English Gothic

Emmie Wilcox was only six when her sister, Roxy, was thrown out of their New York City apartment. Their stern father's military style left no room for rebellion, and Roxy was continually defiant and rebellious. Emmie is obedient, respectful. Two sisters, total opposites - yet Emmie is secretly obsessed with the mystery and imposed silence surrounding Roxy. She wants excitement, and being a good girl all the time is harder than it seems. Finally, Emmie goes behind her father's back to track down and spy on the sister she can't help but be fascinated with.

1589. Scottish housemaid Geillis and Danish courtier Margareta lead opposite lives, but they both know one thing: when a man cries “witch”, no woman is safe. Yet when the marriage of King James VI and Princess Anna of Denmark brings Geillis and Margareta together, everything they supposed about good, evil, men, and women, is cast in a strange and brilliant new light. For the first time in history, could black magic – or rumours of it – be a very real tool for women’s political gain?

They call me mad, but I don’t see anything wrong with using science to create the perfect monster girl. They call me insane, but I just want to live my life with a harem of beautiful cat-girls, bear-girls, fox-girls, snake-girls, and...well, pretty much any type of monster girl. They call me a megalomaniac, but why wouldn’t any red blooded man want to make cute babies with all these beautiful monster girls? They call me evil, but they just don’t realize that I’d destroy anyone who tries to harm my monster girls.

Vern - seven months pregnant and desperate to escape the strict religious compound where she was raised - flees for the shelter of the woods. There, she gives birth to twins, and plans to raise them far from the influence of the outside world. But even in the forest, Vern is a hunted woman. Forced to fight back against the community that refuses to let her go, she unleashes incredible brutality far beyond what a person should be capable of, her body wracked by inexplicable and uncanny changes.

To the world Mrs Copplefield is the epitome of Victorian propriety: an exemplary society lady who writes a weekly column advising young ladies on how to be better wives. Only Adeline has never been a good wife or mother; she has no claim to the Copplefield name, nor is she an English lady. Now a black woman, born in Africa, who dared to pretend to be something she was not, is on trial in the English courts with all of London society baying for her blood. And she is ready to tell her story.

Seraphine Mayes and her twin brother, Danny, were born in the middle of summer at their family's estate on the Norfolk coast. Within hours of their birth, their mother threw herself from the cliffs, the au pair fled, and the village thrilled with whispers of dark cloaks, changelings, and the aloof couple who drew a young nanny into their inner circle.

One of the greatest horror stories ever written, Frankenstein comes to spellbinding life once again in this tour-de-force performance by the acclaimed director and star of Henry V, Dead Again, and Much Ado About Nothing. The definitive recording of one of the most haunting tales of all time, Kenneth Branagh's performance of Frankenstein is a true audio classic.

Jutting from sparkling turquoise waters off the Italian coast, Isle Isola is an idyllic setting for a wedding. In the majestic cliff-top villa owned by the wealthy Compton family, up-and-coming artist Claire Hunter will marry handsome, charming Jack Compton, surrounded by close family, intimate friends…and a host of dark secrets.

Late one winter afternoon in upstate New York, George Clare comes home to find his wife killed and their three-year-old daughter alone—for how many hours?—in her room across the hall. He had recently, begrudgingly, taken a position at a nearby private college (far too expensive for local kids to attend) teaching art history, and moved his family into a tight-knit, impoverished town that has lately been discovered by wealthy outsiders in search of a rural idyll.

Thea Knight loves a spot of mischief. She especially loves her current mischief: masquerading as her sister, while finalizing her scheme to expose the dastardly knaves whose lies ruined her life. Then big, bad-tempered Lord Luxborough upends her game by maneuvering her into marriage. But it's her sister’s name on the license, so the marriage won’t be valid. Thea’s idea? Keep pretending to be her sister until she can run away.

From the outside, criminal psychiatrist Dr. Madeline Pine’s life appears picture-perfect—she has a beautiful family, a successful mental health practice and a growing reputation as an expert in female violence. But when she's called to help investigate a mysterious death at a boarding school for troubled girls, Madeline hesitates. She’s been through tragic cases before, and the one she was entangled in last year nearly destroyed her… Yet she can’t turn away when she hears about Charley Ridley.

Lady Phoebe Batten is pretty, vivacious, and yearning for a social life befitting the sister of a powerful duke. But because she is almost completely blind, her overprotective brother insists that she have an armed bodyguard by her side at all times—the very irritating Captain Trevillion.

It’s an offer Grace Logan can’t refuse: ghostwrite the memoir of Claudia Blackwood, a successful novelist once accused of a ghastly triple murder. Did she really do it? In self-imposed exile in her island mansion, the frail Claudia is finally bringing her notorious past to a close. But for Grace, the end of Claudia’s story may be more than a sinister reveal…

In the aftermath of a family tragedy, an aspiring author is torn between love for her childhood friend and the temptation of a mysterious outsider. Trying to escape the ghosts of her past, she is swept away to a house that breathes, bleeds...and remembers.

In the realm of the Dark-Hunters there is a code of honor that even immortal bad boys must follow: Harm no human. Drink no blood. Never fall in love. But every now and again a Dark-Hunter thinks himself above the Code. That's when I'm summoned. Who am I? I'm the one thing the fearless fear. Step over the line and it's my wrath you will face. Nothing can touch me. Nothing can sway me. I am relentless and unfeeling. Or so I thought until I met a female Dark-Hunter who goes by the name of Danger—it's not just her name, it's how she lives her life.

Phee St. Margaret is a daughter of the Reconstruction, born to a family of free Black business owners in New Charleston. Coddled to within an inch of her life by a mother who refuses to let her daughter live a life other than the one she dictates, Phee yearns to demonstrate she's capable of more than simply marrying well. When word arrives that her Aunt Cleo, long estranged from the family, has passed away, Phee risks her mother's wrath to step up and accept the role of pomp―the highly honored duty of planning the funeral service.

After the publication of her short story “The Lottery” in the New Yorker in 1948 received an unprecedented amount of attention, Shirley Jackson was quickly established as a master horror storyteller. This collection of classic and newly reprinted stories provides listeners with more of her unsettling, dark tales, including the “The Possibility of Evil” and “The Summer People”.

Eric Ross is on the run from a mysterious past with his two daughters in tow. Having left his wife, his house, his whole life behind in Maryland, he's desperate for money—it's not easy to find steady, safe work when you can't provide references, you can't stay in one place for long, and you're paranoid that your past is creeping back up on you.

"If you dare leave me for another - if you ever look at another man - if you ever let anyone else touch you...I’ll not let him live, Beauty. I won’t stop until I’ve ground his face into the dirt, until I’ve pulled out his eyes for looking at you, broken his mouth for daring to speak to you, until I’ve pulled out his guts, and," I glare at her, "smeared his blood on the ground." Her breath hitches and her pupils dilate. My thirst for violence seems to fulfill a need deep inside of her - one she doesn’t bother to hide from me, either.

Yewon dreams of a hotel. In the hotel, there are infinite keys to infinite rooms—and a quiet terror she is desperate to escape. When Yewon wakes, she sees her life: a young woman, trapped in the tiny South Korean village of her birth, watching her mother wash the bones of their ancestors in their decrepit bathtub. Every house has them, these rotting and fragmented bones, reminders of what they have all lost to a war that never seems to end.