English Essay

“What's most compelling about a scientific story is the way it challenges us to think about the concepts we take for granted,” writes guest editor Carl Zimmer in his introduction. The essays in this year’s Best American Science and Nature Writing probe at the ordinary and urge us to think more deeply about our place in the world around us.

Jonathan Franzen's The Corrections was the best-loved and most-written-about novel of 2001. Nearly every in-depth review of it discussed what became known as "The Harper's Essay," Franzen's controversial 1996 investigation of the fate of the American novel. This essay is reprinted for the first time in How to be Alone, along with the personal essays and the dead-on reportage that earned Franzen a wide readership before the success of The Corrections.

Writing with the same mastery that has won him praise for his fiction, Richards takes us - even those unfamiliar with days spent in chilly waters - on an unforgettable journey to the famed Miramichi River. Casting new light on the mysterious and elegant world of fly fishing, it teems with lore and wisdom, humor, and most of all, passion.

Rachel Kushner has established herself as “the most vital and interesting American novelist working today” (The Millions) and as a master of the essay form. In The Hard Crowd, she gathers a selection of her writing from over the course of the last twenty years that addresses the most pressing political, artistic, and cultural issues of our times—and illuminates the themes and real-life experiences that inform her fiction.

To overcome a crisis of melancholy after the death of his father, Montaigne withdrew to his country estates and began to write, and in the highly original essays that resulted he discussed themes such as fathers and children, conscience and cowardice, coaches and cannibals, and, above all, himself.

In We Learn Nothing, satirical cartoonist Tim Kreider turns his funny, brutally honest eye to the dark truths of the human condition, asking big questions about human-sized problems: What if you survive a brush with death and it doesn't change you? Why do we fall in love with people we don't even like? How do you react when someone you've known for years unexpectedly changes genders?

By turns charmingly witty and achingly vulnerable, the essays in Does This Make Me Funny? introduce us to Zosia Mamet in all her glory—from her early days growing up in literary and dramatic circles, to her years as a young adult pining for acceptance and love, to her first attempts to make it as an actor, to where she (and Shosh) are now. A gripping, funny, and earnest look at what it means to be a girl in the world and how to define yourself amid the bustle of show business, Does This Make Me Funny? is a captivating debut from a natural-born storyteller.

In 2021, Australia saw rage and revelation as #MeToo powered an insurgency against sexism and sexual violence. From once isolated survivors to political staffers, women everywhere were refusing to keep men’s secrets. In this electrifying essay, Jess Hill traces the conditions that gave birth to #MeToo and tells the stories of women who – often at great personal cost – found themselves at the centre of this movement. Hill exposes the networks of backlash against them – in government, media, schools and in our national psyche.

Funny, thought provoking, and always entertaining, personal essayist Marion Winik is known for decades of storytelling on NPR and the stunning memoir First Comes Love. Memory and identity are the focus of this new collection, Guesswork, drawn from a column that has won "Best of Baltimore" from Baltimore magazine several years running.

Are you a sensible, universally competent individual? Are you tired of the crushing monotony of leaping gracefully from one lily pad of success to the next? Are you sick of doing everything right? In this brutally honest and humorous debut, musician and artist George Watsky chronicles the small triumphs over humiliation that make life bearable and how he has come to accept defeat as necessary to personal progress. The essays in How to Ruin Everything range from the absurd (how he became an international ivory smuggler) to the comical, to the revelatory.

“I had to go out into the world and see it and hear it and react to it, before I knew at all who I was, what I was, what I wanted to be.” So begins Upstream, a collection of essays in which revered poet Mary Oliver reflects on her willingness to lose herself within the beauty and mysteries of the natural world and the world of literature. Emphasizing the significance of her childhood “friend” Walt Whitman, who inspired her to vanish into the world of her own writing, Oliver meditates on the forces that allowed her to create a life for herself out of work and love.

Edgar-award winning author Dana Stabenow is best known for her Kate Shugak novels, but the unifying protagonist of almost all her writing - be it crime, fantasy, horror, or science fiction - is Alaska. This genre-spanning collection of 16 short stories features familiar characters like Kate and Jim, Liam and Wy, and Bill and Moses, but also ranges farther afield than many listeners will expect.

Like so many women, Sophia spent her formative years struggling to do the “right” thing - to make others comfortable, to take minimal and calculated risks, to live up to society’s expectations - only to realize that there was so little payoff to this tiresome balancing act. Tired of trying so hard, Sophia finally let go of the crushing pressure to be perfect.

What is the truth about Mercury retrograde? Are you doomed if you have a planet “in detriment"? Why did Vincent Van Gogh’s chart still work long after he was dead and gone? Steven writes, “I picture this book like an astrology friend.... Maybe you get together for coffee every few months and talk about charts.” As you listen, magic happens: You find yourself escaping the pigeon-holing attitudes of conventional astrology, replacing them with the fresh air of freedom, choice, and imagination.

Walter Benjamin was an icon of criticism, renowned for his insight on art, literature, and philosophy. This volume includes his views on Kafka, with whom he felt a close personal affinity; his studies on Baudelaire and Proust; and his essays on Leskov and Brecht’s epic theater. Illuminations also includes his penetrating study “The Work of Art in the Age of Mechanical Reproduction”, an enlightening discussion of translation as a literary mode, and his theses on the philosophy of history.

Amber A’Lee Frost came to New York City as a working class activist in a punk band, arriving just before the start of Occupy Wall Street—the first major event in decades for a socialist movement that was nearly extinct at the turn of the century. She's been at the vanguard of radical politics ever since. Dirtbag is a much-anticipated debut from one of the greatest emerging writers in modern socialism. This memoir is more than Frost’s story; it is also the story of the only movement that has a chance to reshape our world.

After Andrea Dworkin, the famous feminist philosopher and activist, passed away, her chief critic, Susie Bright, who many perceived as Dworkin's opposite, published a stirring obituary and series of essays in which she described the ways that Dworkin was a catalyst for the sex-positive movement in contemporary feminism.

Edgar Allan Poe was a writer, poet, editor and literary critic. Poe is best known for his poetry and short stories, particularly his tales of mystery and the macabre, and is widely regarded as a central figure of Romanticism in the United States and of American literature. Poe was one of the country's earliest practitioners of the short story and considered to be the inventor of the detective fiction genre, as well as a significant contributor to the emerging genre of science fiction.

Presenting the essential writings of black lesbian poet and feminist writer Audre Lorde, Sister Outsider celebrates an influential voice in 20th-century literature. In this charged collection of 15 essays and speeches, Lorde takes on sexism, racism, ageism, homophobia, and class and propounds social difference as a vehicle for action and change. Her prose is incisive, unflinching, and lyrical, reflecting struggle but ultimately offering messages of hope.

Arguably the most celebrated and revered writer of our time now gives us a new nonfiction collection - a rich gathering of her essays, speeches, and meditations on society, culture, and art, spanning four decades.