English Crime

Caroline Overington's stunning fiction debut is a multi-voiced novel centred around a child's death and its terrible repercussions. In 1982 Victorian police were called to a home on a housing estate an hour west of Melbourne. There, they found a five-year-old boy lying still and silent on the carpet. There were no obvious signs of trauma, but the child, Jacob, died the next day. The story made the headlines, and hundreds attended the funeral. Few people were surprised when the boy's mother and her boyfriend went to prison for the crime.

One winter's night, a lone figure arrives on foot in a remote Pennine village. The next morning, as the first heavy snow begins to fall, a man's body is discovered in the village churchyard. Anne Tilston, one of three sisters living in a brooding run-down house in the shadow of the church, realises that the dead man is her father, a disgraced former senior police officer long estranged from his family.

Eric Ward thinks there is something odd about Arthur Egan’s life and death. But Ward is a former police inspector and trained to be suspicious. Egan left a large sum. But Ward makes no progress tracing the dead man’s offspring. A photograph of an unknown tombstone is his only clue. He discovers Egan served a term for manslaughter and that the evidence against him may have been planted. Why had he accepted his fate so meekly?

When a body is discovered floating in a Thames river lock one dreary morning, Superintendent Duncan Kincaid and Sergeant Gemma James are summoned from Scotland Yard to Chiltern Hills. The dead man is Connor Swann, son-in-law of two of London's most renowned opera personalities. And prints on the corpse's neck suggest that Swann was strangled.

A century after it first appeared, Crime and Punishment remains one of the most gripping psychological thrillers. A poverty-stricken young man, seeing his family making sacrifices for him, is faced with an opportunity to solve his financial problems with one simple but horrifying act: the murder of a pawnbroker. She is, he feels, just a parasite on society. But does the end justify the means? Rodion Romanovitch Raskolnikov makes his decision and then has to live with it.

A young woman's body is discovered on a deserted footpath. It seems like a simple crime for DCI Sophie Allen and her team to solve. But not when the victim's mother is found strangled the next morning. The case grows more complex as DCI Sophie Allen discovers that the victims had secret histories, involving violence and intimidation. There's an obvious suspect, but Detective Allen isn't convinced. Could someone else be lurking in the shadows, someone savagely violent, looking for warped revenge?

Necromancer is such an ugly word, but it's a title Eric Carter is stuck with. He sees ghosts, talks to the dead. He's turned it into a lucrative career, putting troublesome spirits to rest, sometimes taking on even more dangerous things. For a fee, of course. When he left LA 15 years ago, he thought he'd never go back. Too many bad memories. Too many people trying to kill him.

Just graduated from the police academy, Linda Wallander returns to Skane to join the police force, and she already shows all the hallmarks of her father - the maverick approach, the flaring temper. Before she even starts work she becomes embroiled in the case of her childhood friend, Anna, who has inexplicably disappeared.

The Kennedy name has long been synonymous with wealth, power, glamor, and—above all else—integrity. But this carefully constructed veneer hides a dark truth: the pattern of Kennedy men physically and psychologically abusing women and girls, leaving a trail of ruin and death in each generation’s wake. Through decades of scandal after scandal—from sexual assaults to reputational slander, suicides to manslaughter—the family and their defenders have kept the Kennedy brand intact.

A brutal crime. The ultimate cover-up. How do you solve a murder with no useable evidence? Private detective Nils Shapiro is focused on forgetting his ex-wife and keeping warm during another Minneapolis winter when a former colleague, neighboring Edina Police Detective Anders Ellegaard, calls with the impossible.

A drop, in spook parlance, is the passing on of secret information. It's also what happens just before you hit the ground. Old spooks carry the memory of tradecraft in their bones, and when Solomon Dortmund sees an envelope being passed from one pair of hands to another in a Marylebone cafe, he knows he's witnessed more than an innocent encounter. But in relaying his suspicions to John Bachelor, who babysits retired spies like Solly for MI5, he sets in motion a train of events that will alter lives.

In need of a good adventure, Delaney Nichols takes the leap and moves to Edinburgh, Scotland, to start a job at The Cracked Spine. She doesn't know much about what she's gotten herself into other than that the work sounds exciting and that her new boss, Edwin MacAlister, has given her the opportunity of a lifetime.

Gus Freeman is a retired detective inspector who has spent the past three years alone. Freeman’s wife, Tess, died from a brain aneurysm six months to the day after his retirement. He is still coming to terms with his enforced solitary existence. His old boss wants Gus to head up a Crime Review Team investigating cold cases. Old witness statements plus fresh clues, and the hunt would be on. But Freeman wonders whether his superiors need his old-style methods.

Dave Robicheaux felt the bone-grinding pain rip through his body as the .45 did its damage. Through the agonizing haze that enveloped him, he heard an almost inhuman laugh - the hideous, victorious cackling of Jimmie Lee Boggs - a sound he would never forget. It had started out as an ordinary prisoner transfer, then turned into a blood bath when the convicted murderer got hold of a gun.

Before leaving prison, having served 12 years, Harper Kane makes a promise - to find out what happened to an inmate’s missing teenage daughter. But first, she must secure a well-paid job and a place of her own to take back custody of her son. What she falls into is a frightening discovery of human trafficking. Forced to make an inconceivable decision, Harper will use everything she has learned inside to protect her family, even if that means resorting to murder.

A rousing tale of espionage and unsung valor, this is the captivating true story of Vera Atkins, Great Britain's spymistress from the age of 25. With her fierce intelligence, blunt manner, personal courage, and exceptional informants, Vera ran countless missions throughout the 1930s. After rising to the leadership echelon in the Special Operations Executive (SOE), a covert intelligence agency formed by Winston Churchill, she became head of a clandestine army in World War II.

Tara never imagined her introduction to Ireland like this - carrying her mam's ashes to honor her final request: "Tell Johnny I'm sorry.... Take me home." She's never met her mam's estranged brother, Johnny Meehan, who owns an architectural salvage business in Galway. Although Tara is immediately charmed by the medieval city, the locals seem wary of strangers, and a gypsy warns her that death is all around. When Tara arrives at her uncle's stone cottage, the prophesy seems true. A dead man lies sprawled over the threshold in a pool of blood.

This shadow always follows his Sunshine. Her life is a carefully crafted lie. For years, I only watch my Sunshine from the shadows; my loyalty to the Bellandis demands nothing less. When her husband is killed, the path is clear for me to step in and claim her for myself.

As acclaimed psychological researcher and author David Buss writes, "People are mesmerized by murder. It commands our attention like no other human phenomenon, and those touched by its ugly tendrils never forget." Though we may like to believe that murderers are pathological misfits and hardened criminals, the vast majority of murders are committed by people who, until the day they kill, would seem to be perfectly normal.

When a dispute among the fellows of St. Severin's College, Oxford University, reaches a stalemate, Lord Peter Wimsey discovers that as the Duke of Denver he is "the Visitor" - charged with the task of resolving the issue. It is time for Lord Peter and his detective novelist wife Harriet to revisit their beloved Oxford, where their long and literate courtship finally culminated in their engagement and marriage.