English Gothic

Onboard the Anna, Amanda suspects that something fishy is going on. But when her investigation of the peculiar all-female Russian crew fails to uncover anything other than more speculation, she decides it's time to stop playing detective and face her real problem - a man she shouldn't want but can't live without.

Orphaned at an early age, Philip Ashley is raised by his benevolent cousin, Ambrose. Resolutely single, Ambrose delights in making Philip his heir, knowing he will treasure his beautiful Cornish estate. But Philip's world is shattered when Ambrose sets off on a trip to Florence. There he falls in love and marries. Then he suddenly dies in suspicious circumstances.

Critically acclaimed audiobook reader Barnaby Edwards (Doctor Who, The Voyage of the Beagle, Space Danger) performs 11 tales of ghostly gothic spookiness. From tales of vampyres and spirits to devil’s deals and ethereal coachmen. Short but oh so sweet, these 11 stories from some of the most lauded authors of the Gothic period prove that you need only a few pages to tell a truly terrifying tale.

In the tradition of Shirley Jackson’s We Have Always Lived in the Castle, a darkly humorous modern classic of Scottish literature about a doomed adolescent growing up in the mid-19th century—featuring a new introduction by Maggie O’Farrell, award-winning author of Hamnet.

For centuries, the mysterious dark-robed figure has roamed the globe, searching for those whose complicity and cowardice have fed into the rapids of history’s darkest waters - and now it is heading in our direction.It has been years since Helen Franklin left England. In Prague, working as a translator, she has found a home of sorts - or, at least, refuge. That changes when her friend Karel discovers a mysterious letter in the library, a strange confession and a curious warning that speaks of Melmoth the Witness, a dark legend found in obscure fairy tales and antique village lore.

Seven months ago, Ollie surrendered to the darkness, abandoning me in the process. He stripped me of my walls, only to leave me defenseless. Now he's back, along with fresh new faces and obstacles standing in our way. He says to trust no one. Not even him. How am I supposed to be strong for us both when I'm losing my grip?

I have 36 hours to live. Thirty-six hours to find a solution. Thirty-six hours to kill them all. My friends. My family. My subjects. It's a cruel fate, one my maker subjected me to over a century ago when she placed me in this hell. I learned then that freedom is a falsehood. Escape doesn't exist. I'm a ticking time bomb, slated to erupt.

Nellie Gardner is looking for a way out of an abusive marriage when she learns that her long-lost grandfather, August Redfern, has willed her his turpentine estate. She throws everything she can think of in a bag and flees to Georgia with her eleven-year-old son, Max, in tow. It turns out that the "estate" is a decrepit farmhouse on a thousand acres of old (rotting) pine forest, but Nellie is thrilled about the chance for a fresh start for her and Max. So it takes her a while to notice the strange scratching in the walls, the faint whispering at night, how the forest is eerily quiet.

H.P. Lovecraft, Edgar Allan Poe, and M.R. James: The Ultimate Collection is a fully indexed collection containing over 75 stories and poems from the three most beloved horror and ghost writers in modern literature. Read by three Audie-winning narrators.

The Academia, once an elite proving ground for the rulers of the world, has been frozen for centuries. Now its strange slumber has ended, and a new Chancellor, an orange-eyed dragon, has reopened its lecture halls and readied its dorms. In order to thrive once more, however, the Academia needs fresh blood—new students with a passion and talent for learning.

Plagued by nightmares of torture and intense violence, a writer suffering from trauma-induced memory loss seeks to solve the mystery of his missing past. The only clue is a single page of an unfinished manuscript found in an old manual typewriter, in a fleabag motel, in a small West Virginian town called Luntville. It is here that the writer will seek answers, believing that if he finishes the book he was writing, his memories will return.

The sleepy little farm that Laurel Early grew up on has awakened. The woods are shifting, the soil is dead under her hands, and her bone pile just stood up and walked away. After dropping out of college, all she wanted was to resume her life as a tobacco hand and taxidermist and try not to think about the boy she can’t help but love. Instead, a devil from her past has returned to court her, as he did her late mother years earlier. Now, Laurel must unravel her mother’s legacy and tap into her own innate magic before her future and the fate of everyone she loves is doomed.

Lucia and her sisters grew up on the edge of Mockbeggar Woods. They knew it well—its danger, but also its beauty. As a lonely teenager, Kate was drawn to these sisters, who were unlike anyone she’d ever met. But when they brought her into the woods, something dark was awakened, and Kate has never been able to escape the terrible truth of what happened there. Now, Kate is returning home for the first time in years—for Sam and Chloe’s wedding. But the woods are stirring again, and Kate must reconnect with Lucia, her first love, to protect Chloe, the village, and herself.

My name is Ace Bissett, and I’m a paranormal detective who doesn’t believe in magic. Or at least, I didn’t before I met them. The day I inherited my aunt’s old house, everything changed. One moment, I was convinced that magic was a hoax. The next, I’m surrounded by four winged, fanged, ridiculously hot guys who are definitely not human, and who insist that I'm the only one who can break the curse that binds them to the night.

Written in 1786, this Asian fantasy tells the story of a dissolute and debauched Caliph, Vathek. Having become obsessed with power and immortality, Vathek embarks on a journey to obtain supernatural powers, in pursuit of which he proves willing to renounce his religion and sacrifice both his children and his soul. We follow Vathek’s remarkable travels to the subterranean palace of Eblis, where his ultimate fate awaits him. Among the themes explored in Vathek are ambition, desire and the consequence of unbridled power

When the castle she works in is sacked by the army of Prince Edward of England, kitchen maid Agnes Fitzgerald manages to escape north of Inverness to throw herself at the mercy of the Lord and Lady at Ravenscraig Castle. Although safe for now, the people of Scotland are fighting hard for their independence, and the threat of the English hangs heavy over the land. But when Agnes spies Cam Buchanan swimming in the loch, her mind turns away from war and towards love. Agnes even dares to dream of a happy future, until she learns that Cam must go and fight alongside Robert de Brus.

Wieland (1798) is an early American novel set in 1760s Pennsylvania. Based on a real case of a New York farmer who murdered his family, the story is imbued with suspense and intrigue, adopting Gothic devices such as ventriloquism and spontaneous combustion. The satanic interloper Carwin exercises his power over the narrator, Clara Wieland, wreaking havoc over the Wieland family with disastrous consequences. A central theme in the novel is the issue of the values that formed the basis of a new democratic and republican America.

When Violeta Graceling and her younger brother, Arien, arrive at the haunted Lakesedge estate, they expect to find a monster. Leta knows the terrifying rumors about Rowan Sylvanan, who drowned his entire family when he was a boy. But neither the estate nor the monster are what they seem. As Leta falls for Rowan, she discovers he is bound to the Lord Under, the sinister death god lurking in the black waters of the lake.

The Castle of Otranto is regarded as the first Gothic novel. The son of Manfred, Prince of Otranto, is mysteriously killed on his wedding day by a huge helmet. The event leads to a fast-paced story of jealous passion, intrigue, murder and supernatural phenomena unfolding in an atmosphere of thunderclaps, moonlight, and dark castle walls mirroring the inner turmoil of the characters themselves.

Once upon a time Orla was: a woman, a painter, a lover. Now she is a mother and a wife, and when her husband Nick suggests that their city apartment has grown too small for their lives, she agrees, in part because she does agree, and in part because she is too tired to think about what she really does want. She agrees again when Nick announces with pride that he has found an antiquated Georgian house on the Dorset cliffs—a good house for children, he says, tons of space and gorgeous grounds. But as the family settles into the mansion—Orla finds herself unsettled.