English Gothic

Ever since their on-again, off-again college romance, Erin hasn’t been able to set a single boundary with charismatic but reckless Silas, who has been chasing the next big high since graduation. When he texts her to spring him out of rehab, she knows enough is enough. She is ready to start a career, make new friends, and meet a great guy—even if that means cutting Silas off. But when Silas turns up dead from an overdose, Erin’s world falls apart.

Holly Sherwin has been a struggling playwright for years, but now, after receiving a grant to develop her play Witching Night, she may finally be close to her big break. All she needs is time and space to bring her vision to life. When she stumbles across Hill House on a weekend getaway upstate, she is immediately taken in by the mansion, nearly hidden outside a remote village. It’s enormous, old, and ever-so eerie—the perfect place to develop and rehearse her play.

While sheltered in the clan's stronghold, Syssi is unaware that Kian and Amanda are not human, and neither are the supposedly religious fanatics that are after her. She feels a powerful connection to Kian, and as he introduces her to a world of pleasure she never dared imagine, his dominant sexuality is a revelation. Considering that she's completely out of her element, Syssi feels comfortable and safe letting go with him. That is, until she begins to suspect that all is not as it seems.

I’m the son of Liam O’Reagan, next in line to wear the crown. And when I prove myself worthy, I will RULE over the Irish Mafia. I don’t have time for distractions - much less time for a woman who has always been the bane of my existence. When Maeve comes back into my life, I fight like hell to resist the pull she has on me. An attraction that has only grown stronger with time.

The year is 1901, and Ada Byrd―spinster, schoolmarm, amateur naturalist―accepts a teaching post in isolated Lowry Bridge, grateful for the chance to re-establish herself where no one knows her secrets. She develops friendships with her neighbors, explores the woods with her students, and begins to see a future in this tiny farming community. Her past―riddled with grief and shame―has never seemed so far away. But then Ada begins to witness strange and grisly phenomena: a swarm of dying crickets, a self-mutilating rabbit, a malformed faun.

It is the summer of 1921, and a group of Bolsheviks have taken over Irina and Lili Goliteva’s ancestral home in Moscow, a stately mansion falling into disrepair and decay. The remaining members of their family are ordered to move into the cramped attic, while the officials take over an entire wing of grand rooms downstairs. The sisters understand it is the way of things and know they must forget their noble upbringing to make their way in this new Soviet Russia. But the house begins to whisper of a traumatic past not as dead as they thought.

Jack is a faceless gamer known as The Joker. He makes a living playing video games and using his gravelly voice to bring people’s sexual fantasies to life. When the top gaming site on the West Coast sends someone out to interview him, Quinlan walks into his apartment with her auburn curls and thick curves, and they’re instantly drawn to each other. Quinlan has no idea of the monster that lurks beneath the surface of his calm demeanor. Jack is quicksand, pulling her down into the dark underbelly of his desires.

It is the nineteenth century, the twilight of Europe’s bloody bacchanals, and a vampire must escape. She arrives to the coast of Buenos Aires and, for the second time in her life, watches as villages transform into a cosmopolitan city. She adapts, intermingles with humans, and attempts to be discreet.

With her signature spirit, Faith Merridew has left everything she's ever known for the man she thought was the love of her life. Instead he leaves her name - and dreams - in the dust. That is, until she crosses paths with Nicholas Blacklock, a Waterloo veteran, who offers to save her reputation with a marriage of convenience. A hardened soldier, Nick hides a deadly secret - and tries to keep Faith at arm's length. But even though Nick can command legions of men with a word, his orders go sweetly ignored by his convenient bride.

In the realm of the Dark-Hunters there is a code of honor that even immortal bad boys must follow: Harm no human. Drink no blood. Never fall in love. But every now and again a Dark-Hunter thinks himself above the Code. That's when I'm summoned. Who am I? I'm the one thing the fearless fear. Step over the line and it's my wrath you will face. Nothing can touch me. Nothing can sway me. I am relentless and unfeeling. Or so I thought until I met a female Dark-Hunter who goes by the name of Danger—it's not just her name, it's how she lives her life.

New Brunswick, 1934. When a cook in a logging camp finds an orphaned baby bear, he brings it home to his wife, who names the cub Bruno and raises him alongside her newborn daughter, Pearly Everlasting. During the Great Depression, amidst severe poverty and dangerous work conditions, Pearly’s family and the woodsmen form a close-knit community that embraces the tame, young bear in their camp. But when a new camp supervisor—who increasingly endangers the lives of the loggers for profit—arrives, he is less accepting of Bruno.

Thea Knight loves a spot of mischief. She especially loves her current mischief: masquerading as her sister, while finalizing her scheme to expose the dastardly knaves whose lies ruined her life. Then big, bad-tempered Lord Luxborough upends her game by maneuvering her into marriage. But it's her sister’s name on the license, so the marriage won’t be valid. Thea’s idea? Keep pretending to be her sister until she can run away.

In 1919, Kitty Weekes, pretty, resourceful, and on the run, falsifies her background to obtain a nursing position at Portis House, a remote hospital for soldiers left shell-shocked by the horrors of the Great War. Hiding the shame of their mental instability in what was once a magnificent private estate, the patients suffer from nervous attacks and tormenting dreams. But something more is going on at Portis House—its plaster is crumbling, its plumbing makes eerie noises, and strange breaths of cold waft through the empty rooms.

Eric Ross is on the run from a mysterious past with his two daughters in tow. Having left his wife, his house, his whole life behind in Maryland, he's desperate for money—it's not easy to find steady, safe work when you can't provide references, you can't stay in one place for long, and you're paranoid that your past is creeping back up on you.

Mexico in the 1970s is a dangerous country, even for Maite, a secretary who spends her life seeking the romance found in cheap comic books and ignoring the activists protesting around the city. When her next-door neighbor, the beautiful art student Leonora, disappears under suspicious circumstances, Maite finds herself searching for the missing woman—and journeying deeper into Leonora’s secret life of student radicals and dissidents.

Emotionally guarded Daphne Amos always believed she’d found a kindred spirit in her fiancé, Heath. Both very private people, they’ve kept their pasts hidden from the world, and each other, until Heath’s escalating nightmares begin to put an undeniable strain on their relationship. Determined to give their impending marriage the best chance of succeeding, Heath insists that Daphne join him on a seven-day retreat with Dr. Matthew Cerny, a psychologist celebrated for getting to the root of repressed memories.

It is autumn 1981 when inconceivable horror comes to Blackeberg, a suburb in Sweden. The body of a teenager is found, emptied of blood, the murder rumored to be part of a ritual killing. Twelve-year-old Oskar is personally hoping that revenge has come at long last—revenge for the bullying he endures at school, day after day. But the murder is not the most important thing on his mind. A new girl has moved in next door—a girl who has never seen a Rubik’s Cube before, but who can solve it at once. There is something wrong with her, though, something odd.

Dracula. A name of horror, depravity and the darkest sensuality. Yet the real Dracula was just as alluring, just as terrifying, his story not of a monster but of a man - and a contradiction. For the one they called 'The Devil's Son' was both tyrant and lawgiver, crusader and mass slaughterer, torturer and hero, lover and murderer. His tale is told by those who knew him best. The only woman he ever loved, who he must sacrifice. His closest comrade and traitor.

Merritt Fernsby’s life has changed considerably since he inherited Whimbrel House. He’s engaged to Hulda Larkin, who opened his eyes to the uncanny. And he’s grown quite protective of his uncle Owein—several generations, and iterations, removed. Owein is presently inhabiting the body of a mixed-breed terrier when Merritt receives a missive from none other than Alexandrina Victoria, the Queen of England: I am interested in your dog.

Practical, unassuming Jane Shoringfield has done the calculations and decided that the most secure path forward is this: a husband, in a marriage of convenience, who will allow her to remain independent and occupied with meaningful work. Her first choice, the dashing but reclusive Doctor Augustine Lawrence, agrees to her proposal with only one condition: that she must never visit Lindridge Hall, his crumbling family manor outside of town. Yet on their wedding night, an accident strands her at his door in a pitch-black rainstorm, and she finds him changed.