English Gothic

It’s 1852 and Margaret Lennox, a young widow, attempts to escape the shadows of her past by taking a position as governess to an only child, Louis, at an isolated country house in the west of England. But Margaret soon starts to feel that something isn’t quite right. There are strange figures in the dark, tensions between servants, and an abandoned east wing. Even stranger is the local gossip surrounding Mrs. Eversham, Louis’s widowed mother, who is deeply distrusted in the village.

Lifelong New Yorker Ronnie Khan never thought she’d leave Queens. She’s not an “aim high, dream big” person - until she meets socialite wellness guru Marley Dewhurst. Marley isn’t just a visionary; she’s a revelation. Seduced by the fever dream of finding her best self, Ronnie makes for the desert mountains of Sedona, Arizona. Healing yoga, transcendent hikes, epic juice cleanses...Ronnie consumes her new bougie existence like a fine wine. But is it, really? Or is this whole self-care business a little sour?

2008. The house Maxine and Seb have just bought was a bargain – a huge Georgian townhouse on the edge of Peckham Rye, it needs a lot of work but Max couldn’t resist it. Now they are in, though, nothing seems to be going right – and as the problems mount up, Max starts to doubt her relationship as well as her decision. Is Seb all he seems to be? And why are the neighbours so evasive about the house’s previous owner?

There is another school for children who fall through doors and fall back out again. It isn't as friendly as Eleanor West's Home for Wayward Children. And it isn't as safe. When Eleanor West decided to open her school, her sanctuary, her "Home for Wayward Children", she knew from the beginning that there would be children she couldn’t save; when Cora decides she needs a different direction, a different fate, a different prophecy, Miss West reluctantly agrees to transfer her to the other school.

The Castle of Otranto is regarded as the first Gothic novel. The son of Manfred, Prince of Otranto, is mysteriously killed on his wedding day by a huge helmet. The event leads to a fast-paced story of jealous passion, intrigue, murder and supernatural phenomena unfolding in an atmosphere of thunderclaps, moonlight, and dark castle walls mirroring the inner turmoil of the characters themselves.

When Elisabeth Quemener dies she leaves a small parcel with the instructions that it must only be opened by Astrid Oake. The trouble is, no one knows who Astrid Oake is… Elisabeth’s family turn to Touissants detective agency for help but, when Mila Shepherd and Carter Jackson try to track Astrid down, their frustration soon mounts. Their only clue is a photo of two young women holding the hands of a tiny child. The women are smiling but Mila is haunted by the sadness in their eyes. Is this Astrid and Elisabeth and if so, who is the child?

I’m ordered to execute her.... I never expected to see her again. We shared one wild night several years ago. She had no idea that I work for the mafia. I’m a savage, ruthless killer, but she’s innocent. She saves lives. I take them. She’s a pediatric oncology nurse. Could she be any more of a saint? She entered the wrong hotel room. There can’t be any witnesses. My boss wants her dead. Her life is in my hands. I intend to make her my wife to protect her. She’ll hate me, but at least I can keep her safe.

When Maddy Wight is hired to ghostwrite the memoir of world-renowned cosmetic surgeon Dr. Angela Reynolds, she thinks it might just be her chance to get her career back on track. She travels to Angela’s remote estate in the Scottish Highlands to hunker down and learn everything she can. But the deeper she digs, the more elusive the doctor becomes. Is there more hidden beneath the surface of the kaleidoscopic beauty industry than Angela wants to reveal? Sharing the estate is Angela’s business partner, Scott, whose mercurial moods change as quickly as the conditions on the darkening moors.

Convention-flouting Nora Harris is a determined young medical student in Gilded Age Manhattan. A surgeon’s daughter, she always leads with her head—until her father’s latest protégé, Euan Colquhoun, steals her heart. Love and logic bind the newly betrothed couple together, but a tragic accident cuts their bright future short. Grief-stricken, Nora finds surprising comfort in corresponding with Euan’s older brother, Malcolm. She decides to forsake her ambitions to retreat to the Colquhoun family farm deep in the tangled woods of upstate New York.

The Ultimate Gothic Horror Collection is a fully indexed collection of classic gothic stories, read by four Audie-winning narrators. Included here are stories by Mary Shelley, Bram Stoker, Robert Louis Stevenson, Sheridan Le Fanu, Oscar Wilde and Edgar Allan Poe.

Three Gothic Novels is a compelling collection that brings together three quintessential works of Gothic literature: Mary Shelley's Frankenstein, Joseph Sheridan Le Fanu's Carmilla, and Bram Stoker's Dracula. Each novel delves into the macabre and the supernatural, exploring themes of fear, horror, and the unknown, while also probing deeper questions about humanity, morality, and the boundaries of science and nature. In Frankenstein, Mary Shelley tells the haunting tale of Victor Frankenstein, a young scientist who defies natural laws to create life, only to be horrified by the monstrous being he brings into existence.

Merrick Darling’s life as daughter of the Manor Lord of Sussex is better than most. Unlike the commoners, she is immune to the toxic fog that encroached on England generations earlier. She will never become a Phantom—one of the monstrous creatures that stalk her province’s borders—and as long as the fires burn to hold them back, her safety is ensured. She wants for nothing, yet she will never inherit her family’s Manor. She must marry smartly or live at the kindness of her elder sister, Essie. Everything is turned on its head, though, when Merrick’s father dies suddenly.

When David stumbles upon a tragic young woman in a sordid Limehouse pub, he has no idea she’d recognize him as the last vampyre alive, nor that she’d be the one to pull out his story. Yet as he recalls his life from the sweltering vineyards of ancient Rome to the cold horrors of medieval Romania—as well as his tumultuous past with the mad and mysterious Lucius—he realizes she is much more than what she seems. Gothic horror and mythological fantasy blend seamlessly together in this thrilling adventure, breathing new life into vampire lore as it reveals its true origins.

When Andrew is forced to retire from active duty, he believes that all he has to look forward to is a boring desk job. His glory days in special ops are over. But as it turns out, his thrill ride has just begun. Andrew discovers not only that immortals exist and have been manipulating global affairs since antiquity, but that he and his sister are rare possessors of the immortal genes. Problem is, Andrew might be too old to attempt the activation process. But fate may force his hand.

Idyllic Avril Island, owned by the Bennett family, is where their hundred-year-old cottage sat nestled in acres of forest. Forty-year-old June Bennett believed that the island had been sold after the summer of her father's disappearance when she was only 12 years old. It's months after the shocking death of her older sister, May, in a fatal car accident that June finds out that the cottage was never sold. Avril Island is still owned by the Bennett family, and now it's hers. Still reeling from the grief of losing her sister, June travels back to Avril Island in search of answers.

In this enthralling vampire novel, V.C. Andrews returns to the story of a beautiful girl desperate to escape her secret family legacy - bred to be a lure for unwitting victims of her father's blood appetites. Determined to break free and embrace a life outside the shadows, Lorelei runs away from the only world she's ever known. In a quiet rooming house, she finds refuge among the tenants of elderly Mrs. Winston, and the beginnings of a new love with Liam, her landlady's handsome grandnephew. But Lorelei soon discovers that burying her past is not so easy.

On December 19th, 1851, a crime took place in the center of London. One of the few who knows what truly happened is Countess Alina Bronskaya. But she will never speak of it. The crime is her curse and her salvation.

Plagued by nightmares of torture and intense violence, a writer suffering from trauma-induced memory loss seeks to solve the mystery of his missing past. The only clue is a single page of an unfinished manuscript found in an old manual typewriter, in a fleabag motel, in a small West Virginian town called Luntville. It is here that the writer will seek answers, believing that if he finishes the book he was writing, his memories will return.

Despite being born an Omega, I refused to spend my life in a facility, waiting for a suitable Alpha to claim me as his. Instead, with the help of my family, I broke the law, hiding among the Betas, trying to live a normal life. I enjoyed five years of freedom...then they caught me. Now I’ve been chosen by Arius, the second most powerful Alpha in Sandor. The moment my scent reached him, overcome by the rut, he had to take me. As his mate, I can have anything my heart desires—anything he has the power to give. The only thing I don’t have is a choice.

Nineteen thirty-four, London. Into the decaying cul-de-sac of Bleeding Heart Square steps aristocratic Lydia Langstone fleeing an abusive marriage. However, unknown to Lydia, a dark mystery haunts Bleeding Heart Square. What happened to Miss Penhow, the middle-aged spinster who owns the house and who vanished four years earlier? Why is a seedy plain-clothes policeman obsessively watching the square? What is making struggling journalist Rory Wentwood so desperate to contact Miss Penhow?