Elizabethan Historical Fiction

What happened to Dr. Jonathan Brandon, a dashing RAF flight surgeon, who disappeared from London in 1945? Kidnapping? Murder? Or did Brandon merely vanish of his own free will, seeking another life? American teacher Anne Howard is stunned by a different explanation - that her British grandmother's long-lost fiance was unwillingly wrenched back through time to Elizabethan England. Anne knows time travel is nonsense - until she is handed a fresh-cut thornless rose, a bloom extinct for over 400 years.

Best-selling author Alison Weir turns her masterly storytelling skills to the early life of young Elizabeth Tudor, who would grow up to become England's most intriguing and powerful queen. Sweeping in scope, The Lady Elizabeth is a fascinating portrayal of a woman far ahead of her time - whose dangerous and dramatic path to the throne shapes her future greatness.

Catherine Howard stumbles upon the tomb of her granddaughter, Anne Howard Brandon, who'd been swept back through time. Horrorstruck, she discovers Anne was murdered in the year 1562. She calls upon a time-traveling priest, Father Daniel, to rescue her precious granddaughter. But journeying back to the 16th century is a dangerous undertaking; the life and death risks sobering and real. Daniel calls upon the forces of heaven and earth - including a secret Vatican society of time travelers - to aid in this quest.

From the coral reefs of Barbados to the jungles and fabled cities of the Orinoco and on to the great sea battle with the Spanish Armada, this vibrant novel captures the daring spirit of Elizabethan adventurers who sailed with Sir Francis Drake.

The year is 1587. One of Queen Elizabeth's cousins is found murdered, her flesh marked with profane symbols. A plot to assassinate Sir Francis Drake, England's most famous sea warrior, is discovered. One man is charged with the desperate task of solving both cases: John Shakespeare.

Lady Penelope Rich is one of the most beautiful and sought-after women in Elizabethan England. The daughter of the Earl of Essex, she is married to the wealthy Baron Robert Rich. Penelope's life is full of love and scandal. The inspiration for Sir Philip Sidney’s sonnet "Astrophel and Stella", she is involved in the Essex Rebellion. A complex and fascinating woman, her life is a story of love, betrayal, and tragedy.

London in the time of Queen Elizabeth I is a bustling place, its streets crowded with vendors selling goods from all over the world. In the courtyard of St. Paul's Cathedral, Alice Wood competes with other booksellers, hawking pamphlets, plays, and the latest poetry from the continent. It is a lonely life for a hardworking young widow, and she will soon put it aside. When a black-clad stranger visits, speaking in riddles and asking questions about her long-vanished son, Alice will be drawn into an adventure straight out of one of her faerie stories.

The day Rodney Hawkhurst rides onto her father's grand estate, Lizbeth Gillingham is a wild eighteen-year-old, with tangled red hair, dirt on her apron, and an archer's bow in her hand. A chance encounter leads to a clandestine kiss, leaving the tomboy Lizbeth wondering if the life of a sophisticated lady could be so bad if she was on the arm of Rodney Hawkhurst... But Rodney has not come to see Sir Gillingham about Lizbeth. He has come to borrow money for a daring sea voyage, and to ask for the hand of Phillida, Lizbeth's elegant sister.

Beautiful Catrienne Lyly vowed to avenge herself on the powerful magistrate who had destroyed her noble family. Even if it meant that she must match wits with Nicholas D'Avenant, Queen Elizabeth's most mysterious agent. And even if his bold swordplay and seductive cunning drew her into a far deadlier game—and more dangerous passion. For Nicholas, the man Cat sought was his only link to the traitors who would bring England to war. And even as he found himself yielding to Cat’s fiery innocence, he moved to discover all her secrets—even if the price might be more than he’d ever dare lose.

Alexander “Sander” Cooke is the most celebrated “boy player” in the Chamberlain’s Men, William Shakespeare’s theatre company. Indeed, Sander’s androgynous beauty and deft portrayal of female roles have made him the toast of London, and his companionship is sought by noblewomen and -men alike. And yet, now at the height of his fame, he teeters on the cusp of adulthood, his future uncertain. Often, he wishes he could stop time and remain a boy forever.