt on her apron, and an archer's bow in her hand. A chance encounter leads to a clandestine kiss, leaving the tomboy Lizbeth wondering if the life of a sophisticated lady could be so bad if she was on the arm of Rodney Hawkhurst... But Rodney has not come to see Sir Gillingham about Lizbeth. He has come to borrow money for a daring sea voyage, and to ask for the hand of Phillida, Lizbeth's elegant sister.

When Sir Francis Walsingham, spymaster to the Tudor Queen Elizabeth, learns of a Jesuit assassin landing on England's shores, he's determined to go to any lengths to protect his Protestant Queen. His protege, Kit Scarlett, discovers a letter revealing the name of the assassin—Gregorio Luca. Together with Scottish agent, Iomhar Blackwood, Walsingham sends them on a mission to track Luca down. It is clear Luca is only coming with one task in mind—to kill. But is his target the English queen?

These remarkable letters represent a wealth of as-yet-undiscovered knowledge about Shakespeare's relationships, personality, and career as he carved out his place in the chaotic world of 16th-century London. Whether you are a Shakespeare scholar, merely a fan, or even if you have never read any of his works, the stories of the The Lost Letters will enthrall you with their fascinating and true tale.

It is the early 1600s and the City of London sees Queen Elizabeth living out her dying days as Scottish King James waits in the wings to take to the throne. Meanwhile, in Southwark, along the south bank of the River Thames, Master Hardy Drew, Constable of the Bankside Watch, maintains law and order amongst the cut-throats and smugglers, in the taverns and brothels, as well as with the gentlefolk, who flock across the river to enjoy the latest plays by Shakespeare and Jonson.

To Each Their Own is a modern-writ comedy in the style of the Theatre of Elizabeth the First, written with a scholar's research and a modern Shakespearean actor's wit. It includes many of the elements we are used to seeing in Shakespeare (sassy servants, pompous Noblemen, love-at-first-sight, shipwrecks, magic, fights, sacrifice, and slapstick) and language that conveys much more than single emotions.