English Gothic

Thorne Manor has always been haunted...and it has always haunted Bronwyn Dale. As a young girl, Bronwyn could pass through a time slip in her great-aunt's house, where she visited William Thorne, a boy her own age, born two centuries earlier. After a family tragedy, the house was shuttered and Bronwyn was convinced that William existed only in her imagination. Now, 20 years later Bronwyn inherits Thorne Manor. And when she returns, William is waiting.

Jealousy, tragedy, survival, and revenge - the discovery of Christopher’s diary in the ruins of Foxworth Hall brings new secrets of the Dollanganger family to light and obsesses a new generation. With Flowers in the Attic and Petals on the Wind both now major Lifetime TV events, this first new addition to the Dollanganger story in nearly 30 years is a timely look at the events in the attic - from teenage Christopher’s point of view.

Little Marek, the abused and delusional son of the village shepherd, believes his mother died giving birth to him. One of Marek’s few consola­tions is his enduring bond with the blind village midwife, Ina, who suckled him when he was a baby. For some people, Ina’s ability to receive trans­missions of sacred knowledge from the natural world is a godsend. For others, Ina’s home in the woods is a godless place.

After years of self-exile, Jacinda “Jac” Brodie is back in Brook Haven, South Carolina. But the small cliffside town no longer feels like home. Jac hasn’t been there since the beloved chief of police fell to his death—and all the whispers said she was to blame. That chief was Jac’s father. Racked with guilt, Jac left town with no plans to return. But when her granddad lands in the hospital, she rushes back to her family, bracing herself to confront the past.

Opal is a lot of things—orphan, high school dropout, full-time cynic and part-time cashier—but above all, she's a determined to find a better life for her younger brother Jasper. One that gets them out of Eden, Kentucky, a town remarkable for only two things: bad luck and E. Starling, the reclusive nineteenth century author of The Underland, who disappeared over a hundred years ago. All she left behind were dark rumors—and her home. Everyone agrees that it’s best to ignore the uncanny mansion and its misanthropic heir, Arthur. Almost everyone, anyway.

Now reduced to a schoolyard chant, the Hope family murders shocked the Maine coast one bloody night in 1929. While most people assume seventeen-year-old Lenora was responsible, the police were never able to prove it. Other than her denial after the killings, she has never spoken publicly about that night, nor has she set foot outside Hope’s End, the cliffside mansion where the massacre occurred.

1647: A small group of Parliamentarian soldiers are ambushed in an isolated part of Northern England. Their only hope for survival is to flee into the nearby Moresby Wood...unwise though that may seem. For Moresby Wood is known to be an unnatural place, the realm of witchcraft and shadows, where the devil is said to go walking by moonlight. Seventeen men enter the wood. Only two are ever seen again, and the stories they tell of what happened make no sense. Stories of shifting landscapes, of trees that appear and disappear at will...and of something else.

Orkney 2024: a terrible discovery on an idyllic beach in Fynhallow Bay: a teenage boy has been burned to death, a girl is missing, and another girl, Erin, is in hospital and remembers just one thing – she is Nyx. Her mother, Clem, waits by her bed, desperate to bring her daughter back to reality. Orkney 1594: accused of witchcraft, Alison Balfour awaits trial. The punishment? Death by burning. Separated by four hundred years but united by the ancient clan of magic-wielders, the Triskele, two women stand imperiled.

Med school dropout Lena is desperate for a job, any job, to help her parents, who are approaching bankruptcy after her father was injured and laid off nearly simultaneously. So when she is offered a position, against all odds, working for one of Boston’s most elite families, the illustrious and secretive Verdeaus, she knows she must accept—no matter how bizarre the interview or how vague the job description. By day, she is assistant to the family doctor and his charge—the sickly, poetic, drunken heir to the family empire, who is as difficult as his illness is mysterious.

On a trip to the South of France, a shy young woman falls in love with Maxim de Winter, a handsome widower. Although his proposal comes as a surprise, she happily agrees to marry him. But as they arrive at her husband's home, Manderley, a change comes over Maxim, and the young bride is filled with dread. Friendless in the isolated mansion, she realises that she barely knows him. In every corner of every room is the phantom of his beautiful first wife, Rebecca, and the new Mrs de Winter walks in her shadow.

Haunted Castles is the definitive, complete collection of Ray Russell's masterful Gothic horror stories, including the famously terrifying novella trio of "Sardonicus", "Sanguinarius", and "Sagittarius", The characters that sprawl through Haunted Castles are frightful to the core: the heartless monster holding two lovers in limbo; the beautiful dame journeying down a damned road toward depravity (with the help of an evil gypsy); the man who must wear his fatal crimes on his face in the form of an awful smile.

This story of raging comedy and despair centers on the tempestuous marriage of an heiress and a Vietnam veteran. From their "carpenter Gothic" rented house, Paul sets himself up as a media consultant for Reverend Ude, an evangelist mounting a grand crusade that conveniently suits a mining combine bidding to take over an ore strike on the site of Ude's African mission.

Is it her destiny to love him? Or is it her destiny to die? Valtu Aminoff is no stranger to tragedy. Though many know him as the enigmatic vampire that inspired Bram Stoker's Dracula, Valtu's complex life is far more horrific than any fiction could imagine. When you lose the love of your life over and over again, it can do more than break your heart—it can corrupt your soul. It's up to his new lover to decide if Valtu's damaged soul is even worth saving. But destiny isn't done with Valtu yet. And tragedy is always around the corner.

Beneath the brilliance that was behind The Age of Innocence and Ethan Frome was a dark side. A dark side which produced magnificent tales of the unseen influences in our lives, such as "Mr. Jones", "The Eyes", "Kerfol", "The Ladie's Maid's Bell", and "The Looking Glass".

At the dawn of the twentieth century in Paris, Samantha Harker, daughter of Dracula's killer, works as a researcher for the Royal Society for the Study of Abnormal Phenomena. But no one realizes how abnormal she is. Sam is a channel into the minds of monsters: a power that could help her solve the gruesome deaths plaguing turn-of-the-century Paris—or have her thrown into an asylum.

Single mother Kate Reese is on the run. Determined to improve life for her and her son, Christopher, she flees an abusive relationship in the middle of the night with her child. Together, they find themselves drawn to the tight-knit community of Mill Grove, Pennsylvania. It's as far off the beaten track as they can get. Just one highway in, one highway out. At first, it seems like the perfect place to finally settle down. Then Christopher vanishes. For six awful days, no one can find him. Until Christopher emerges from the woods at the edge of town, unharmed but not unchanged.

Rhode Island, 1846. Estranged from his family, writer Merritt Fernsby is surprised when he inherits a remote estate in the Narragansett Bay. Though the property has been uninhabited for more than a century, Merritt is ready to call it home—until he realizes he has no choice. With its doors slamming shut and locking behind him, Whimbrel House is not about to let Merritt leave. Ever.

It was full dark when I snuck out of the castle to meet you. You wore those ripped black jeans and your new friend’s boots, with sleet from the forest still in the grooves. You moved awkwardly in your new clothes because you were still creating yourself, like one of your drawings. We drank vanilla cola from glass bottles and listened to a song about how fast the night changes over and over.

The male I'm forever bonded to is now a monster. A cruel beast. A vampire without remorse and no memories of our previous existence together. He has no idea who I am. What I mean to him. Who we used to be together. But I'm not giving up. He will remember me. I vow it.

England, 1881. Hereford Cathedral stands sentinel over the city, keeping its secrets, holding long forgotten souls in its stony embrace. Hecate Cavendish speeds through the cobbled streets on her bicycle, skirts hitched daringly high, heading for her new life as Assistant Librarian. But this is no ordinary collection of books. The cathedral houses an ancient chained library, wisdom guarded for centuries, mysteries and stories locked onto its worn, humble shelves. The most prized artifact, however, is the medieval world map which hangs next to Hecate’s desk.