English Gothic

In April 1940, the ninth Duke of Rutland died in mysterious circumstances in one of the rooms of his family estate, Belvoir Castle. The mystery surrounding these rooms holds the key to a tragic story that is played out on the brutal battlefields of the Western Front and in the exclusive salons of Mayfair and Belgravia in the dying years of la belle époque. Uncovered is a dark and disturbing period in the history of the Rutland family, and one which they were determined to keep hidden for over 60 years. Sixty years on, The Secret Rooms is the true story of family secrets and one man’s determination to keep the past hidden at any cost.

Dorothea Truelove is young, wealthy, and beautiful. Ruth Butterham is young, poor, and awaiting trial for murder. When Dorothea's charitable work brings her to Oakgate Prison, she is delighted by the chance to explore her fascination with phrenology and test her hypothesis that the shape of a person's skull can cast a light on their darkest crimes. But when she meets one of the prisoners, the teenaged seamstress Ruth, she is faced with another strange idea.

Filmmaker Tessa Shepherd helped free a man she believed was wrongly imprisoned for murder. When he kills again, Tessa’s life is upended. She’s reeling with guilt, her reputation destroyed. Worse, Tessa’s mother has unexpectedly passed away, and her sister, Margot, turns on her after tensions from their past escalate. Hounded by a bullying press, Tessa needs an escape. That’s when she learns of a strange inheritance bequeathed by her mother: a derelict and isolated estate known as Fallbrook. It seems like the perfect refuge.

The 1850s are a time of discovery, and London is ablaze with the latest scientific theories and debates, especially when a spectacular new exhibition of dinosaur sculptures opens at the Crystal Palace. Mary is keen to make her name in this world of science alongside her geologist husband, Henry—but despite her sharp mind and sharper tongue, without wealth and connections their options are limited.

It is the summer of 1921, and a group of Bolsheviks have taken over Irina and Lili Goliteva’s ancestral home in Moscow, a stately mansion falling into disrepair and decay. The remaining members of their family are ordered to move into the cramped attic, while the officials take over an entire wing of grand rooms downstairs. The sisters understand it is the way of things and know they must forget their noble upbringing to make their way in this new Soviet Russia. But the house begins to whisper of a traumatic past not as dead as they thought.

In what Henry James called a 'trap for the unwary', The Turn of the Screw tells of a nameless young governess sent to a country house to take charge of two orphans, Miles and Flora. Unsettled by a dark foreboding of menace within the house, she soon comes to believe that something malevolent is stalking the children in her care. But is the threat to her young charges really a malign and ghostly presence or something else entirely?

Andrew and Eddie did everything together, best friends bonded more deeply than brothers, until Eddie left Andrew behind to start his graduate program at Vanderbilt. Six months later, only days before Andrew was to join him in Nashville, Eddie dies of an apparent suicide. He leaves Andrew a horrible inheritance: a roommate he doesn’t know, friends he never asked for, and a gruesome phantom that hungers for him.

After striking out on her own as a teen mom, Madi Price is forced to return to her hometown of Brandywine, Virginia, with her seventeen-year-old daughter. With nothing to her name, she scrapes together a living as a palm reader at the local farmers market. It’s there that she connects with old high school flame Henry McCabe, now a reclusive local fisherman whose infant son, Skyler, went missing five years ago. Everyone in town is sure Skyler is dead, but when Madi reads Henry’s palm, she’s haunted by strange and disturbing visions that suggest otherwise.

As her wedding to Lord Darkefell approaches, Lady Anne is summoned by a local girls' school to help them with a young student troubled by ghostly apparitions. She's quick to respond, and quick to discover the trickery behind the so-called ghosts. But despite her efforts to demonstrate to the student that she's been the victim of a cruel hoax, the young woman apparently jumps to her death the very next night. Stunned and saddened by the turn of events, Lady Anne soon realizes that what she thought was a prank was a dark precursor to foul play.

Once upon a time Orla was: a woman, a painter, a lover. Now she is a mother and a wife, and when her husband Nick suggests that their city apartment has grown too small for their lives, she agrees, in part because she does agree, and in part because she is too tired to think about what she really does want. She agrees again when Nick announces with pride that he has found an antiquated Georgian house on the Dorset cliffs—a good house for children, he says, tons of space and gorgeous grounds. But as the family settles into the mansion—Orla finds herself unsettled.

In a world where vampires and angels live in secret, one woman is prophesied to destroy them all. Astasiya Davenport knows she's different. It's hard to miss her peculiar skillset when she can persuade everyone around her to do whatever she wants just by uttering a few words. But she's never understood where the ability came from. Until she met him. Issac Wakefield. Billionaire extraordinaire. Vampire. A dark knight who should kill her, but offers her a deal instead. He's full of secrets and answers and the truth about her past.

Taking care of Auntie Cate should be an easy job until she finds something permanent, recent college graduate Emerson McGrath thinks, but she didn't bargain for the spooky, stone house in the middle of the wilds of Western Pennsylvania or its mysteries. A house that creaks and groans at every turn is the last thing she needs in her lifelong battle with crippling anxiety. Local Dr. Colin Strozik catches her eye with his kindness and strength, but can he be trusted?

Po Lam needs absolution. After decades of faithfully serving Mrs. Edevane, Po Lam can no longer excuse a life of bondage and murder. She needs a fresh start. A clean conscience. More than anything, she needs to save Gean Choo from a love that will destroy them all.

Mexico in the 1970s is a dangerous country, even for Maite, a secretary who spends her life seeking the romance found in cheap comic books and ignoring the activists protesting around the city. When her next-door neighbor, the beautiful art student Leonora, disappears under suspicious circumstances, Maite finds herself searching for the missing woman—and journeying deeper into Leonora’s secret life of student radicals and dissidents.

William Day should be an acclaimed Arctic explorer. But after a failed expedition, in which his remaining men only survived by eating their dead comrades, he returned in disgrace. Thirteen years later, his second-in-command, Jesse Stevens, has gone missing in the same frozen waters. Perhaps this is Day’s chance to restore his tarnished reputation by bringing Stevens­—the man who’s haunted his whole life—back home. But when the rescue mission becomes an uncanny journey into his past, Day must face up to the things he’s­ done.

Satan’s final judgement on Victoria sums up a shocking novel, set in Venice at the end of the 15th century, that tracks the path of its heroine from abused victim to fully fledged criminal. Her conscious embodiment of vice seems to know no limits. Depicting unfettered desire and gratuitous cruelty, and challenging taboos of race and class, this tale of lust, betrayal, and multiple murder has Dacre moving beyond the limits of contemporaneous gothic heroes into a truly hellish zone of her own.

I'm not who I used to be. Valentine Morningstar, my own father, tried to ruin my life, and instead he made me stronger. But my own power will consume me if I don't learn how to control it, how to channel it to help everyone, not just myself. I have to learn how to be this new person I've become. GC - my handsome false god, Pazuzu - my dark demon, Sariel - my fallen archangel, and Francis - my...I know what he is now, but it hurts to say it. They keep me grounded. They keep me sane, and they keep me good. Without them, I'm afraid I might just turn into a villain.

For more than 50 years, William Gaddis collected notes for a book about the mechanization of the arts, told by way of a social history of the player piano in America. In the years before his death in 1998, he distilled the whole mass into a fiction, a dramatic monologue by an elderly man with a terminal illness. Continuing Gaddis's career - long reflection on those aspects of corporate technological culture that are uniquely destructive of the arts - Agape Agape is a stunning achievement from one of the indisputable masters of postwar American fiction.

Driven by the glory he'll earn from the Royal Horticultural Society for such an achievement, Gregor ignores the flaws in his plan: that intelligence cannot be controlled; that plants cannot be reasoned with; and that the only way his plant-beast will flourish is if he uses a recently deceased corpse for the substrate. The experiment-or Chloe, as she is named-outstrips even Gregor's expectations, entangling their strange household. But as Gregor's experiment flourishes, he wilts under the cost of keeping it hidden from jealous eyes.

Lilly Bly desperately wants to have a baby. She is struggling with infertility and bad spending habits when her husband, Jack, gets a new job that moves them from Chicago to a small town in Wisconsin. Impractical Lilly falls in love with a decrepit mansion well out of their price range—she is convinced that she will finally get pregnant and have a baby in this house—and Jack agrees to it. But when Lilly learns that her dream house was the site of a gruesome triple homicide/suicide in the 1950s, she begins to experience strange occurrences that soon lead her to believe the house is haunted.