English Gothic

Nellie Gardner is looking for a way out of an abusive marriage when she learns that her long-lost grandfather, August Redfern, has willed her his turpentine estate. She throws everything she can think of in a bag and flees to Georgia with her eleven-year-old son, Max, in tow. It turns out that the "estate" is a decrepit farmhouse on a thousand acres of old (rotting) pine forest, but Nellie is thrilled about the chance for a fresh start for her and Max. So it takes her a while to notice the strange scratching in the walls, the faint whispering at night, how the forest is eerily quiet.

Satan’s final judgement on Victoria sums up a shocking novel, set in Venice at the end of the 15th century, that tracks the path of its heroine from abused victim to fully fledged criminal. Her conscious embodiment of vice seems to know no limits. Depicting unfettered desire and gratuitous cruelty, and challenging taboos of race and class, this tale of lust, betrayal, and multiple murder has Dacre moving beyond the limits of contemporaneous gothic heroes into a truly hellish zone of her own.

Growing up in Louisiana, Gabriel’s young life is a happy one, despite the growing rift between her mother and her conniving, whiskey-drinking daddy. Her dreams for a bright future as an artist are cut short, however, when her innocence is shattered by the rich cannery owner Octavious Tate. Pregnant and desperate to spare her mother the scandal, Gabriel agrees to a shocking plan that will allow Octavious’ wife, Gladys, to claim the baby as her own and will net Gabriel’s father a huge payoff.

Savaged by critics for its supposed profanity and obscenity and bought in large numbers by readers eager to see whether it lived up to its lurid reputation, The Monk became a success due to scandal when it was published in 1796 - not least because its author was a member of parliament and only 20 years old.

There is only one way to travel across the Wastelands: on the Trans-Siberian Express, a train as famous for its luxury as for its danger. The train is never short of passengers, eager to catch sight of Wastelands creatures more miraculous and terrifying than anything they could imagine. But on the train's last journey, something went horribly wrong, though no one seems to remember what exactly happened. Not even Zhang Weiwei, who has spent her life onboard and thought she knew all of the train’s secrets.

I am not a liar or a thief or a criminal. At least, not anymore. But here I am doing the things that I promised myself I would never do again. Nicholas Crawford made me an offer I couldn’t refuse. He is dangerous and damaged but so am I. Our relationship is an addiction that we have to feed. Now, things are about to get even more complicated. Allegiances will be tested. Lies will be told. Truths will be revealed. We have both made promises that we can’t keep. The secrets we have uncovered only scratch the surface, and I’m afraid to find out what lies below.

In this original collection from Skyboat Media and Blackstone Publishing, Elizabeth Gaskell showcases the height of gothic fiction's ability to delight in the otherworldly and to dig deep into what truly haunts us. Set against the backdrop of the Salem witch trials, "Lois the Witch" reveals much about the complicity of mankind. Recently orphaned, Lois is forced to leave the English parsonage that had been her home and sail to America.

In 1897, at the age of 50, Bram Stoker was touring manager to the actor Henry Irving and was enjoying a modest success as a journalist and writer. Publication in that year of Dracula was to bring him international and lasting fame.

In a world where vampires and angels live in secret, one woman is prophesied to destroy them all. Astasiya Davenport knows she's different. It's hard to miss her peculiar skillset when she can persuade everyone around her to do whatever she wants just by uttering a few words. But she's never understood where the ability came from. Until she met him. Issac Wakefield. Billionaire extraordinaire. Vampire. A dark knight who should kill her, but offers her a deal instead. He's full of secrets and answers and the truth about her past.

Consumption has ravaged Louise Pinecroft's family, leaving her and her father alone and heartbroken. But Dr. Pinecroft has plans for a revolutionary experiment: convinced that sea air will prove to be the cure his wife and children needed, he arranges to house a group of prisoners suffering from the disease in the caves beneath his new Cornish home. While he devotes himself to his controversial medical trials, Louise finds herself increasingly discomfited by the strange tales her new maid tells of the fairies that hunt the land, searching for those they can steal away to their realm.

Wuthering Heights is Emily Brontë's only novel. It was first published in 1847 under the pseudonym Ellis Bell, and a posthumous second edition was edited by her sister Charlotte. The name of the novel comes from the Yorkshire manor on the moors on which the story centres (as an adjective, wuthering is a Yorkshire word referring to turbulent weather). The narrative tells the tale of the all-encompassing and passionate, yet thwarted, love between Heathcliff and Catherine Earnshaw, and how this unresolved passion eventually destroys them and many around them.

Merrick Darling’s life as daughter of the Manor Lord of Sussex is better than most. Unlike the commoners, she is immune to the toxic fog that encroached on England generations earlier. She will never become a Phantom—one of the monstrous creatures that stalk her province’s borders—and as long as the fires burn to hold them back, her safety is ensured. She wants for nothing, yet she will never inherit her family’s Manor. She must marry smartly or live at the kindness of her elder sister, Essie. Everything is turned on its head, though, when Merrick’s father dies suddenly.

Once upon a time Orla was: a woman, a painter, a lover. Now she is a mother and a wife, and when her husband Nick suggests that their city apartment has grown too small for their lives, she agrees, in part because she does agree, and in part because she is too tired to think about what she really does want. She agrees again when Nick announces with pride that he has found an antiquated Georgian house on the Dorset cliffs—a good house for children, he says, tons of space and gorgeous grounds. But as the family settles into the mansion—Orla finds herself unsettled.

The time is 1902. The setting, eastern Oregon. Magic Child, a 15-year-old Native American girl, wanders into the wrong whorehouse looking for the right men. She finds Cameron and Greer, two gunmen taking a timeout from the game after an aborted job in Hawaii. Their violent past doesn't concern Magic Child. She wants them to kill a monster for her, one she says lives in the ice caves under the basement of Miss Hawkline's yellow house, and one she says has killed before. But the more she tells them about the monster, the more her story unravels.

I used to be Ellis Landon. Ordinary at best. And literally haunted. But now I'm Ryker's Firestarter. Levi's Dangerous Girl. Jacob's Princess. Funny how different love will make you. Stronger. Braver. Bound and free, all at once. Pursued by demons and by the company that would imprison us to unlock the secrets of the Far, we have to find the Fourth. The last member of my harem. Together, we'll be a force to be reckoned with. Together, we'll protect my mother and rescue my sister from the dark afterlife. Together with my harem, I'll never be unloved and unwanted again.

Lucia and her sisters grew up on the edge of Mockbeggar Woods. They knew it well—its danger, but also its beauty. As a lonely teenager, Kate was drawn to these sisters, who were unlike anyone she’d ever met. But when they brought her into the woods, something dark was awakened, and Kate has never been able to escape the terrible truth of what happened there. Now, Kate is returning home for the first time in years—for Sam and Chloe’s wedding. But the woods are stirring again, and Kate must reconnect with Lucia, her first love, to protect Chloe, the village, and herself.

Iris Chapel and her five elegant sisters, all of them heiresses to the Chapel firearms fortune, live cloistered in a lavish Victorian mansion. Neglected by both a distant, workaholic father and a mentally troubled mother—who believes their home is haunted by the victims of Chapel weapons—the sisters have grown up with only each other for company. They long to escape the eerie fairy tale of their childhood and move forward into the modern world, but for young women in 1950s Connecticut, the only way out is through marriage.

I have 36 hours to live. Thirty-six hours to find a solution. Thirty-six hours to kill them all. My friends. My family. My subjects. It's a cruel fate, one my maker subjected me to over a century ago when she placed me in this hell. I learned then that freedom is a falsehood. Escape doesn't exist. I'm a ticking time bomb, slated to erupt.

Nicoletta knows all too well the curse that plagues the house of Scarletti. Then she gazes into the dark, mesmerizing eyes of Don Scarletti and she fears for her future - for it is Scarletti's ancient right to select a bride from among his people...and he has chosen her. Compelled by duty, driven by burning, inescapable desire, Nicoletta surrenders to this powerful, hypnotic man, giving her body willingly into his keeping. But will the tormented don be her heart's destiny... or her soul's destruction?

My "true love" conspired with my stepmother to have me killed and stole my throne. But they failed. I've been in hiding and refining my vengeance. I'm no longer the damsel they mistook me for once upon a time. I'm coming for them. And my kingdom, too. Who needs dwarves when you have wolves? Who needs blades when you have arrows? My name used to be Snow. Now they call me the Winter's Arrow. Because I'm here to destroy them all.