English Gothic

There is another school for children who fall through doors and fall back out again. It isn't as friendly as Eleanor West's Home for Wayward Children. And it isn't as safe. When Eleanor West decided to open her school, her sanctuary, her "Home for Wayward Children", she knew from the beginning that there would be children she couldn’t save; when Cora decides she needs a different direction, a different fate, a different prophecy, Miss West reluctantly agrees to transfer her to the other school.

If it was still beating. Angus MacKay has been undead for almost 500 years and it's not often something, or someone, surprises him. Until Emma Wallace. The sight of this luscious agent from the CIA's elite Stake-Out team was enough to stop Angus in his tracks. But then he discovers that she's a vampire slayer, intent on killing the "monsters" who killed her parents. And it's Angus's job to stop her.

In the tradition of Shirley Jackson’s We Have Always Lived in the Castle, a darkly humorous modern classic of Scottish literature about a doomed adolescent growing up in the mid-19th century—featuring a new introduction by Maggie O’Farrell, award-winning author of Hamnet.

Nic is so much more than The Devil. The night of the auction changes everything. I thought I knew who he was and what was going to happen next. I had no idea how wrong I was.

In 1933, nine-year-old Stella is left in the care of her grandmother, Motty, in the backwoods of Tennessee. The mountains are home to dangerous secrets, and soon after she arrives, Stella wanders into a dark cavern where she encounters the family's personal god, an entity known as the Ghostdaddy. Years later, after a tragic incident that caused her to flee, Stella - now a professional bootlegger - returns for Motty's funeral, and to check on the mysterious 10-year-old girl named Sunny that Motty adopted.

Yewon dreams of a hotel. In the hotel, there are infinite keys to infinite rooms—and a quiet terror she is desperate to escape. When Yewon wakes, she sees her life: a young woman, trapped in the tiny South Korean village of her birth, watching her mother wash the bones of their ancestors in their decrepit bathtub. Every house has them, these rotting and fragmented bones, reminders of what they have all lost to a war that never seems to end.

It is autumn 1981 when inconceivable horror comes to Blackeberg, a suburb in Sweden. The body of a teenager is found, emptied of blood, the murder rumored to be part of a ritual killing. Twelve-year-old Oskar is personally hoping that revenge has come at long last—revenge for the bullying he endures at school, day after day. But the murder is not the most important thing on his mind. A new girl has moved in next door—a girl who has never seen a Rubik's Cube before, but who can solve it at once. There is something wrong with her, though, something odd. And she only comes out at night.

Stephen Norman is to inherit her father’s vast fortune and estate. She seeks to ask Leonard Everard (a wastrel) to marry her, but only to prove that she can ask a man to marry her and defy 19th-century convention which says a man can only ask a woman to marry. This sets into motion a showdown between two old rivals for her hand in marriage, as Harold An Wolf (a gentleman) is in love with her.

Death courts Astasiya Davenport at every turn. Dark fates lurk in the shadows of the night. And a prophecy looms unbidden on the horizon. With her future in shambles, she leans on Issac Wakefield for his love and support. They crave just one more moment together, one more night, until a massacre destroys everything in their path. Will their relationship perish in the embers of destruction, or will love persevere? Kingdoms will fall. New powers will emerge. And a Seraphim will rise from the ashes of despair.

Critically acclaimed audiobook reader Barnaby Edwards (Doctor Who, The Voyage of the Beagle, Space Danger) performs 11 tales of ghostly gothic spookiness. From tales of vampyres and spirits to devil’s deals and ethereal coachmen. Short but oh so sweet, these 11 stories from some of the most lauded authors of the Gothic period prove that you need only a few pages to tell a truly terrifying tale.

In Victorian London, where traveling sideshows are the very pinnacle of entertainment, there is no more coveted ticket than Ashe and Pretorius' Carnivale of Curiosities. Each performance is a limited engagement, and London's elite boldly dare the dangerous streets of Southwark to witness the Carnivale's astounding assemblage of marvels. For a select few, however, the real show begins behind the curtain. Rumors abound that the show’s proprietor, Aurelius Ashe, is more than an average magician. It's said that for the right price, he can make any wish come true.

Pru Dunning has everything she ever wanted: a successful boyfriend, a thriving nursing career, and a truly comfortable life. But then the strange voicemails start. Scarletta, the woman calls herself. She seems to know Pru, although Pru certainly doesn't know that name, nor does she recognize the glamorous voice leaving her poisonous messages. Pru begins to carefully investigate. But when she suddenly becomes a person of interest in a murder case, it feels like Scarletta’s toxic voice, lashing out from the shadows, will silence all beauty in Pru’s perfect life, once and for all.

Dahlia Abernathy has only known revenge. When her parents were killed at an early age by vampires, Dahlia spent the rest of her life under the thumb of the Witch's Guild being trained to kill them. Her latest mission sends her undercover to a prestigious music academy in Venice, Italy. Her goal? To kill Professor Valtu Aminoff, her teacher and the notorious vampire who inspired Bram Stoker's Dracula. But getting close to a dangerous vampire like Professor Aminoff is one thing. Falling for him is another.

Late one winter afternoon in upstate New York, George Clare comes home to find his wife killed and their three-year-old daughter alone—for how many hours?—in her room across the hall. He had recently, begrudgingly, taken a position at a nearby private college (far too expensive for local kids to attend) teaching art history, and moved his family into a tight-knit, impoverished town that has lately been discovered by wealthy outsiders in search of a rural idyll.

Seventeen-year-old Lorelei Patio is the adopted daughter of 200-year-old vampire Sergio Patio. She never realized why her family has had to move so often or why she is not permitted to get too friendly with other young people. In fact, except for one shocking moment that seemed more like a dream, Lorelei never fully realized who and what her father was nor what her sisters were brought up to do for him. But one day, that all changed.

In Frankenstein, a classic tale of bio-engineering gone horribly wrong, Victor Frankenstein uses body parts of the dead to bring a creature to life. When Frankenstein abandons his experiment in horror, the Monster embarks on a quest that results in the ultimate revenge. In Dracula, a timeless gothic vampire romance, young solicitor Jonathan Harker must shield his fiancé, Mina, from the predations of the insatiable Count Dracula. Mysteriously drawn to the Count, Mina, however, struggles to break free from the psychic grip of the mysterious dark stranger from Transylvania.

After Miller's father dies, she agrees to a girls' vacation away from the city to reconnect with the only family she has left. Although she’s eager to make things work, Miller can’t help but worry that her mother is seeing their countryside retreat as a fun weekend getaway instead of what it really is: a last-ditch effort to repair their relationship.

Portrait of the Medical Student as a Young Body Snatcher. Yet I must insist that in the end, this is not a story about Death. It is perhaps a Life story, or even—yes—a Love story. It is the story of how I clawed my way from the decay of a crumbling legacy into the modern era of Reason and Science. It is the story of how I escaped the prison of archaic superstition to the freedom of enlightenment. It is the story of how a rose can blossom from even the bloodiest soil, of how light can grow from shadow, how love can grow from despair.

Something is wrong with Valerie Darkmore. She may have made it through her initiation into the Marionettes, but she’s quickly learning that was only the beginning. Everything she used to know has changed, including maybe herself. She can’t count on her partnership with a dangerous vampire prince to be enough to save her.

They call me a playboy. Society’s pretty pet. What they don’t know is I’m so much more. My only directive was to keep her hidden, and safe. After everything she’s been through I’m the last person to offer comfort and care. I have little experience with either. Both of us have been broken by our pasts. But mine is catching up to me, and I would deal with it as I usually do: with total decimation. But that puts her in the crosshairs, and that’s unacceptable.